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Articles 1 - 18 of 18
Full-Text Articles in Musicology
The Scribes Of Bamberg Lit. 5, Elizabeth Teviotdale
The Scribes Of Bamberg Lit. 5, Elizabeth Teviotdale
Elizabeth C Teviotdale
Identifies the scribes of Bamberg, Staatsbibliothek, MS Lit. 5 (olim Ed.V.9), an illuminated troper made at Reichenau ca. 1000, proposing that seven scribes contributed significantly to the project: a project lead, two text specialists, a rubrication specialist, two notation helpers, and a finisher.
Illustrating The Music Of The Mass: A Case Study, Elizabeth Teviotdale
Illustrating The Music Of The Mass: A Case Study, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of the figural decoration of a late 11th-century gradual from Toulouse (London, BL, MS Harley 4951, fols. 121-301), concluding that the psalmodic origin of the texts of many chants of the mass informed the way in which those of the 11th century conceived the chants.
Troper, Elizabeth Teviotdale
Troper, Elizabeth Teviotdale
Elizabeth C Teviotdale
Originally published in print in 2001, the Oxford Music Online edition may have been edited since and should be cited with date accessed information. Restricted access.
Wulfstan [Wulstan, Wolstan] Of Winchester, Elizabeth Teviotdale
Wulfstan [Wulstan, Wolstan] Of Winchester, Elizabeth Teviotdale
Elizabeth C Teviotdale
Originally published in print in 2001, the Oxford Music Online edition may have been edited since and should be cited with date accessed information. Restricted access.
Puy [Pui], Elizabeth Teviotdale
Puy [Pui], Elizabeth Teviotdale
Elizabeth C Teviotdale
Originally published in print in 2001, the Oxford Music Online edition may have been edited since and should be cited with date accessed information. Restricted access.
A Pair Of Franco-Flemish Cistercian Antiphonals Of The Thirteenth Century And Their Programs Of Illumination, Elizabeth Teviotdale
A Pair Of Franco-Flemish Cistercian Antiphonals Of The Thirteenth Century And Their Programs Of Illumination, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of Los Angeles, Getty Museum, MS 44/Ludwig VI 5 and related fragments, extant and lost, reconstructing the original programs of illumination of their parent manuscripts, a pair of antiphonals produced in the second half of the 13th century in the Franco-Flemish border region, and establishing a taxonomy of relationships between subjects chosen for the historiated initials and the manuscript's text.
The Stammheim Missal: A "New" Source Of North German Chant, Elizabeth Teviotdale
The Stammheim Missal: A "New" Source Of North German Chant, Elizabeth Teviotdale
Elizabeth C Teviotdale
A survey of the contents of the Stammheim Missal (Los Angeles, J. Paul Getty Museum, MS 64), long known to art historians but unstudied by musicologists, with special attention paid to the sequence collection.
A Fragmentary Cistercian Antiphonal In The Getty Museum And Its Illumination, Elizabeth Teviotdale
A Fragmentary Cistercian Antiphonal In The Getty Museum And Its Illumination, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of the illumination of Los Angeles, J. Paul Getty Museum, MSS 44 and Ludwig VI 5 (later to be bound as one codex), the remains of a Franco-Flemish choir book produced in the second half of the 13th century. The published version of a paper given at the seventh meeting of the Cantus Planus Study Group of the International Musicological Society (September 4-9, 1995) in Sopron.
From Choir Book To Scrap Book: The Initials In Hmml Bean Ms 3, Elizabeth Teviotdale
From Choir Book To Scrap Book: The Initials In Hmml Bean Ms 3, Elizabeth Teviotdale
Elizabeth C Teviotdale
A consideration of the origin of a group of cuttings contained in a 19th-century album (Collegeville, Hill Monastic Manuscript Library, Bean MS 3), with an analysis is the relationship of the initials' figural subjects to the texts they introduced. The cuttings, a series of historiated and decorated initials, were taken from one of a pair of choir books made in northern France or Flanders for a house of Cistercian nuns in the 13th century.
750 Years In The Life Of A Pair Of Cistercian Antiphonals, Elizabeth Teviotdale
750 Years In The Life Of A Pair Of Cistercian Antiphonals, Elizabeth Teviotdale
Elizabeth C Teviotdale
Examines the provenance and dissemination of a multivolume antiphonary produced for the Cistercian nunnery near Cambrai. The MS is presently dispersed through several collections. In 1983 the J. Paul Getty Museum, Los Angeles, purchased from the German art collectors Peter and Irene Ludwig 19 leaves and four cuttings from the MS (MS Ludwig VI 5). In 1992, the Museum acquired an additional 81 leaves (MS 44). One leaf is kept at the Cleveland Museum of Art (inv. no. 85.83), and cuttings are at the Nationalmuseum in Stockholm (B 1730-32) and in a private collection in Collegeville, Minnesota (Hill Monastic Manuscript …
The Invitation To The Puy D'Evreux, Elizabeth Teviotdale
The Invitation To The Puy D'Evreux, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of documents (Archives Départmentals de l'Eure, Série D3-5) concerning a music competition held in the town of Évreux in the last quarter of the 16th century. Composers were invited to submit motets and chansons through a variety of social and professional contacts, including the Catholic League, the court, the music printer Adrian le Roy, and perhaps the Académie de Poésie et de Musique of Jean-Antoine de Baïf.
