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Articles 1 - 13 of 13
Full-Text Articles in Law
I Own Therefore I Am: Copyright, Personality, And Soul Music In The Digital Commons, David Dante Troutt
I Own Therefore I Am: Copyright, Personality, And Soul Music In The Digital Commons, David Dante Troutt
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
Teaching Without Infringement: A New Model For Educational Fair Use , David A. Simon
Teaching Without Infringement: A New Model For Educational Fair Use , David A. Simon
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
Million Dollar Baby: Celebrity Baby Pictures And The Right Of Publicity , Natalie Grano
Million Dollar Baby: Celebrity Baby Pictures And The Right Of Publicity , Natalie Grano
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
The Public As Creator And Infringer: Copyright Law Applied To The Creators Of User-Generated Video Content , David E. Ashley
The Public As Creator And Infringer: Copyright Law Applied To The Creators Of User-Generated Video Content , David E. Ashley
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
The Evolution Of Copyright Law In The Arts, Kevin Liftig
The Evolution Of Copyright Law In The Arts, Kevin Liftig
Honors Scholar Theses
As digital storage of intellectual goods such as literature and music has become widespread, the duplication and unlicensed distribution of these goods has become a frequent source of legal contention. When technology for production and replication of intellectual goods advanced, there were disputes concerning the rights to produce and duplicate these works. As new technologies have made copies of intellectual goods more accessible, legal institutions have largely moved to protect the rights of ownership of ideas through copyright laws. This paper will examine key changes in the technology that affect intellectual property, and the responses that legal institutions have made …
Copyright Or Trademark? Can One Boy Wizard Prevent Film Title Duplication?, Anna Phillips
Copyright Or Trademark? Can One Boy Wizard Prevent Film Title Duplication?, Anna Phillips
San Diego International Law Journal
This Comment will examine the various approaches that India, the United Kingdom, and the United States take in dealing with film title disputes. Second, this Comment will discuss a case brought by Warner Brothers regrding a Harry Potter film title dispute in India and how the outcome of the case affects title infringement issues... Finally, this Comment will discuss a possible loophole in current trademark regulations regarding film titles that will support the argument that countries should use both copyright and trademark law to minimize the release of film titles that are similar or identical to those already on the …
Who Owns Bratz? The Integration Of Copyright And Employment Law, Michael D. Birnhack
Who Owns Bratz? The Integration Of Copyright And Employment Law, Michael D. Birnhack
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
From Mbube To Wimoweh: African Folk Music In Dual Systems Of Law, Deborah Wassel
From Mbube To Wimoweh: African Folk Music In Dual Systems Of Law, Deborah Wassel
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
Custom, Comedy, And The Value Of Dissent, Jennifer E. Rothman
Custom, Comedy, And The Value Of Dissent, Jennifer E. Rothman
All Faculty Scholarship
In this essay, I comment on Dotan Oliar and Christopher Sprigman's article, There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 94 Va. L. Rev. 1787 (2008). Their study of the quasi-intellectual property norms in the stand-up comedy world provides yet another compelling example of the phenomenon that I have explored in which the governing intellectual property regime takes a backseat to social norms and other industry customs that dominate the lived experiences of many in creative fields. The microcosm of stand-up comedy reinforces my concern that customs are being used to …
Fair Game: The Application Of Fair Use Doctrine To Machinima. , Christopher Reid
Fair Game: The Application Of Fair Use Doctrine To Machinima. , Christopher Reid
Fordham Intellectual Property, Media and Entertainment Law Journal
No abstract provided.
From Parts Unknown: Wwe V. Jim Hellwig In The Ultimate Battle For Character Copyright, Daniel Bilsky
From Parts Unknown: Wwe V. Jim Hellwig In The Ultimate Battle For Character Copyright, Daniel Bilsky
Marquette Sports Law Review
No abstract provided.
Live Performance, Copyright, And The Future Of The Music Business, Mark F. Schultz
Live Performance, Copyright, And The Future Of The Music Business, Mark F. Schultz
University of Richmond Law Review
No abstract provided.
Internet Killed The Copyright Law: Perfect 10 V. Google And The Devastating Impact On The Exclusiive Right To Display, Deborah B. Morse
Internet Killed The Copyright Law: Perfect 10 V. Google And The Devastating Impact On The Exclusiive Right To Display, Deborah B. Morse
Deborah Brightman Morse
Never has the dissonance between copyright and innovation been so extreme. The Internet provides enormous economic growth due to the strength of e-commerce, and affords an avenue for creativity and the wide dissemination of information. Nevertheless, the Internet has become a plague on copyright law. The advent of the digital medium has made the unlawful reproduction, distribution, and display of copyrighted works essentially effortless. The law has been unable to keep pace with the rapid advance of technology. For the past decade, Congress has been actively attempting to draft comprehensible legislation in an effort to afford copyright owners more protection …