Musicology Commons^™

Charles Villiers Stanford, By Paul Rodmell (Review), Julian Onderdonk

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

Review Of Andrea Gabrieli, Missa Pater Peccavi, Motets And Instrumental Music, 2003 His Majestys Consort Of Voices, His Majestys Sagbutts And Cornetts, Timothy Roberts, Conductor. Hyperion, 2000, Vicki Stroeher

Music Faculty Research

Any recording that focuses solely upon the music of Andrea Gabrieli, the other Gabrieli, risks languishing in store bins, forgotten by all but the most musicological of listeners. This recording, fortunately, should not suffer that fate.

Director Timothy Roberts, His Majestys Sagbutts and Cornetts and the newly formed His Majestys Consort of Voices have put together a celebration of Andrea Gabrieli that is as well performed as it is researched. Though some of the scoring choices are unusual, the performances are nearly impeccable with but a few exceptions.

Illustrating The Music Of The Mass: A Case Study, Elizabeth Teviotdale

Elizabeth C Teviotdale

A study of the figural decoration of a late 11th-century gradual from Toulouse (London, BL, MS Harley 4951, fols. 121-301), concluding that the psalmodic origin of the texts of many chants of the mass informed the way in which those of the 11th century conceived the chants.

Cultural Representation. Iconographic Analysis Or Early American Tango Sheet Music, Oscar Macchioni

Oscar Macchioni

Article.

In the last ten years, perhaps more than ever, the Argentine tango has kept the attention of composers, performers, recording companies, film makers, and audiences all over the world. There are two major periods of time when the tango enjoyed international attention. The first period, in the early 1900's, was driven by the general fever for the exotic, supported by the world fairs, as well as by radio broadcasting and the development of the transportation, film, printing and recording industries. The second period, in the 1980's, was driven almost exclusively by the entertainment industry.

The purpose of this article …

Elgar's Oratorios: The Creation Of An Epic Narrative, By Charles Edward Mcguire (Review), Julian Onderdonk

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

Oscar Esplá In Belgium (1936-1949) [Book Review], Antoni Pizà

Publications and Research

In sum, one feels grateful that someone has taken up the task of debunking, one brick at a time, the vast amount of misinformation that exists about Esplá. De Kloe is a thorough, meticulous scholar whose work shows a masterly command of Spanish music history and its sources.

Review Of Benjamin Britten, Sacred And Profane, Amdg, Five Flower Songs, Old French Carol, Choral Dances From Gloriana, Polyphony, Stephen Layton, Conductor. Hyperion, 2000, Vicki Stroeher

Music Faculty Research

The choral works of English composer Benjamin Britten (1913-76), like his efforts in other forms, have been overshadowed by his operas. War Requiem, essentially operatic in character, along with Rejoice in the Lamb, and A Ceremony of Carols, have risen to the top of the choral repertoire and receive the majority of the attention paid today as concert and recording fare. These, however, obscure a number of other excellent works in Britten's choral output. Sacred and Profane, a release by Stephen Layton and Polyphony, provides a useful glimpse at some of Britten's lesser known works for mixed chorus, including previously …

The University Of Arizona. American Musicology Society And The Society For Ethnomusicology. April 12, 2003, Oscar E. Macchioni

Oscar Macchioni

Peer-reviewed selection.

In the last ten years, perhaps more than ever, the Argentine tango has kept the attention of composers, performers, recording companies, film makers, and audiences all over the world. There are two major periods of time when the tango enjoyed international attention. The first period, in the early 1900's, was driven by the general fever for the exotic, supported by the world fairs, as well as by radio broadcasting and the development of the transportation, film, printing and recording industries. The second period, in the 1980's, was driven almost exclusively by the entertainment industry.

The purpose of this …

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

History: Faculty Publications and Other Works

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Making The "Birthplace Of Jazz": Tourism And Musical Heritage Marketing In New Orleans, J. Souther

History Faculty Publications

No abstract provided.

Unity Through Duality: An Exploration Of Paradox In Olivier Messiaen's Vingt Regards Sur L'Enfant-Jesus Vol Ii, Deirdre Hatch

Dissertations

Contemplation de l'Ellfant-Dieu de la creche et ReBards qui se posent sur lui : depuis le Regard indicible de Dieu le Pere jusqu'au Regard multiple de l'Kglise d'amour, en passant par le Regard inoui tie l'Esprit de joie, par le Regard si tendre de la Vierge, p'uis des Anges, des Mages et des creatures im'.naterieUes ou symboliques (le Temps, les Hauteurs, re Stlence, l'Etoile, la Croix). L'Etoile et la Croi:c ontle m!me theme parce que l'une ouvre etl'autre ferme la periode terre!\lre de Jesus. Le theme de Dieu se retrouve evidemment dans les "Regards du Pere", "du FiIs" et "de …

Unity Through Duality: An Exploration Of Paradox In Olivier Messiaen's Vingt Regards Sur L'Enfant-Jesus Vol. I, Deirdre Hatch

Dissertations

Olivier Messiaen is one of the major musical figures of the twentieth century. His music draws on a diverse set of influences, yet always remains unique and entirely his own. His unwavering religious beliefs constitute the source of inspiration behind most of his music. Vingt Regards sur ['Enfant-Jesus for solo piano was composed in 1944. It forms a powerful and personal musical statement concerning one of the central mysteries of the Catholic faith, the Incarnation. As such, it is an important work within Messiaen's output. Its musical language and spiritual message are typical ofMessiaen's style.

The Origin Of Armstrong's Hot Fives And Hot Sevens, Gene H. Anderson

Music Faculty Publications

It has been almost fifty years since Louis Armstrong's Hot Five and Hot Seven recordings of 1925-1928 were first recognized in print as a watershed of jazz history and the means by which the trumpeter emerged as the style's first transcendent figure. Since then these views have only intensified. The Hot Fives and Hot Sevens have come to be regarded as harbingers of all jazz since, with Armstrong's status as the “single most creative and innovative force in jazz history” and an “American genius” now well beyond dispute. This study does not question these claims but seeks, rather, to determine …

Verdi's Operas At Mamontov's Theater, 1885-1900: Fighting A Losing Battle, Olga Haldey

Verdi Forum

No abstract provided.

'Double, Double, Toil And Trouble': Producing Macbeth In Mid-Victorian Britain, Paul Rodmell

Verdi Forum

No abstract provided.

"Resistant Strains Of Postmodernism: The Music Of Helmut Lachenmann And Brian Ferneyhough, Ross Feller

Ross A Feller

American Night At The Pops (In Russia), Dan Rager

Dan Rager

• Americans We (March)
• Clarinet Candy
• Disney at the Movies

Colours Of Saratov Concerto No. 1, Dan Rager

Dan Rager

Russian Highlights, Dan Rager

Dan Rager