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University of Massachusetts Amherst

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Full-Text Articles in German Language and Literature

Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, Savannah M. Champion Oct 2022

Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, Savannah M. Champion

Masters Theses

This thesis aims to understand Wolf-Rehfeldt’s place in the unofficial art world of the GDR by examining her work in light of her status as a clerical worker with social rather than professional ties to the art world. She stands out within the East German Mail Art context, not just for her inventive use of a typewriter to create abstract figurations, but for the way she used it to interject considerations of gender and power into a network of artists overwhelmingly dominated by men with her open-ended Typewritings.”

Through historical research and close readings of her work, this study uncovers …


A Genealogy Of Victimhood: Empathy And Memory In Recent German Fiction, Catherine E. Mcnally Dec 2020

A Genealogy Of Victimhood: Empathy And Memory In Recent German Fiction, Catherine E. Mcnally

Doctoral Dissertations

This dissertation addresses literary representations of empathy and altruism in Jenny Erpenbeck’s 2015 novel Gehen, Ging, Gegangen and Bodo Kirchhoff’s 2016 novel Widerfahrnis. These novels demonstrate continuities and discontinuities between German literature of the postwar, reunification and contemporary contexts.Analyzing expressions of empathy by Erpenbeck and Kirchhoff’s protagonists, I locate them in historical and literary contexts, the roots of which can be traced to the first generation of postwar German literature (1945-1968), particularly Heinrich Böll and Günter Grass. In both Grass and Böll’s early postwar fiction, German experiences of the war and its aftermath are foregrounded, and focus is placed …


Stop Making Sense: Hegel’S Critique Of Common Understanding, Daniel A. Burnfin Sep 2020

Stop Making Sense: Hegel’S Critique Of Common Understanding, Daniel A. Burnfin

Masters Theses

This thesis presents Hegel’s account of abstract ‘understanding’ (Verstand) and asserts that his thought is to be read as primarily presenting a critique of abstract understanding. Verstand involves the methodological supposition of a self-subsistent fundament of what it speaks of, and hence the critique of understanding is the critique of the supposition of self-subsistent fundaments. Grasping his account and reading him in its critical light yields a very different image of Hegel than the caricature of ‘totalizing systems’. The dimension of the Verstandeskritik has been relatively neglected in Hegel-reception and misunderstandings result from trying to ‘understand’ Hegel, by …


Postkoloniale Solidarität: Alltagsleben Von Ddr-Bürgern In Mosambik, 1979-1990, Katrin Bahr Sep 2020

Inclusion And Exclusion Of Gender, Social Class, Race And Ability In Elementary German Textbooks, Emmalie Keenan Jul 2020

Inclusion And Exclusion Of Gender, Social Class, Race And Ability In Elementary German Textbooks, Emmalie Keenan

Masters Theses

Elementary German language textbooks today lack diverse representations of gender, social class, race, and ability. This thesis argues that the exclusion of those categories of diversity impedes the objectives of the communicative learning approach for students in first-year German courses. It examines research on diversity in textbooks with a focus on the concept of the “third space”, and shows how these findings apply to German students. An analysis of chapters from three German textbooks published between 2018 and 2020: Netzwerk neu A1, Impuls Deutsch 1, and Grenzenlos Deutsch provides specific examples of how images, texts, dialogs, grammar, and vocabulary exercises …


Epic And Identity: Exploring Genre And Understanding The Self In The Middle High German 'Spielmannsepen', Rachael A. Salyer Oct 2018

Epic And Identity: Exploring Genre And Understanding The Self In The Middle High German 'Spielmannsepen', Rachael A. Salyer

Doctoral Dissertations

The cluster of anonymous Middle High German epics known as the Spielmannsepen presents an interesting challenge to notions of genre and identity in the Middle Ages. This project explores some of the issues surrounding those notions in three particular texts, including König Rother, Orendel, and St. Oswald. Discussions of genre and identity complement one another in this work because each functions as a means of categorization. Questions surrounding the poems’ manuscript traditions and presumed composition dates are analyzed, and aspects of the eponymous heroes’ identities are also examined.


