Education Commons^™

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640-1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

In What Story Are We Living?, Geoff Beech

TEACH Journal of Christian Education

Around ANZAC Day this year, some suggested that we, as Australians, probably should not try to date our identity from the Gallipoli campaign. No doubt these comments were treated as heresy by many celebrating on the day but they do raise an interesting argument surrounding the “Who am I?” question. One of the points being made is that we could hardly call ourselves fully Australian because of Gallipoli, when the original inhabitants have called the continent home for tens of thousands of years.

The Amish Project

Taylor Theatre Playbills

The playbill for Taylor University’s performance of The Amish Project by Jessica Dickey.

Performed September 13-16, 2018 at the Mitchell Theatre.

In October of 2006, a gunman walked into an Amish schoolhouse…in this stunning tour-de-force, a single actress plays a host of characters in an Amish community devastated by that terrible tragedy. Jessica Dickey’s fictional exploration of the Nickel Mines Schoolhouse Shooting is a tale of redemption that forges a path of forgiveness and compassion in the aftermath of inexplicable violence. Featuring alum Morgan Morton(Turner ’16) and designed by all theatre alumni, this production is a unique experience for the …

Literacy And Identity Investment In Secondary Drama Courses: Using Narrative Inquiry To Investigate Teacher Perceptions Of The Affordances Of Secondary Drama Courses In Ontario, Megan Johnston

Electronic Thesis and Dissertation Repository

This study investigated the teacher perceptions in regard to the literacy learning and identity investment opportunities within their own Drama classrooms in Ontario. This study also addresses the challenges that were present within Drama classes when teachers tried to celebrate and incorporate cultural, linguistic, and semiotic diversity.

The theoretical tools of the study include theories on multiliteracies and identity investment. Data presented in this paper emerged from semi-structured interviews with five teacher participants.

Findings of this study show that teachers perceived that their Drama classes offered a variety of multimodal opportunities for literacy and identity investment. These opportunities did not …

Supporting Primary Students’ Story Writing By Including Retellings, Talk, And Drama With Strategy Instruction, Zoi A. Traga Philippakos, Sarah Munsell, Logan B. Robinson

The Language and Literacy Spectrum

Story writing and story grammar have been studied extensively in an effort to improve students’ reading comprehension. Instruction on story structure and on elements of stories can improve the writing quality of students’ papers. This paper explains a process of supporting primary-grade students’ story writing. The approach is based on strategy instruction and incorporates talk and dramatic play as ways to support the development of characters, descriptions of characters and events, and dialogue between characters. Guidelines are provided and step-by-step directions for teachers to use this work with their students.

Kha Drama Club, Hayley Doyle

Senior Honors Projects

Elementary-aged students o en struggle with self-image and self-con dence as they grow and develop a sense of identity. According to psychologist Erik Erikson, children aged ve to twelve will either develop a sense of industry or inferiority. In order to feel industrious, they need to be placed in an environment that reinforces their e orts to achieve goals (McLeod, 2008). A school drama club exempli es such an environment, where students are encouraged to step out of their comfort zones and work together to put on a play. is study created an a er-school drama club and followed forty-three …

Expectations And Participation Among Drama Students, Alexander Pryor

Graduate Master's Theses, Capstones, and Culminating Projects

Not all students are willing to participate actively in a drama class. Most studies about drama and participation focus on the use of drama in other academic disciplines, and there is a lack of information about students’ participation within the drama classroom. This study examines the role that students’ experiences and expectations play in their educational outcomes in drama class. Students from two beginning drama classes at a public high school participated in this study. They were introduced to a short unit on social theater and on Augusto Boal’s Forum Theater. Throughout this unit students responded to journal prompts addressing …

Why We Must Die So Young: The Story Of The White Rose Martyrs

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Why We Must Die So Young: The Story of the White Rose Martyrs by William Gebby.

Performed February 23-25, 2018 at the Mitchell Theatre.

During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent. The TU …