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Chinese Transnational Cinema And The Collaborative Tilt Toward South Korea, Brian Yecies Jan 2016

Chinese Transnational Cinema And The Collaborative Tilt Toward South Korea, Brian Yecies

Faculty of Law, Humanities and the Arts - Papers (Archive)

To shed light on the important and growing trend in international filmmaking, this chapter investigates the increasing levels of co-operation in co-productions and post-production work between China and Korea since the mid-2000s, following a surge in personnel exchange and technological transfer. It explains how a range of international relationships and industry connections is contributing to a new ecology of expertise, which in turn is boosting the expansion of China’s domestic market and synergistically transforming the shape and style of Chinese cinema.


The Douban Online Social Media Barometer And The Chinese Reception Of Korean Popular Culture Flows, Brian Yecies, Jie Yang, Ae-Gyung Shim, Kai Ruo Soh, Matthew J. Berryman Jan 2016

The Douban Online Social Media Barometer And The Chinese Reception Of Korean Popular Culture Flows, Brian Yecies, Jie Yang, Ae-Gyung Shim, Kai Ruo Soh, Matthew J. Berryman

Faculty of Law, Humanities and the Arts - Papers (Archive)

Since its launch in 2005, the Chinese online social networking site Douban has become a key platform for creating and sharing user-generated content on a rising tide of global popular culture. Such content and its corresponding user data has become so prolific that Western media outlets are now using Douban a key barometer for gauging representative opinions and attitudes towards foreign content in China. However, a full range of tools for harvesting and analyzing Chinese-language datasets has yet to be explored in English. This article attempts to fill this gap by investigating the applicability of an analytical framework that can …


The Chinese-Korean Co-Production Pact: Collaborative Encounters And The Accelerating Expansion Of Chinese Cinema, Brian Yecies Jan 2016

The Chinese-Korean Co-Production Pact: Collaborative Encounters And The Accelerating Expansion Of Chinese Cinema, Brian Yecies

Faculty of Law, Humanities and the Arts - Papers (Archive)

Official film co-production treaties are designed by policymakers to stimulate a range of collaboration and media flows as determinants of country rankings. China, where , technology transfer, and joint funding initiatives in the industry. Since July 2004, the Chinese government has used this top-down approach to cultural diplomacy as a symbolic tool for advancing Chinese cinema and opening the domestic market to a host of willing international partners. Korean filmmakers in particular have exploited the (often informal) opportunities presented, engaging in vigorous cooperation between film industry firms and practitioners is making significant inroads, is one such case, having fallen outside …


Mining Chinese Social Media Ugc: A Big Data Framework For Analyzing Douban Movie Reviews, Jie Yang, Brian Yecies Jan 2016

Mining Chinese Social Media Ugc: A Big Data Framework For Analyzing Douban Movie Reviews, Jie Yang, Brian Yecies

Faculty of Law, Humanities and the Arts - Papers (Archive)

Analysis of online user-generated content is receiving attention for its wide applications from both academic researchers and industry stakeholders. In this pilot study, we address common Big Data problems of time constraints and memory costs involved with using standard single-machine hardware and software. A novel Big Data processing framework is proposed to investigate a niche subset of user-generated popular culture content on Douban, a well-known Chinese-language online social network. Huge data samples are harvested via an asynchronous scraping crawler. We also discuss how to manipulate heterogeneous features from raw samples to facilitate analysis of various film details, review comments, and …


Silent Protest And The Art Of Paper Folding: The Golden Venture Paper Sculptures At The Museum Of Chinese In America, Sandra Cheng Jan 2016

Silent Protest And The Art Of Paper Folding: The Golden Venture Paper Sculptures At The Museum Of Chinese In America, Sandra Cheng

Publications and Research

Housed in the Museum of Chinese in America is the Fly to Freedom collection of paper art, which were produced by a traditional folk method of Chinese paper folding. The 123 paper works were created by detainees of the Golden Venture, a freighter used to smuggle undocumented immigrants into the U.S. On the evening of June 6, 1993, the ship ran aground off the Rockaways in New York City and nearly 300 migrants, gaunt from the four-month ordeal at sea, poured out of the cramped windowless hold of the vessel. Several drowned that night, a few escaped, but the majority …