Engineering Commons^™

4-Band Personal Eq Device, Carson Kellerman

Electrical Engineering

The device is a 4-band EQ with 3.5mm audio input and output jacks. The device has 4 adjustable EQ bands. Each of the 4 bands are adjustable via knob potentiometers, and are able to boost or cut their respective center frequencies of 150Hz, 400Hz, 2500Hz, and 10kHz from -15dB to +15dB. The device is battery powered off of 1 9V battery and is able to function for 10 hours before needing to replace the batteries. The device has a Total Harmonic Distortion of less than 1% and a Signal to Noise Ratio greater than 60dB. Overall, this device allows music …

Standalone Wireless Humming Music Synthesizer, Elizaveta Viktorovna Koush, Conrad Kinsey, Alberto Munoz

Electrical Engineering

This project, called a standalone wireless humming music synthesizer, aimed to provide a tool for musicians to make creating music easier. It did this by removing learning barriers and adding an assistive functionality element that current synthesizers fail to address.

Existing methods for synthesizers typically include a keyboard or some collection of buttons to play melodies on. This requires the knowledge of music theory and a learning curve for the instrument, and this device aims to tackle this barrier. A device that can synthesize your voice into high-quality audio removes this musical knowledge barrier and allows anyone to easily convert …

Multi-Effect Guitar Pedal, Ryan K. Madden

Electrical Engineering

This product is a multi-effect pedal to be used with an electric guitar. This unit can distort and overdrive the weak signal from a guitar as well as add chorus, phaser, and compressor effects to the signal. Additionally, the user can choose different serial combinations of the effects, allowing full creativity and experimentation with a multitude of signal chain options. This product, having many different effects, saves space than if the effects were all individual devices. To interact with the product, there is a user interface with buttons, LEDs, and an OLED screen to allow the user to customize the …

Development Of A Low-Cost Hybrid Music Synthesizer, Spencer Rollins Drewry

Electrical Engineering

Until recently, affordable music equipment has always been seen as “budget”, providing a poor user experience. Inexpensive equipment was plagued with audible noise, signal integrity issues, and convoluted user interfaces. Companies like Teenage Engineering have proven that this does not have to be the case, in 2019 introducing their "Pocket Operator” series for $89. Due to the modern availability of low cost, high quality, consumer off the shelf [COTS] analog and digital components as well as creative engineering, the quality of inexpensive audio equipment has increased significantly. Despite these industry advances, the market is relatively small and shows a great …

Music Synthesizer Senior Project: Danalog, Vikrant A. Marathe

Electrical Engineering

The Danalog is a 25 key portable digital music synthesizer that uses multiple synthesis methods and effects to generate sounds. Sound varieties included three synthesis methods including FM, subtractive, and sample-based, with up to eight adjustable parameters, at least four effects, including reverb, chorus, and flange, with five adjustable parameters, and at least two note polyphony, and a five band equalizer. The user would be able to adjust these effects using digital encoders and potentiometers and view the settings on two LCD screens. The finals project was unable to meet the original design requirements. The FM synthesis method was primarily …

Danalog: Digital Music Synthesizer, Evan R. Lew

Electrical Engineering

The Danalog is a 25 key portable digital music synthesizer that uses multiple synthesis methods and effects to generate sounds. Sound varieties included three synthesis methods including FM, subtractive, and sample-based, with up to eight adjustable parameters, at least four effects, including reverb, chorus, and flange, with five adjustable parameters, and at least two note polyphony, and a five band equalizer. The user would be able to adjust these effects using digital encoders and potentiometers and view the settings on two LCD screens.

The finals project was unable to meet the original design requirements. The FM synthesis method was primarily …

Baserock Bluetooth: Bi-Directional Bluetooth And 3.5 Mm Headphone Jack Compatibility Device, Jonathan A. Falco

Electrical Engineering

This project was proposed by a startup company from downtown San Luis Obispo called BaseRock. BaseRock sells a backpack containing subwoofers to allow the user to feel low frequencies of music. It is intended for concerts or personal use, listening to songs on an MP3. The main way the BaseRock backpack communicates with MP3s is via the headphone jack. With the introduction of the Apple iPhone 7 in September of 2016, BaseRock realized it was at a disadvantage. Millions of iPhone 7 owners and potential customers around the globe would no longer possess a headphone jack. BaseRock needs a Bluetooth-to-headphone …

Music Synthesizer Senior Project: Individual Report, Bryan Bellin

Electrical Engineering

No abstract provided.

Wireless Audio Bridge, Daniel L. Hodges

Electrical Engineering

Bluetooth, a wireless technology standard used to exchange data using radio transmissions, has made a significant impact on the audio technology industry, specifically the way people listen to music. This technology enables a wireless listening experience, eliminating the need for wires or cables between audio devices as previously required. Audio can transmit from a cellphone or laptop (an output device) to a pair of headphones or speakers (an input device) without any physical connection. Compared to alternative wireless listening solutions (i.e. FM transmitter, radio broadcast), Bluetooth offers greater reliability, audio fidelity, portability, and ease of use. To obtain this functionality, …

Multiplicative Feedback Audio Distortion Circuit, Colton Parsons

Electrical Engineering

This circuit aims to distort an audio signal input in a novel and aesthetically pleasing manner. When it comes to the timbre of a note, even harmonics generally sound better than odd harmonics. Most forms of audio signal distortion (usually for electric guitar) primarily add odd harmonics to a signal, as this is easily accomplished by clipping the waveform. This project instead utilizes a signal multiplier in a feedback loop, with one multiplier input coming from the circuit’s input, and the other from the multiplier’s own output. This process creates even harmonics. A delay line is placed in the loop, …