Bridging Contradictions: Socialist Actresses And Star Culture In East Germany, Victoria Rizo Lenshyn Oct 2018

Bridging Contradictions: Socialist Actresses And Star Culture In East Germany, Victoria Rizo Lenshyn

Doctoral Dissertations

In this dissertation, I argue that multiple stakeholders in East Germany (GDR)—the fans, artists, and state— adapted the star phenomenon to help validate GDR socialist culture at home and abroad, and to bridge seemingly contradictory elements within the dualistic context of the global Cold War: the individual and collective, the ordinary and extraordinary, idealism and reality, the past and present, tradition and progress, East and West. As public figures, GDR stars offered audiences multiple points of identification and helped the enlarged working class navigate its new dominant social position in GDR social life. Officially, stars offered an engaging performance of …


Die Bedeutung Der Defa Film Library Im Ostdeutschen Erinnerungsdiskurs, Konstanze Schiller Oct 2018

Die Bedeutung Der Defa Film Library Im Ostdeutschen Erinnerungsdiskurs, Konstanze Schiller

Masters Theses

The relation between memory and identity is significant, particularly if an identity-establishing entity such as a state has vanished. In the context of GDR memory, this pertains to the type of memory discourse: what is remembered, how, and by whom? What are the differences in the discourse about East German memory between the US and Germany?

Based on approaches of the Aleida Assmann’s approaches to individual, collective, and cultural memory this thesis seeks to examine the notion and impact of archives in collective memory processes and to analyze the extent to which the medium of film as a concrete and …


The Drama Of Race: Contemporary Afro-German Theater, Jamele Watkins Jul 2017

The Drama Of Race: Contemporary Afro-German Theater, Jamele Watkins

Doctoral Dissertations

The first investigation of Afro-German theater my dissertation, “The Drama of Race,” argues that Afro-German theater empowers as Black actors take ownership of a German stage, a white German space. My dissertation highlights four crucial Afro-German plays: real life: Germany (2008), Heimat, bittersüße Heimat [Home, bittersweet Home] (2010), Also by Mail (2013), and Mais in Deutschland und anderen Galaxien [Corn in Germany and Other Galaxies] (2015). In Chapter I, I discuss the cultural conditions in which Afro-German theater emerged—after an established literary corpus by Afro-German authors. Chapter II introduces the first Afro-German play and its improvisational methods as empowering for …


From Householder To War-Lord To Heavenly Hero: Naming God In The Early Continental Germanic Languages, Michael Moynihan Jul 2017

From Householder To War-Lord To Heavenly Hero: Naming God In The Early Continental Germanic Languages, Michael Moynihan

Doctoral Dissertations

Using an interdisciplinary approach and building upon earlier work by Northcott, Green, Eggers, Schirokauer, and others, the present study presents a reappraisal of the development of the Germanic vocabulary adopted to designate the divine Lord (God or Christ) in the early stages of Christianization on the continent during the first millennium. The words used to translate Greek kyrios and Latin dominus were drawn from the sphere of Germanic social institutions and thus their adoption was influenced—and to some extent determined—by external conditions and values. In Wulfila’s fourth-century translation of the Bible into an East Germanic dialect of Gothic, the word …


Children In Frank Beyer's Holocaust Films, Delene M. White Nov 2016

Children In Frank Beyer's Holocaust Films, Delene M. White

Doctoral Dissertations

ABSTRACT CHILDREN IN FRANK BEYER’S HOLOCAUST FILMS SEPTEMBER 2016 DELENE CASE WHITE, B.A. UNIVERSITY OF SOUTH ALABAMA M.A. UNIVERSITY OF SOUTH ALABAMA Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Barton Byg This dissertation is about central functions children play in the Holocaust films of (East) German director Frank Beyer: Nackt unter Wölfen (Naked among Wolves, 1963), Jakob der Lügner (Jacob the Liar, 1974), and Wenn alle Deutschen schlafen (While all Germans Sleep, 1994). Beyer’s child characters contribute to resistance and challenge oversimplified ways the Holocaust and German division have often been remembered. Beyer’s …


