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Full-Text Articles in Law

The Bad Boy: A Cultural Phenomenon, Writing Collective Ffc 100.12 Sep 2014

The Bad Boy: A Cultural Phenomenon, Writing Collective Ffc 100.12

e-Research: A Journal of Undergraduate Work

The bad boy is a cultural phenomenon that exists as an archetype in all sorts of artistic mediums, though most prevalently in literature and film, and even in the real world. The bad boy is defined through his actions and his philosophy of resistance - of challenging the world (ours or his own) on the normalcy of its convictions. This article explores the ways in which the bad boy manifests and the vast categories he may occupy - from hero to criminal, introvert to public performer, or sexual deviant to authoritarian dictator. The bad boy is many things: a liberator, …


Are Approval Ratings An Accurate Reflection Of Success? Effects Of Media Coverage On Public Opinion Of Colin Powell, Michaela Dalton Sep 2014

Are Approval Ratings An Accurate Reflection Of Success? Effects Of Media Coverage On Public Opinion Of Colin Powell, Michaela Dalton

e-Research: A Journal of Undergraduate Work

No abstract provided.


Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl May 2014

Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl

Accessus

The first three chapters of the sixth book of the Vox Clamantis (lines 1-248) comprise a harsh critique of the many avaricious lawyers who, in Gower’s opinion, have come to dominate their profession to the disadvantage of English society in the late fourteenth century. Driven exclusively by their appetite for possessions, they have forgotten the biblical model presented in Psalm 14 that specifies the obligation of the good man to assist without recompense his neighbor’s search for justice. Falsely claiming to be men of law and inheritors of the biblical model of the good man, the causidici (as Gower calls …


Closing The Loop: "The Promise And Threat Of The Sacred" In Rian Johnson’S Looper, Brian W. Nail Mar 2014

Closing The Loop: "The Promise And Threat Of The Sacred" In Rian Johnson’S Looper, Brian W. Nail

Journal of Religion & Film

This article examines the ways in which Rian Johnson’s recent film Looper (2012) portrays the complex relationship between violence and the sacred in contemporary society through its exploration of the theme of retribution. Utilizing René Girard’s theory of sacrifice and Roberto Esposito’s explication of the immunitary logic of the sacred, this study argues that the film reveals the double nature of the sacred as a source of both life and death within society. Through an examination of crucial elements of Looper’s plot and setting, and in particular its enigmatic climax, I argue that as a religious film, Looper challenges its …