Documenting Fifth-Grade Band Students’ Experiences In A Kodály-Centered Beginning Band Curriculum, Elisabeth Henderson Dhillon

Masters Theses, 2010-2019

ABSTRACT

Based on the work of Hungarian composer and educator Zoltán Kodály, the Kodály method, a sound-to-symbol approach to music-making and literacy stemming from an aural and auditory entry point, forms an integral aspect of many elementary level general music curricula in the United States. In this process-oriented, experiential approach, students hear and explore music kinesthetically, aurally and through folk and art song before visual concepts in the form of notes in formal notation are introduced.

In contrast, traditional beginning band methodologies tend not to incorporate a sound-to-symbol approach, teaching the intricacies of a complex new instrument in conjunction with …

Investigating The Attitudes Of Adolescent Male Singers In Gender Choirs, Heidi Joy Williamson

MSU Graduate Theses

The purpose of this study was to examine the use of gender choirs within a middle school choral classroom to investigate (a) attitudes about singing, (b) confidence and self-efficacy of their own voices, and (c) peer perceptions of adolescent males’ participation in choir. Data were obtained from 40 students, in Grades 7 or 8, who were enrolled in a male gender choir at one of the five participating middle schools. Most participants enrolled in choir because they thought choir was fun, and they were good singers. Most participants did not think that choir was “better” when the genders were separated. …

Music Rehabilitation Programs In California State Prisons, Sarah Hanson

Capstone Projects and Master's Theses

With 2.3 million people in the United States prison system, reducing recidivism rates in prison is crucial. One of the most prevalent ways California has been able to reduce recidivism and encourage less punitive measure on prisoners is through music rehabilitation programs. This research explores the current prison population, history of music rehabilitation in prisons, positive and negative psychological effects music can have on inmates, an active music rehabilitation program (Dance Kaiso), and how inmates have been utilizing these programs. By exploring the current prison population and how music rehabilitation began in the United States and California, there’s a clearer …

A Brain-Friendly Approach To Music Literacy, Taylor Davis

Posters-at-the-Capitol

The purpose of this study was to explore how the brain processes information, stores it in long-term memory and then applies that knowledge to teaching music in a classroom/rehearsal setting. We observed how the working memory, the system responsible for processing information from short-term and long-term memory can function with greater efficiency. We observed how the number of items available for processing in the working memory may be increased through a process identified as “chunking.” Chunking is when short patterns, or bits of information, are combined to form longer sequences. When applying these brain-friendly learning concepts to music, the instructor …

Developing Musicianship And 21st Century Learning Skills Using The Lisk “Creative Director” Series, Thomas Reynolds

Doctoral Dissertations

ABSTRACT

DEVELOPING MUSICIANSHIP AND 21^st CENTURY LEARNING SKILLS USING THE LISK “CREATIVE DIRECTOR” SERIES

SEPTEMBER 2018

THOMAS E. REYNOLDS, B.M.E., NEW ENGLAND CONSERVATORY OF MUSIC

M.M.E. ITHACA COLLEGE

Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST

Directed by: Professor Sara K. Jones

The Edward S. Lisk “Creative Director” pedagogical techniques have been found to be invaluable in the instrumental music classroom for teaching overall musicianship skills. As educators address the teaching of 21^st century learning skills through all of the academic disciplines, many of the Lisk techniques for teaching overall musicianship skills also foster the teaching of 21^st century learning …

The Experience Of Chinese Students Enrolled In Graduate Music Education Degree Programs In The United States, Kailimi Li

Doctoral Dissertations

The purpose of this study was to examine the experience of Chinese graduate students enrolled in music education master’s and doctoral degree programs in the United States. Specifically, it explored participants’ perceptions of (a) their educational experiences (past and present), (b) the challenges they faced, (c) their strategies for success, (d) the benefits they experienced as international graduate students in the United State, (e) the effect of this experience on their thinking, self-perception, and behavior, and (f) how they planned to move forward or move on following this experience. Participants were six native Chinese graduate students enrolled at the time …

Tasman Connections Through Song: Engaging In Classrooms And In Community, Dawn Joseph Dr, Robyn Trinick Mrs