Vielleicht Hier, Um Zu Sagen: Bildung And Elegy In The Duineser Elegien, Du Côté De Chez Swann, And Misérable Miracle, Emily Heilker Nov 2016

Vielleicht Hier, Um Zu Sagen: Bildung And Elegy In The Duineser Elegien, Du Côté De Chez Swann, And Misérable Miracle, Emily Heilker

Masters Theses

In the wake of the industrialization, urbanization, and global conflicts of the late nineteenth and early twentieth centuries, Europe was forced to call into question its Enlightenment faith. In particular, Bildung—as the cultural education of the individual that emerged out of the Enlightenment—lost its footing amidst experience’s new texture of trauma. This thesis will examine Rilke’s Duineser Elegien, Proust’s Du côté de chez Swann, and Michaux’s Misérable miracle as each work pertains to and reconceives of the intertwining of Bildung and elegy, as a literary form both underpinned by and unconvinced of Bildung. For them, I will …


Pessimism In Progress: Hermann Sudermann And The Liberal German Bourgeoisie, Jason Doerre Jul 2016

Pessimism In Progress: Hermann Sudermann And The Liberal German Bourgeoisie, Jason Doerre

Doctoral Dissertations

Once ranked among the most internationally read authors at the turn of the nineteenth century, the name Hermann Sudermann (1857–1928) today has been all but forgotten. This dissertation frames the life and work of this once famous author in the context of the liberal German bourgeois milieu. Not only was Sudermann a liberal bourgeois, his works reflected the preferred styles, attitudes, and worldview of this social class. I argue that the rise and fall of Hermann Sudermann’s career, as it was inextricably connected to the fortunes of the liberal German bourgeoisie, mirrors the trajectory thereof. As the appeal of bourgeois …


The Subjects Of Fati̇h Akin's Melodramas: A Genealogical Reading Through The Films Of R.W. Fassbinder, Yilmaz Güney And Atif Yilmaz, Emir O. Benli Mar 2016

The Subjects Of Fati̇h Akin's Melodramas: A Genealogical Reading Through The Films Of R.W. Fassbinder, Yilmaz Güney And Atif Yilmaz, Emir O. Benli

Doctoral Dissertations

Fatih Akın's feature films Head-On (2004) and The Edge of Heaven (2007) resonated strongly with Turkish, German and Turkish German communities, albeit for diverse reasons, opening spaces for debate with regard to subjectivites that foreground their alterity and redefine readings of national identity. This dissertation addresses ways in which the melodramatic modality of Akın's films partake in such debates by presenting a dialogic genealogy of melodramas from Turkish, German and Turkish German contexts. An analysis of Fontane's novel "Effi Briest" and of R.W Fassbinder's Fontane Effi Briest and Ali: Fear Eats the Soul; Atıf Yılmaz's O Beautiful Istanbul; and …


Parody And Satire In Hanns Eisler's Palmström And Zeitungsausschnitte, Alyssa Wells Nov 2015

Parody And Satire In Hanns Eisler's Palmström And Zeitungsausschnitte, Alyssa Wells

Masters Theses

Hanns Eisler routinely expressed his discontent with the state of music and society in the late 1920s in Die Rote Fahne—an organ of the Marxist revolutionary organization, the Spartakusbund, to which he often contributed. His 1928 essay “Man baut um,” among the most notable of these writings, declares that the high expenditures in art—such as the construction of a fourteen-million Mark opera house—to be the result of capitalist greed rather than a reflection of the desire for musical performances, as had been suggested. Although the cost of the new venue is the subject in this satirical passage, this …


Young Germans In The World: Race, Gender, And Imperialism In Wilhelmine Young Adult Literature, Maureen O. Gallagher Nov 2015

Young Germans In The World: Race, Gender, And Imperialism In Wilhelmine Young Adult Literature, Maureen O. Gallagher

