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Full-Text Articles in Musicology
The Interwoven Evolution Of The Early Keyboard And Baroque Culture, Rachel Stevenson
The Interwoven Evolution Of The Early Keyboard And Baroque Culture, Rachel Stevenson
Musical Offerings
The purpose of this paper is to analyze the impact that Baroque society had in the development of the early keyboard. While the main timeframe is Baroque, a few references are made to the late Medieval Period in determining the reason for the keyboard to more prominently emerge in the musical scene. As Baroque society develops and new genres are formed, different keyboard instruments serve vital roles unique to their construction. These new roles also affect the way music was written for the keyboard as well. Advantages and disadvantages of each instrument are discussed, providing an analysis of what would …
Volume 23, Number 01 (January 1905), Winton J. Baltzell
Volume 23, Number 01 (January 1905), Winton J. Baltzell
The Etude Magazine: 1883-1957
Fréderic François Chopin (Biographical Sketch)
Appreciation of Chopin: His Works Embody All Technical Forms
Chopin the Revolutionaire
Chopin the Teacher
Chopin the Man
Chopin the Poet of the Pianoforte
True Genius of Pianoforte Music: Exemplified in Chopin's Works
Making up a Chopin Program
Quality of Chopin's Genius
Musical Rhythm and Rhythmic Playing
Volume 22, Number 02 (February 1904), Winton J. Baltzell
Volume 22, Number 02 (February 1904), Winton J. Baltzell
The Etude Magazine: 1883-1957
New Gems in the Old Classics: A Talk with Mrs. H.H.A. Beach
Concerning the Staccato Touch
Teaching of the History of Music
How and Why of Scale Practice
On the Self-Development of the Teacher
Analysis of a Composition and Other Aids to Interpretation
Music-Students and Concert-Going
Method of Teaching
Two Lessons vs. One Per Week
Little Singer
Reasons for Holding Class Meetings
True Genius of the Pianoforte
Volume 18, Number 10 (October 1900), Winton J. Baltzell
Volume 18, Number 10 (October 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Common-Sense in Music
What is a Lesson Worth?
Restlessness and Repose
Personal Maganetism
Mission of the Studio
Mental and Muscular Activity
Old Beethoven Program
Music in American Colleges
University of Michigan
Princeton University
Smith College
Amherst College
Oberlin University
Adelph College
Reproduction of Orchestral Effects on the Pianoforte
Serious Purpose in Music Study
Push Forward
Rebinding Music Books
Absolute Pitch
Individuality in Teaching
Primary Teaching
What and the Why of the Choice of Music
Soft Pedal
Obscure Teaching Terms
Harmony—Yesterday and To-day
Volume 18, Number 08 (August 1900), Winton J. Baltzell
Volume 18, Number 08 (August 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Piano-Hands
Systematic Study
Vacation and Recreation Thoughts
Profitable Vacation
Pianoforte Playing as a Study
Renewing the Store of Teaching Materials
Bird's-Eye View
Some Reflections on Rhythm and Its Study
Relation of Master and Pupil in Musical History
Length of the Lesson Hour
Process of Learning a Piece
Social Demands Upon Musicians
Analysis of Grieg's Peer Gynt Suite
Anton Rubinstein
True Test of a Teacher
Experiences and Observations from the Class-Room
Forget Your Music While on Your Vacation
Great Composers and their Love for Nature
Value of Public-School Music
Volume 17, Number 02 (February 1899), Winton J. Baltzell
Volume 17, Number 02 (February 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Should the Last Note under a Slurred Group be Played Staccato
One Step Toward Success
Playing for Parents
Self-Playing Pianos
Story of Paderewski's Minuet
Beethoven's American Biographer
American in Music
Covering Ground
On the Revival of Mozart's Works
Musical Millennium
Interesting Incident
On the Expediency of Playing Without Looking at the Keyboard
Nervous Pupils
Comments by Emil Liebling
Some Common Faults
Teachers and Pupils
Word of Encouragement to Young Pianists
How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)
Foundation Teaching
Street-Organ as a Musical Educator
Am I a Good Teacher? How Can I Improve?
The Invasion …
Volume 16, Number 02 (February 1898), Winton J. Baltzell
Volume 16, Number 02 (February 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
How to Make a Living
American Student
Principles of Musical Pedagogy
Life of a Pianoforte—How to Preserve It
Musical Listener
Children and Music
Music Teacher Analyzed
Thumb
How a Composer Works
Stumbling Blocks
In My Easy Chair
Romantic Side of Bach
How to Work up Concerts in the Smaller Cities
Mental Technic: A Suggestion
Key-Character a Fallacy
Ear Training
Advantages for Music Students in Various European Centers
Pen Picture
Crime Against Art
Open Your Eyes
How to Maintain Pupils' Interest
Happy Medium
Old Italian Method
Study of Musical Literature
Listening Well
Professional Code
Volume 14, Number 10 (October 1896), Theodore Presser
Volume 14, Number 10 (October 1896), Theodore Presser
The Etude Magazine: 1883-1957
American Girl and the Piano
Ole Bull's First Great Success
Composer of The Maiden's Prayer
Plea for Professional Ethics
Scales—Sooner or Later?