The Qualitative Report

Community is an overarching word that encompasses people in formal and informal settings covering a broad range of activities. Engaging through sound “in community” and “as community” provides the opportunity for participants to come together making and sharing music through song. This paper focuses on voice (singing) across the Tasman within formal and informal locations. Author One draws on interview data within an “informal” space with three community choirs in regional Victoria (Australia) from her wider study Spirituality and Wellbeing: Music in the Community. The data shows that choir members use voice to connect with their local community around issues …

Acrl Framework Assignments For Music Information Literacy, Taylor Greene

Library Presentations, Posters, and Videos

Though the ACRL Framework was adopted two and a half years ago, music librarians continue to wonder how to integrate the six frames described by this guiding document into our information literacy instruction while also covering the necessities of music information literacy. In this presentation, I will discuss the approach that I used to incorporate the six frames into my instruction for the Music Information Literacy course I teach at Chapman University while still retaining essential music instruction, such as searching for music, navigating particular resources like Grove Music Online, and citation formatting. Specifically, I will focus on the in-class …

Wilberta Naden Pickett, Wilberta Naden Pickett '50

All oral histories

Bachelor of Music, IWU, 1950. According to the 1950 Wesleyana, she was a member of the Indee Women, Egas, Alpha Lambda Delta, Women's Chorus, Colleqiate Choir, University Chorus, Episcopoi, Sunday Evening Fellowship, Vesper Chairman, Vesper Organist, Park Hall President, and was in productions of "Faust" and "Of Thee I Sing."

Mrs. Pickett later attained the following additional accomplishments:

• Master of Sacred Music, Union Theological Seminary, 1952
• Choir Master degree, American Guild of Organists, 1956
• Certified Church Musician, Presbyterian Association of Musicians, 1978

A Phenomenological Study Of The Professional Learning Experiences Of Music Educators, Allison Bonn-Savage

Doctor of Education (EdD)

This qualitative phenomenological study sought to discover the lived experiences of six music educators in their professional learning. Each of the music educators in this study taught in an Oregon public school and had taken on a leadership role in the 2018 Oregon Music Educators Association (OMEA) conference. This study utilized personal interviews to gather rich descriptions of the unique stories and journeys through professional learning these music educators had experienced. Three significant themes were identified in the analysis process in this study: (a) Participants felt confident in knowing their learning needs for professional growth and were apathetic or resistant …

Music Majors With Tourette Syndrome: What Teachers Need To Know, Miranda K. Johnson, Michele Paynter Paise

Celebration of Student Scholarship Poster Sessions Archive

No abstract provided.

The Inclusive Orchestra: Adapting String Instruments And Instruction For Musicians With Special Needs, Eric Baker

Undergraduate Research and Scholarship Symposium

In recent years, there has been progress in strategies for teaching students to play string instruments in orchestra. However, special education in correlation with the string classroom is still lacking with useful information that can be used to aid our students and teachers. Due to this lack of information, it is difficult for teachers to have all their students feel involved in their class. After a thorough review of string special education literature, I compiled a list of resources that can be used to move this profession forward. These findings range from different teaching strategies to manipulating the instrument to …

A Causal-Comparative Analysis Of Performance-Based Music Classes And Act Scores, Russell Courson

Doctoral Dissertations and Projects

Educational leaders at the state and district level are struggling to provide adequate funding for schools due to the uncertainty of the economic outlook throughout the country. Although several states have requested and received waivers for the No Child Left Behind Act of 2001 (NCLB), many school systems still find themselves in the difficult position of providing enough instructional time dedicated to the four primary core content areas (language arts, math, science, and social studies) to allow students to be successful in high stakes standardized testing. While NCLB stated the fine arts, including performance-based music classes, such as band, choir, …

A Cappella Bridge: Towards A More Reciprocal Arts-Based Exchange, Daniel Malin

Capstone Collection

A Cappella Bridge is a short-term, non-credit, arts-based exchange program for collegiate a cappella groups from the United States. This program proposal is the result of an extensive needs analysis that includes interviews with Education Abroad professionals and the founder of the Contemporary A Cappella Society (CASA), a national nonprofit organization representing nearly 3,000 a cappella groups in the United States. The program’s design is meant to address a profound need for more reciprocal arts-based exchange programs open to highly skilled amateur artists and musicians. With a firm grounding in experiential learning and the seven-continuum transmission model for music education …

