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From Donatello To Michelangelo: A Franciscan Angel, Kayla M. Bruce
From Donatello To Michelangelo: A Franciscan Angel, Kayla M. Bruce
Institute for the Humanities Theses
During the Italian Renaissance, images of angels and of the Virgin Mary were incredibly commonplace and were often used to denote the Virgin in her role as prophetess. The Virgin was often shown surrounded by angels in the background or flanking her on either side. However, in the fifteenth century, a motif appeared where an angel head was depicted on either the Virgin’s diadem or on her chest as a decorative brooch. This specific motif only appeared in images of the Virgin and the Christ Child. It was also only employed by Florentine artists and began with the Florentine sculptor, …