Doctoral Dissertations

This dissertation shows how popular reading material for young adults was used to craft a new generation of German imperial citizens in the Second Empire (1871-1918). Uniting insights from contemporary postcolonial theory, gender studies, and the global history of nineteenth- and twentieth-century Germany, it shows the intersectional development of German national identity in the children’s and young adult literature of Wilhelmine Germany. As literature written by adults for young people, designed both to entertain and instruct, children’s and young adult literature offers a unique window on how Germany built nation and empire simultaneously during this period. Focusing on texts set …


Hanns Eisler's "Das Vorbild" And The Rebuilding Of Musical Culture In The German Democratic Republic, Alyssa Wells Jul 2015

Hanns Eisler's "Das Vorbild" And The Rebuilding Of Musical Culture In The German Democratic Republic, Alyssa Wells

Masters Theses

In his essay, “Musik und Musikverständnis” (1927), Hanns Eisler (1898-1962) wrote that "the evaluation of a piece of music calls for the understanding of the elements of harmony, polyphony, and form," and that one who is not privy to this understanding will "be in the same situation as one who hears a speech in Chinese, without an understanding of Chinese.” Eisler maintained that music could be rendered intelligible through “a gradual rebuilding of musical culture.” This new musical culture, which he believed could only occur after the proletariat seized societal power from the bourgeoisie, would promote musical education and encourage …


“Hagene, Der Vil Ungetriuwe Man”? Courtly Rivalry, Loyalty Conflict, And The Figure Of Hagen In The Nibelungenlied, Katherine Devane Brown Aug 2014

“Hagene, Der Vil Ungetriuwe Man”? Courtly Rivalry, Loyalty Conflict, And The Figure Of Hagen In The Nibelungenlied, Katherine Devane Brown

Masters Theses

The variety of scholarly approaches to the Middle High German poem Das Nibelungenlied has generated a wide range of conflicting analyses of the character of Hagen, a figure who plays a key role in both the plot and the interpretation of the work. This thesis proposes that viewing Hagen’s relationship with Siegfried in relation to the poem’s central theme of loyalty (triuwe) allows for an analysis that integrates both the positive and negative aspects of Hagen’s character. By examining the depiction of courtly rivalry in four contemporary Middle High German works (Herzog Ernst B, Wolfdietrich A, …


Justifying The Margins: Marginal Culture, Hybridity And The Polish Challenge In Fontane's Effi Briest, Zorana Gluscevic Feb 2011

Justifying The Margins: Marginal Culture, Hybridity And The Polish Challenge In Fontane's Effi Briest, Zorana Gluscevic

Open Access Dissertations

This dissertation argues that the interpretive framework from which Fontane's Effi Briest is commonly approached limits discussion to metropolitan core culture and fails to address Fontane's path-breaking accomplishment. After outlining limitations of some prominent approaches to Effi Briest in chapter one, my next four chapters explore alternative reading strategies that instead situate the novel in the imperial context of the new German state inflected by transnational relations and problematize the tendency to see Germany as a space territorially and culturally homogenized and stable. Chapter two reads the novel through Foucault's notion of heterotopia to demonstrate Fontane's heterotopic strategies as a …


“Obscene Fantasies”: Elfriede Jelinek’S Generic Perversions, Brenda L. Bethman Sep 2009

“Obscene Fantasies”: Elfriede Jelinek’S Generic Perversions, Brenda L. Bethman

Open Access Dissertations

This dissertation examines Elfriede Jelinek’s investigation of Austria’s and Western Europe’s “obscene fantasies” through her “perversion” of generic forms in three of her best-known texts (Die Liebhaberinnen, Lust, and Die Klavierspielerin). It also investigates how these texts, at first glance less overtly political than Jelinek’s later work, can be seen as laying the groundwork for her later, more political, analysis of Austrian fascism and racism. The dissertation is composed of three chapters; each investigates a central psychoanalytic concept (alienation, jouissance, perversion and sublimation) and reads a Jelinek text in relation to the genre that it is perverting, exposing the “obscene …