Preparing The Student For High School Band Leadership: A Praxial And Flipped-Classroom Method Based On Kolb's Learning Theory, Brandon Dennis Woods

Masters Theses

Today's educational climate is rapidly shifting. High stakes testing, both from the federal and state governments, have drastically altered the landscape of public education in America. Although all subjects are feeling the impact of these new educational initiatives, music education is suffering uniquely during this time. With music education so drastically different in modern education compared to what is was before the year 2001, because of the implementation of sweeping federal changes, it is important that we take a new and fresh look at band director education. Students are entering the job field as first year band directors with very …

The Effects Of Rhythm For Social Emotional Learning Skills Development, Jonathan O. Mande

Lesley University Community of Scholars Day

Many people talk about the importance of music in school and learning, we all know about its effects on cognitive development for children and adults. Though despite these universally known facts, music education programs are increasingly underfunded in schools, private lessons are not accessible to most people, while our country is simultaneously suffering from an increase in academic retention and destructive societal conflicts. Music brings all people together and at its core is rhythm. It makes available a space for joy; to fully express love, build bonds and strengthen our individual spirits. When used intentionally, music heals and is a …

Music Education For Mental Health: Creating A Participatory Music After School Program, Nicole A. Shively

Honors Theses

This thesis project, titled “Music Education for Mental Health: Creating a Participatory Music After School Program,” consists of a research paper and curriculum guide for the creation of a nonprofit after school program that will use music education to help youth with depression and anxiety. This program provides participatory music experiences to students in a supportive, cathartic environment. The paper details the research behind the psychological benefits of music, the activities that would be done with the students, and why there is a need for this program in current society. The curriculum guide consists of the addressed national music education …

The Relationship Between District Concert Band Music Performance Assessment Participation And Student Achievement In Miami-Dade County Public Middle Schools, Arthur J. N. Scavella

FIU Electronic Theses and Dissertations

Since the implementation and achievement score pressures of the No Child Left Behind Act of 2001, elective course offerings such as music have been drastically reduced, especially in the middle school setting. A great deal of correlational research has shown a positive correlation between music education in school and students’ overall academic achievement.

This study examined the correlation between those middle school students that participated in the District Concert Band Music Performance Assessment (MPA) versus those middle school students that did not regarding their achievement scores on the 2016 English language arts (ELA) and mathematics subtests of the Florida Standards …

Four Years Vs. One Semester: Music Information Literacy Delivered In Different Time Frames, Taylor Greene

Library Presentations, Posters, and Videos

How much does the time elapsed between instruction sessions affect retention of music information literacy concepts? This poster will demonstrate the two methods of delivering the Music Information Literacy course at Chapman University and discuss the benefits and pitfalls of each model. Starting in 2014, music students have been required to take four courses in Music Information Literacy which were delivered in 90-minute sessions over the course of four academic years. The Performing Arts Librarian, who has taught the course since its inception, noticed a lack of retention from some students and hypothesized that the timespan of delivery was a …

Applying Brain Research To Classroom Strategies, John W. Flohr, Diane C. Persellin

Diane Persellin

Research in the field of neuroscience has exploded in the past decade. The word brain appears in the title of nearly 40,000 books and CDs indicating intense interest in this area of study. What can music educators learn from recent investigations—often termed brain research—to guide music teaching and learning? The following ideas are intended to have broad applications and may inspire you to investigate this fascinating area of literature more thoroughly. While some findings are new, other studies affirm what music educators have previously found to be effective.

Vocal Techniques For The Instrumentalist, Amy Rosine

NPP eBooks

Vocal Techniques, the course title used at many institutions, is essentially a voice class for instrumentalists, and is a required course for instrumental music education majors seeking all-level certification. Students take at least one Vocal Techniques course to learn proper singing technique along with basic pedagogy and can include teaching techniques as they apply to adolescent singers. The focus of the course is the development of the individual singing voice. This includes breathing, tone production, articulation, musicality and textual expression and understanding. Students also develop confidence in front of groups, improve their general vocal quality, and learn that a healthy …

Lynne Ramsey, Violist: Biography, Pedagogical Background, Teaching Techniques, And Career Advice, Ignacio Cuello

Graduate Theses, Dissertations, and Problem Reports

This research document explores teaching methods, career advice, and major influences that shaped the professional course of the violist Lynne Ramsey. Ramsey teaches viola at the Cleveland Institute of Music and is first assistant principal viola in the Cleveland Orchestra. For over thirty years, she has taught countless viola students in the US while maintaining a full-time performance career.

