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Performance Anxiety: Copyright Embodied And Disembodied, Rebecca Tushnet
Performance Anxiety: Copyright Embodied And Disembodied, Rebecca Tushnet
Georgetown Law Faculty Publications and Other Works
The primary economic and cultural significance of copyright today comes from works and rights that weren’t contemplated by the Framers of the Constitution’s Copyright Clause. Performance—both as protected work and as right—is where much of copyright’s expansion has had its greatest impact, as new technologies have made it possible to fix performances in records and films and as cultural change has propelled recorded music and audiovisual works to the forefront of the copyright industries. Yet copyright has never fully conceptualized performance, and this has led to persistent confusion about what copyright protects.
One key problem of performance from copyright’s perspective …