Some Thoughts On The Place Of Origin Of The Cotton Troper, Elizabeth Teviotdale
Some Thoughts On The Place Of Origin Of The Cotton Troper, Elizabeth Teviotdale
Elizabeth C Teviotdale
Argues that the first fragment in London, BL, MS Cotton Caligula A.xiv was copied at Winchester Old Minster or at Worcester either for the cathedral priory at Worcester or for a highly-placed individual at Worcester. The published version of a paper given at the fourth meeting of the Cantus Planus Study Group of the International Musicological Society (September 3-8, 1990) in Pécs.
Music And Pictures In The Middle Ages, Elizabeth Teviotdale
Music And Pictures In The Middle Ages, Elizabeth Teviotdale
Elizabeth C Teviotdale
Discusses various examples of music and musicians in works of medieval manuscript art.
The Making Of The Cotton Troper, Elizabeth Teviotdale
The Making Of The Cotton Troper, Elizabeth Teviotdale
Elizabeth C Teviotdale
Provides a detailed description of a fragment of an illustrated 11th-century English troper, forming the first portion of MS Cotton Caligula A.XIV (London, BL). The major decoration is an initial and paintings of Christological and hagiographical subject matter.
Orlando Di Lasso's Prize-Winning Motet Of 1583, Elizabeth Teviotdale
Orlando Di Lasso's Prize-Winning Motet Of 1583, Elizabeth Teviotdale
Elizabeth C Teviotdale
Reviews some of the documentation concerning the Puy de Musique of the Confraternity of Saint Cecilia of the Norman town of Évreux and considers the circumstances of the composition and the musical fabric of Cantantibus Organis, a five-voice motet that was awarded the Puy's "silver organ" in 1583, by Orlando di Lasso, concluding that Lasso probably thought to submit the piece, which had been composed in 1579 or earlier, to the competition as he remembered the prize he won in 1575 as he worked on the publication of three volumes of his motets by his Munich printer, Adam Berg, in …
The Filiation Of The Music Illustrations In A Boethius In Milan And In The Piacenza Codice Magno, Elizabeth Teviotdale
The Filiation Of The Music Illustrations In A Boethius In Milan And In The Piacenza Codice Magno, Elizabeth Teviotdale
Elizabeth C Teviotdale
Proposes a common prototype from the tradition of illustrated manuscripts of Cassiodorus’s Institutiones as the explanation for the close iconographic relationship between music illustrations in a manuscript (here dated to the 11th century) of the De arithmetica and De musica of Boethius (Milan, Biblioteca Ambrosiana, MS C.128 inf.) and in the 12th-century Codice Magno (Piacenza, Biblioteca Capitolare, MS 65). Suggests that the iconography may have originated in a Carolingian scriptorium.
Orlando Di Lasso's Prize-Winning Motet Of 1575, Christine De Catanzaro, Elizabeth Teviotdale
Orlando Di Lasso's Prize-Winning Motet Of 1575, Christine De Catanzaro, Elizabeth Teviotdale
Elizabeth C Teviotdale
A discussion of documents concerning the Confraternity of Saint Cecilia of Évreux and its Puy de Musique (prizes awarded from 1575 to 1589) and an examination of the circumstances of the composition, as well as the musical fabric, of Domine Jesu Christe by Orlando di Lasso, which was awarded the "silver organ" in the inaugural year of the Puy. Proposes that the five-voice motet, a contrived display-piece including a quotation from Josquin, was composed expressly for the Puy.
The Filiation Of The Musical Illustrations In Milano, Biblioteca Ambrosiana, Ms. C 128 Inf. And Piacenza, Biblioteca Capitolare, Ms. 65, Elizabeth Teviotdale
The Filiation Of The Musical Illustrations In Milano, Biblioteca Ambrosiana, Ms. C 128 Inf. And Piacenza, Biblioteca Capitolare, Ms. 65, Elizabeth Teviotdale
Elizabeth C Teviotdale
Proposes a common prototype from the tradition of illustrated manuscripts of Cassiodorus’s Institutiones as the explanation for the close iconographic relationship between music illustrations in a manuscript (here dated to the 11th century) of the De arithmetica and De musica of Boethius (Milan, Biblioteca Ambrosiana, MS C.128 inf.) and in the 12th-century Codice Magno (Piacenza, Biblioteca Capitolare, MS 65). Suggests that the iconography may have originated in a Carolingian scriptorium.