Open Access. Powered by Scholars. Published by Universities.®

Law Commons

Open Access. Powered by Scholars. Published by Universities.®

Columbia Law School

Series

2010

Copyright Act

Articles 1 - 3 of 3

Full-Text Articles in Law

United States Response To Questionnaire Concerning The Terms Of Protection In The Field Of Copyright And Related Rights, June M. Besek, Jane C. Ginsburg, N. Orly Leventer, Joshua L. Simmons Jun 2010

United States Response To Questionnaire Concerning The Terms Of Protection In The Field Of Copyright And Related Rights, June M. Besek, Jane C. Ginsburg, N. Orly Leventer, Joshua L. Simmons

Faculty Scholarship

No abstract provided.


User-Generated Content Sites And Section 512 Of The Us Copyright Act, Jane C. Ginsburg Jan 2010

User-Generated Content Sites And Section 512 Of The Us Copyright Act, Jane C. Ginsburg

Faculty Scholarship

This book chapter considers the liability of entrepreneurs of ‘user-generated content’ (UGC) sites. These immensely popular fora, such as YouTube and My Space, enable their participants to post and view a great variety of content, not all of it in fact generated by the posting user. The legislative compromise worked out between telecommunications providers and content owners in the 1998 ‘Digital Millennium Copyright Act’ provides the statutory framework, at once insulating the operators of UGC sites from debilitating copyright sanctions, while still affording meaningful relief to copyright owners. The statutory criteria to qualify for the section 512(c) safe harbor are …


A Common Lawyer's Perspective On Contrefaçon, Jane C. Ginsburg Jan 2010

A Common Lawyer's Perspective On Contrefaçon, Jane C. Ginsburg

Faculty Scholarship

Contrefaçon in French copyright law examines the scope of French copyright through the lens of remedies. Contrefaçon is the act to which certain civil and criminal sanctions attach. Viewed from this angle, the history of French copyright law tells a tale of the slow emergence of a unified concept of the wrongful act, covering not only the manufacturing of copies but also public performances, live and through transmissions. The emphasis on contrefaçon reveals the continuity of the revolutionary authors' right of 1793 with the ancient régime of printing regulation, with unauthorized production of physical copies of books remaining the essence …