Poetry Commons^™

Tread, Joanne L. Detore

Joanne L. DeTore

No abstract provided.

To Be Known_ A Supervisee Experience.Pdf, Alexa Ashworth

Alexa Ashworth

No abstract provided.

To Be Known, Alexa Ashworth

Alexa Ashworth

No abstract provided.

New York 1987, Tyler Fisher

Tyler Fisher

From Pound To Olson: The Avant-Garde Poet As Pedagogue, Alan Golding

Alan Golding

Ezra Pound’s sense of himself as poet-pedagogue—including his insistent desire to reform American higher education—is inseparable from his literary avant-gardism and his commitment to the principle of “discovery” or “newness.” This connection between experimental poetics and pedagogy forms a central part both of Pound’s significance as a writer and of his influence on a later avant-gardist and didact like Charles Olson, and anticipates the complexities of the subsequent relationship between American poetic avant-gardes and the academy. Olson was both a teacher at and rector of Black Mountain College, and in an unlikely conjunction, the forms of his institutional life enter …

Louis Zukofsky And The Avant-Garde Textbook, Alan Golding

Alan Golding

No abstract provided.

Book Review: David Rosen, "Power, Plain English, And The Rise Of Modern Poetry", Alan Golding

Alan Golding

No abstract provided.

Umsl Magazine: Spring 2018

María Teresa Balogh

My Poems Will Find Their Home…, Victor Fet

Victor Fet

No abstract provided.

Our Theater. – A Calendar. – One Of Them. – Leaving Behind. – A Night Song. – On This Side, Victor Fet

Victor Fet

No abstract provided.

Histology. - Atlantis. - The Source. - A Breath. - A Form Of Life. - Behind The Stage. - At The Stations, Victor Fet

Victor Fet

No abstract provided.

Serebrianaia Rybka Nabokova [Nabokov’S Silverfish], Victor Fet

Victor Fet

No abstract provided.

An Unusual State Of Matter (Russian Translation), Victor Fet

Victor Fet

A selection of science poems by Roald Hoffmann (Cornell University). Translated into Russian by Victor Fet. Dedicated to the 80th birthday of this famous chemist.

Freedom. – What If? – Still Unknown. – The Actor, Victor Fet

Victor Fet

No abstract provided.

Berg’S Diary. – The Plant Anatomy, Victor Fet

Victor Fet

No abstract provided.

Ish: How To Write Poemish (Research) Poetry, Maria K. Lahman Ph.D., Veronica M. Richard Ph.D., Eric D. Teman J.D., Ph.D.

Eric D Teman, J.D., Ph.D.

What Do You Give To A God Who Has Everything? "In The Bleak Mid-Winter", Leslie A. Engelson

Leslie Engelson

Emily Dickinson, Fascicle 26 / Packet 84 (Mobile Version), Jon Miller

Jon Miller

Emily Dickinson, Fascicle 26 / Packet 84, Jon Miller

Jon Miller

Reinventing Language, Vowel By Colorful Vowel, Clark Lunberry

Clark Lunberry

A Fable of a Fable, or “The Story of One of My Follies”: After he’d invented “the color of vowels,” regulated the “form and movement of each consonant,” the young poet then, applying his “instinctive rhythms” to the task, proudly proclaimed that he had alchemically created “a poetic language accessible, some day, to all the senses.” Notably, with his project in place, this poet, Arthur Rimbaud, tells us that he was then quick to “reserve translation rights.” This legal move on the poet’s part was perhaps thought initially necessary because, as he notes in 1873, the described synesthetic impact of …

Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry

Clark Lunberry

On a pond adjacent to the University of North Florida’s Thomas G. Carpenter Library, parts of Emily Dickinson’s well-known poem about being a “Nobody” were recently written on the water. During the fall of 2014, the familiar words of that poem’s opening line – “I’m Nobody! Who are you?” – appeared to float upon the library’s pond, reflecting vividly in the light of day (yet disappearing entirely in the dark of night). While inside the library’s large open stairway, on the tall windows that face directly out onto that pond, the first line of the poem’s second stanza – “How …

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

Clark Lunberry

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …

The Longest Night, Ted Olson

Ted Olson

No abstract provided.

Жеф, Чйлфпт. Учпвпдб. – Юфп, Еумй?... – Еэј Оейъчеуфоп, Victor Fet

Victor Fet

No abstract provided.

Жизнь В Человеке, Victor Fet

Victor Fet

No abstract provided.

Poetry As The Scholar's Art: An Interview With Poet Amy Newman, Julie Miller

Julie L. Miller

No abstract provided.

Giving Poems: Motivation And Personality In The Reading And Sharing Of Poetry, Leeann Bartolini

LeeAnn Bartolini

• 14% of American population reads poetry.
• Readers in general and poetry readers in particular tend to be women with higher level of education.
• Poetry readers are not loners – high amounts of leisure activity and high sociability.
• Poetry readers tend …

Eki Mae Poems [Volume 1], Judy Halebsky, Yuka Tsukagoshi, Fumiko Yamanaka, Ayumu Akutsu

Judy Halebsky

Bilingual Japanese-English poetry journal.

Eki Mae Poems [Volume 3], Ilya Kaminsky, Yuka Tsukagoshi, Judy Halebsky, Ayumu Akutsu

Judy Halebsky

Bilingual Japanese-English poetry journal.

Eki Mae Poems [Volume 2], Brenda Hillman, Yuka Tsukagoshi, Judy Halebsky, Ayumu Akutsu

Judy Halebsky

Bilingual Japanese-English poetry journal.