Bilingual, Multilingual, and Multicultural Education Commons^™

Agency, The Uncanny, And Strangeways: An Autoethnographic Journey Through An International Wunderland., Roberto T. Ollivier

Language, Literacy, and Sociocultural Studies ETDs

The African diaspora and postcolonial studies author George Lamming writes in his book “The Pleasures of Exile” that the Caliban character from Shakespeare’s “The Tempest” “cannot be revealed in any relation to himself-for he has no self which is not a reaction to circumstances imposed upon his life” (Lamming, 1992, p. 107). One could argue that the only hope this half-human half-monstrous creature, or for that matter, any of us have to find peace, lies in the attempt to find resolution through the metaphorical slaying of our respective pasts. Like Caliban, many of us are never …

Professional Friction: Racialized Discourse And The Practice Of Teaching Art, Jessica Kirker

Journal of Social Theory in Art Education

Language is crucial in situating our selves and others. Discursive patterns create alliances or factions, establish hierarchies, and subjugate individuals or groups. In this autoethnographic study, I consider how I, as a White woman teaching art, participate in, maneuver, and manipulate spoken and unspoken racialized discourses within the context of a high school with a diverse population of students. Through the data collection process of journaling over one school year, I recorded reflections on conversations, speeches, and written communication with, between, and regarding teachers, students, parents, and school administrators.

I employed discourse analysis on these texts and draw upon Critical …

“It Was Like Really Uncomfortable But Kind Of Comfortable”: An Ethnographically-Informed Radio Play Of Adult Esl Classes With Educational Drama, Won Kim

Journal of Pedagogy, Pluralism, and Practice

This chapter explores possibilities and challenges of educational drama-based second language instruction for adult emergent bilingual learners. A part of the key findings from an ethnographic multiple case study of four adult ESL classes with educational drama in Canada will be represented, using playwriting as a means to uncover diverse nuanced insights and reflexive understandings of the phenomenon under investigation. The primary purpose of this ethnographically-informed radio play script is to serve as reflexive, dynamic, and artistic expressions that speak (about and to) students’ voices concerning their learning experiences in the course as heard/felt/perceived by the researcher as a participant …