The introductory chapter covers Ramsey’s biographical and educational backgrounds during her time as a student of Ramon Scavelli, David Dawson, and Karen Tuttle. It is worth mentioning that Tuttle was the primary student of one of the best-known violists in …

5th-12th Grade Concert Percussion Curriculum: A Detailed Guide To Techniques And Resources For Non-Percussionist Music Educators, Rodney Rote Jr.

Undergraduate Honors Theses

No abstract provided.

Dialogic Communication In The One-To-One Improvisation Lesson: A Qualitative Study, Leon R. De Bruin

Australian Journal of Teacher Education

This qualitative study investigates the dialogic interactions between teacher and student that enhance learning and teaching within the one-to-one music improvisation lesson. This study analyses the ways teachers elicit student actions, thoughts and processes that develop student skills, critical and creative thinking processes necessary for improvisational development. Interactions and interplay between six Australian conservatoire improvisation students and their teachers were investigated. Data reveal dialogic interactions that span instruction, conversation, inquiry and enablement of student knowledge and skills that constitute a complex socio-cultural tapestry of discursive threads. Teacher-student interactions that activate desired creative student activity engage meta-cognitive processes and the cultivation …

Challenges In The Workplace Pertaining To Sexual Orientation: Narratives Of Two Music Teachers, Tyler J. Trepanier

EWU Masters Thesis Collection

Despite laws protecting employees and the prevalence of Title IX training for administrators, staff, and faculty at many institutions, LGBTQ music teachers may still face difficulties in the workplace based on their identity. This investigation involves two case studies exploring the perceptions of music teachers in the USA regarding the challenges faced in the workplace pertaining to their sexual orientation. This empirical, descriptive study used interview technique, with the report written in a narrative style. Both teachers reported discrimination from administrators in the early stages of their careers. The first was bullied by a student spreading rumors, despite not being …

Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas

Australian Journal of Teacher Education

This paper contributes to the knowledge base for preparing pre-service teachers (PSTs) for contemporary multicultural classrooms. To do so, we refer to our ongoing project “See, Listen and Share: Exploring intercultural music education in a transnational experience” across three Higher Education sites (Australia and Spain). Drawing on our narrative, and PSTs’ questionnaire data, using Interpretative Phenomenological Analysis to analyze and code the PST data, we report on our initial experience and findings across the three sites and cultural contexts. Generalisations to other institutions cannot be made. We discuss what was taught and how it was taught in our three settings, …

Music Activities Delivered By Primary School Generalist Teachers In Victoria: Informing Teaching Practice, Fiona King

Australian Journal of Teacher Education

The purpose of this paper is to share teacher practice in the inclusion and delivery of music education experiences for children, to inform teacher education and to guide professional learning. It draws on a larger investigation into the music activities delivered by three primary school classroom (generalist) teachers in Victoria, Australia. There is a gap in the literature regarding the music activities and experiences facilitated by teachers in day-to-day classroom learning. The case study investigation inquired into the content, pedagogy, planning and the place of music activities provided to children aged six to eleven. Teacher education is addressed in this …

A Study On The Impact Of A Music Looping Technology Intervention Upon Pre-Service Generalist Teachers’ Self-Efficacy To Teach Music In Primary Schools, John Nathan Heyworth

Theses: Doctorates and Masters

In Australia, in the current climate of economic rationalism in which there has been an increasing emphasis on literacy and numeracy, funding for specialised subjects like music has been reducing. As a result, generalist classroom teachers are being given more responsibility for delivering effective music education in primary schools. However, the time dedicated to training pre-service teachers in music education in tertiary institutions has diminished. Further, time constraints involved in building pre-service knowledge and skills in teaching music may impact many pre-service teachers’ beliefs about their ability to teach music.

Within these constraints, digital technology may provide a key to …