Law Commons^™

New Media, New Rules: The Digital Performance Right And Streaming Media Over The Internet, Joseph E. Magri

Vanderbilt Journal of Entertainment & Technology Law

Streaming music over the Internet, or what otherwise is known as webcasting or Internet radio, has the potential to become the single most revolutionary means of music transmission ever developed.' In order to appreciate the potential impact of Internet radio, it is helpful to understand that Internet radio has the ability to venture far beyond the at-home personal computer that is tethered to a wall and logged-on to the Internet. With advances in wireless broadband technologies, such as wireless fidelity or Wi-Fi, and the growing availability of Internet content via mobile devices,' Internet radio will soon become widely available on …

The E-Rated Industry: Fair Use Sheep Or Infringing Goat?, Christina Mitakis

Vanderbilt Journal of Entertainment & Technology Law

This Note explores the copyright issues presented by the litigation between companies that sanitize movies for viewing by the general public and the studios and directors involved in the creation of the edited movies. Collectively, these companies comprise what is generally referred to as the e-rated industry.' Certain companies within the e-rated industry use digital editing software to edit profanity, sex and violence from popular movies, while other companies provide software allowing viewers to edit their own DVDs. In all cases, this editing is done without the consent of the moviemakers. CleanFilms, which rents out e-rated movies, defines e-rated movies …

Idea Men Should Be Able To Enforce Their Contractual Rights: Considerations Rejecting Preemption Of Idea-Submission Contract Claims, Celine Michaud, Gregory Tulquois

Vanderbilt Journal of Entertainment & Technology Law

It is a long-standing and general rule that ideas are "free as the air" as Justice Brandeis eloquently stated in the dissent to the seminal case International News Service v. Associated Press.' This axiom of copyright law expresses the idea that copyright does not protect ideas but only protects the expression of ideas in a work. The distinction between unprotected ideas and protected expression is often referred to as the idea-expression dichotomy...

The principle of the idea-expression dichotomy was initially stated in Baker v. Selden, and later cases further articulated this principle, so that it has become one of the …

Solutions Are On Track, Beth A. Thomas

Vanderbilt Journal of Entertainment & Technology Law

This Note discusses the need to solve the copyright problems caused by digital file sharing over peer-to-peer networks and the possible solutions that would be acceptable to both the media industries and the public. While it is likely that the problems caused by file sharing will not decrease significantly by placing post-sales control in the hands of the artists, it is probable that legislative and industry driven technical counter-measures will be able to decrease illegal file sharing in an acceptable way.

Part I outlines copyright in general and how digital technology is pushing at the boundaries of copyright law. Part …

Copyright And The First Amendment: After The Wind Done Gone, Joseph M. Beck

Vanderbilt Journal of Entertainment & Technology Law

On March 16, 2001, plaintiff SunTrust Bank filed a complaint in the United States District Court for the Northern District of Georgia against defendant Houghton Mifflin Company, alleging copyright and trademark infringement based on defendant's yet-to-be published novel The Wind Done Gone. On March 23, plaintiff filed a motion for a temporary restraining order and preliminary injunction barring the book's imminent publication. The district court held a hearing on the motion for a temporary restraining order on March 29,2001, and then set down a second hearing for April 18, 2001. On April 20,2001, the district court filed a fifty-one page …

A Sample For Pay Keeps The Lawyers Away: A Proposed Solution For Artists Who Sample And Artists Who Are Sampled, Charles E. Maier

Vanderbilt Journal of Entertainment & Technology Law

The law of copyright has its origins in the constitu- tion of the United States, which grants congress the power "to promote the Progress of Science and the useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discov- eries. To carry out this mandate, Congress passed the Copyright Act, establishing the basic rights to be enjoyed by the copyright owner, including the right of adaptation, and the right of reproduction. ''

Sampling seems to be a clear violation of these exclusive rights. However, Congress has provided an excep- tion, the …