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Articles 1 - 9 of 9
Full-Text Articles in Cultural History
Children Of The Grave: The Rise, Fall, And Experience Of Heavy Metal Music During The Latter Cold War From 1969-1991, Shelby Sibert
Children Of The Grave: The Rise, Fall, And Experience Of Heavy Metal Music During The Latter Cold War From 1969-1991, Shelby Sibert
All Theses
The Cold War era saw the emergence of many different pop culture phenomena. Some were political, such as the Punk Rock and Hippie movements. Others were fashionable trends like Disco. However, Heavy Metal music is unique due to its opaque origins, skyrocketing popularity, and final disappearance after the end of the Cold War. Heavy Metal had a direct relationship with reflecting the fears and anxieties of the late Cold War period. It was a direct response to the Hippie activist counterculture rock n' roll of the 1960s, and it charters a new path of rock n' roll in the process. …
Woodstock '69: Catalyst For Counterculture?, Rachel Shook
Woodstock '69: Catalyst For Counterculture?, Rachel Shook
Student Research Poster Presentations 2024
This poster divulges on the societal impact the original Woodstock festival had, specifically on the counterculture movement of the nineteen sixties. The music festival, lasting between August 15th to August 17th of 1969, became a spontaneous event along the woods and farms of Bethel, New York. With as many as half of a million fans in attendance, this festival became much more than just a series of concerts. With such a spontaneous event gathering individuals from across the nation, this sparked this debate amongst historians regarding whether Woodstock truly was as impactful to counterculture as widely acclaimed to be, or …
Paz Y Amor: The Making Of Mexican Hippie Culture, Allie R. Cobb
Paz Y Amor: The Making Of Mexican Hippie Culture, Allie R. Cobb
All Theses
Following the violent government massacre of students in October of 1968, Mexican youth turned away from organized protest and turned on to the likes of Jimi Hendrix and Timothy Leary to challenge established society. This project focuses on Mexican hippie culture and Mexican hippie identity. It argues that hippie culture flourished in Mexico because of the development of consumer society and offered a way for Mexican youth to rebel against traditional authority while feeling a part of an international youth culture and at the same time reshaping what nationalism meant to them. In other words, hippie culture offered youth a …
A Man Went Looking For America And Couldn't Find It Anywhere: The Wanderer In On The Road And Easy Rider, Taylor Camara
A Man Went Looking For America And Couldn't Find It Anywhere: The Wanderer In On The Road And Easy Rider, Taylor Camara
Cultural Studies Capstone Papers
This paper analyzes the archetype of the wanderer as a cultural phenomenon in 1960s America starting with Jack Kerouac's On the Road as an embodiment of the Beat Generation and ending with Dennis Hopper's Easy Rider (1969) as an embodiment of sixties counterculture. Through this progression, On the Road's projection of the wanderer is found within the hobohero as a dissident nomadic figure, and Easy Rider's as a cosmic cowboy- a countercultural twist on an American icon. By analyzing these figures, the contradictory nature between rebellion and tradition meet as hobo-hero and cosmic cowboy reject societal norms in the search …
Wild Abandon: Postwar Literature Between Ecology And Authenticity, Alexander F. Menrisky
Wild Abandon: Postwar Literature Between Ecology And Authenticity, Alexander F. Menrisky
Theses and Dissertations--English
Wild Abandon traces a literary and cultural history of late twentieth-century appeals to dissolution, the moment at which a text seems to erase its subject’s sense of selfhood in natural environs. I argue that such appeals arose in response to a prominent yet overlooked interaction between discourses of ecology and authenticity following the rise and fall of the American New Left in the 1960s and 70s. This conjunction inspired certain intellectuals and activists to celebrate the ecological concept of interconnectivity as the most authentic basis of subjectivity in political, philosophical, spiritual, and literary writings. As I argue, dissolution represents a …
Ms-200: The Gettysburg Superstar Collection, Devin Mckinney
Ms-200: The Gettysburg Superstar Collection, Devin Mckinney
All Finding Aids
The collection is arranged into three series: I. The Production (materials growing from the 1971 performances); II. The Reunion (materials relating to the Reunion Weekend event); and III. The Book (materials gathered during McKinney’s research and writing). Within these are subseries focusing on such items as research materials and notes; photographs and recordings; interview transcripts; and miscellany.
Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be …
Hippie Caulfield: The Catcher In The Rye's Influence On 1960s American Counterculture, Richard Neffinger
Hippie Caulfield: The Catcher In The Rye's Influence On 1960s American Counterculture, Richard Neffinger
Masters Theses
This study covers the influence of The Catcher in the Rye on the 1960s youth counterculture in America. Drawing heavily from postmodern and new historicist theory, The Catcher in the Rye has developed a unique connection with the American public, most notably youth culture. This study examines why youth are so attracted to the character of Holden Caulfield and what implications their connection has meant and will mean for future generations of young Americans.
Peace, Politics, And Vortex: The Cultural And Political Consequences Of Oregon's Only State Sponsored Rock Concert, Kathryn J. Van Marter-Sanders
Peace, Politics, And Vortex: The Cultural And Political Consequences Of Oregon's Only State Sponsored Rock Concert, Kathryn J. Van Marter-Sanders
Lawrence University Honors Projects
As the 1960s drew to a close, mainstream America realized that the rebellious youth counterculture was not going to go away quietly. Meeting the problem head on as the authorities had in Kent State resulted in violent deaths and even more protests. This trend broke, possibly for the first time, at McIver Park in Portland, Oregon during the first ever state-sponsored rock concert. To make the concert, called ‘Vortex One,’ possible, Governor of Oregon Tom McCall, and The Family commune joined forces to create a peaceful alternative to possible violent opposition of the American Legion National Convention. The concert, however, …
The Counterculture Movement, Hannah Fink
The Counterculture Movement, Hannah Fink
A with Honors Projects
This project includes a paper of counterculture and a concert poster from the 1960's.