An Artist's Love Affair
To the Pianist
Hitch Your Wagon to a Star
Teacher's Experience
Fifty Per Cent Off
Chopin's Birth
Pianoforte Pupil
Timely Word
Lunacy Among Men of Genius
Unteachable Pupils
Studio Illustration
How to Listen to Music
Concerning Late Methods
Leschetizky-Rubinstein
Necessity of a Standard of Attainment for Teachers of Music
Why and How
How to Interest Your Teacher
Emotional Affinity of a Student and Her Music
Results of Diligent Study
Description of Vesper Chimes: A …
Volume 13, Number 01 (January 1895), Theodore Presser
Volume 13, Number 01 (January 1895), Theodore Presser
The Etude Magazine: 1883-1957
Cause of Failure
Music Study and Society
Importance of Hearing Artists
Touch of Great Players
Three Classes of Pupils
Musicians and Music Lovers
Few Words About the Precursors of the Pianoforte
Justice in Music Teaching
Reputation
Concise Suggestions for Memorizing
Why of Scale Practice
Dont's for Young Singers
Music vs. Morality
How Much Shall I Charge for a Music Lesson?
William Mason on Piano Touch
Fault in Piano Playing
Musical Ear: Those Who Possess It and Those Who Don’t
One Way to Interest
Method of Practicing Exercises and Other Larger Works
Reviewing
Random Shots
How to Become an Artist
Mental …
Volume 12, Number 04 (April 1894), Theodore Presser
Volume 12, Number 04 (April 1894), Theodore Presser
The Etude Magazine: 1883-1957
Philadelphia Summer Music School
Technique and Feeling
Devitalized Wrist
Very Much to the Point
Valuable Contribution to Musical Criticism
Good Enough to Practice On
Classses in Biography and Musical History
Art Versus Prize-Getting
Women's Amateur Musical Clubs
Musical Taste
Public v. Private Pupils' Recitals
Review
Reason Why
Origin(?) of Certain Compositions
Some Secrets of Practice
Encourgting Young Musicians
What is Musical Intelligence?
Beethoven Sonatas
Wanted, in the Musical Profession, More Brains and Better Morals
Hints and Helps
In Jest
My Morning's Work
Let All Be Worthy and Well Tried
Necessary Reform in Charging Tuition
Extracts from Handy Music-Lexicon
Genius and …
Volume 10, Number 02 (February 1892), Theodore Presser
Volume 10, Number 02 (February 1892), Theodore Presser
The Etude Magazine: 1883-1957
What is Romantic Music?
Secret of Rapid Progress
Four-Hands Playing
Requisites for Voice Teachers
Value of Analysis for Pupils
One of a Music Teacher's Perplexities
Some Useful Pieces
Pen and Pencil Sketch of Beethoven
What is Musical Life?
Home Influence Upon the Pupil's Progress
Study of Rhythm
Faults and Their Remedies
University Extension, for the Systematic Home-Study of Music
Varieties of Legato Touch
How to Learn a Piece
How to Study—How to Tecah
Musical Analysis and Phrasing
European Conservatory in St. Louis
Volume 08, Number 05 (May 1890), Theodore Presser
Volume 08, Number 05 (May 1890), Theodore Presser
The Etude Magazine: 1883-1957
Jerusalem
Who Can Study Music with a Hope of Success?
Movements of Nerves and Muscles in Playing a Piece of Music
On Thorough Study
Thoughts on Piano Playing
One-Sided Specialism in Pianoforte Playing
Commissions to Teachers Once More
Chats on Technical Subjects
How Can the Individuality of the Musical Profession Be Raised to a Higher Level?
Raif Club in New York
To the Earnest Student and Player of the Pianoforte
Electro-Clavier
Sixth Programme from Anton Rubinstein's Cyclus of Seven Piano Recitals, with Biographical and Critical Sketch
Volume 08, Number 01 (January 1890), Theodore Presser
Volume 08, Number 01 (January 1890), Theodore Presser
The Etude Magazine: 1883-1957
Liberation of the Ring Finger
Misuse of Music
Principles of Pianoforte Playing
Gustav Lange
How Shall We Increase the Respect of Educated Men for Music and Musician
Tottering Arm
Nerve Control
Artistic Development
Concerts and Lessons by Phonograph
New Standpoint of Artists
Objective and Subjective Interpretation
Rules for Major Keys
Frequency of Lessons
Volume 07, Number 08 (August 1889), Theodore Presser
Volume 07, Number 08 (August 1889), Theodore Presser
The Etude Magazine: 1883-1957
Brief Hints at Odd Times
Teaching As It Is and As It May Be
Mason's Touch and Technic
Wm. H. Sherwood on Improved Methods of Pianoforte Teaching
Constantin Sternberg's Essay
On Teaching and Teaching Reforms
Volume 07, Number 12 (December 1889), Theodore Presser
Volume 07, Number 12 (December 1889), Theodore Presser
The Etude Magazine: 1883-1957
Careless Pupils
Unworthy Teachers
Piano in the Progress of Music
Musicians' Hands
Criticism of Pupils
Requirements of Modern Piano-Forte Teaching
Talent for Teaching
How to Listen
To Young Teachers
Worth Repeating
Rubinstein's Piano-Playing
Power of Music
What Pupils Think of Their Teachers
Class Organizations
Volume 07, Number 01 (January 1889), Theodore Presser
Volume 07, Number 01 (January 1889), Theodore Presser
The Etude Magazine: 1883-1957
One-Sided Piano Teachers
Oliver Ditson
In the Teacher's Studio
Pernicious Sentiment
Tempo Rubato
Technicon in England
About Studying Music
Is the Piano a Doomed Instrument?
Current Phases of Piano Teaching
Purity of Tone in Piano Playing
Thought and Emotion in Piano Playing
Surgery for Pianoforte Players
Volume 06, Number 08 (August 1888), Theodore Presser
Volume 06, Number 08 (August 1888), Theodore Presser
The Etude Magazine: 1883-1957
Biographical Sketch of John S. Van Cleve
Mental Grasp in Pianoforte Playing
Letter from Mr. Emery
Ear Training
Touch and Tone
Neglect of Ear Training
Recent Idea
Hint for Executive Musicians
American Compositions in the Class and Concert Room
Volume 05, Number 12 (December 1887), Theodore Presser
Volume 05, Number 12 (December 1887), Theodore Presser
The Etude Magazine: 1883-1957
Madame Julia Rivé-King
Vocation of the Virtuoso
Limits of Personal Rights in Piano-Forte Performance
Manumoneon
Some Pianists in America
Swarm of Bs for the Piano Student
Eile mit Weile: Hasten Slowly
On Touch in Piano-Forte Playing
Listeners
Music Teacher in a Small Town
Studying Abroad
Some Important Musical Events
Piano-Forte Pedals
Necessary Preparation for Teaching the Real Things in Music
Musical Notation and Terminology
Overworked Teachers
Piano-Forte Pedal
Amateur Musical Clubs
Education—Musical Literature
Holiday Presents
Two Valuable Testimonials
Volume 02, Number 03 (March 1884), Theodore Presser
Volume 02, Number 03 (March 1884), Theodore Presser
The Etude Magazine: 1883-1957
Chat With Pupils on Thorough Study
Conferring Degrees on the Music Teacher
Successes, Directions, Incentives, Developments
Graded List of Popular Music
Wisdom of Many
One Hundred Questions in Harmony
Too Much Piano: Outcry of a Sufferer
Thought or Two
Use of Slow Piano Practice
How to Awaken the Pupil's Interest
Volume 02, Number 02 (February 1884), Theodore Presser
Volume 02, Number 02 (February 1884), Theodore Presser
The Etude Magazine: 1883-1957
Few Thoughts for Piano-Forte Teachers
Gottschalk
Successes, Directions, Incentives, Developments
Action of the Fifth Finger in Piano Playing and the Means of Securing a Correct Position of Hand, Arm, and Fingers
Purity and Impurity
Robert Schuman's Rules for Young Musicians, Part 2
Thoughts on Piano Playing
Fourth Finger of the Left Hand
Volume 02, Number 01 (January 1884), Theodore Presser
Volume 02, Number 01 (January 1884), Theodore Presser
The Etude Magazine: 1883-1957
On the Use of Piano Studies, Part 2
Few Thoughts for Piano-Forte Teachers
Successes, Directions, Incentives, Developments
Virginia State Music Teachers' Association
Reflections and Suggestions on Piano Technic
Robert Schumann's Rules for Young Musicians
Notes on Music
Bach's Method of Teaching
Musical Literature
Volume 01, Number 02 (November 1883), Theodore Presser
Volume 01, Number 02 (November 1883), Theodore Presser
The Etude Magazine: 1883-1957
To Our Readers
Unprofitable Study
Wisdom of Many
20 Elementary Studies
Rules for the Fingering of Scales
Preparatory Scale Exercise
Vertical Relation Between the Fore-arm, Wrist, and Hand in Piano Playing
Observations on the Study of the Piano-Forte
Virginia Association of Music Teachers
Artistic Development
Thorough Practice
Volume 01, Number 01 (October 1883), Theodore Presser
Volume 01, Number 01 (October 1883), Theodore Presser
The Etude Magazine: 1883-1957
Observations on the Study of the Piano-Forte
Wisdom of Many
Cautions for Pianists
Protection of the Musical Profession