Art and Design Commons^™

Alligator Skull, Katherine Weaver

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Alligator Skull was created through mimicking the shadows on the bones of a giant creature with the dots of my pen. Living in Florida, I have known these animals my entire life, and I have been mesmerized by them the whole time. To see one humbled into a skeleton form is so intriguing. They are apex predators that encompass fear in many, but they are just as mortal as the rest of us. They only kill to survive, but the power they possess over the waters has humans either petrified or entranced. This individual from the Alligator mississippiensis …

Leafy Sea Dragon, Phycodurus Sp., Kennedi X. Light

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Leafy sea dragons, Phycodurus sp. are part of the Syngnathidae family. Syngnathidae is a genus made up of seahorses, pipefishes, and sea dragons. All three of the species are known to have beautiful patterning. However, leafy sea dragons got their name from their leafy appendages like their fins and limbs. The reason I chose to draw a leafy sea dragon is due to my own interest in astrobiology. Astrobiology is the study of life in the universe and astrobiologists look for signs of life within the universe. I would like to be an astrobiologist one day and focus …

The Florida Scrub-Jay, Emily Hill

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

The Florida Scrub-Jay is a digital scientific illustration of Aphelocoma coerulescens, the only native bird species endemic to Florida. This piece celebrates the natural beauty of the Florida scrub-jay and its key features that allow it to thrive in scrub habitats. These habitats are threatened by anthropogenic activity and climate change, leading to the fragmentation, degradation, or eventual loss of these areas. Through this artwork, I hope to emphasize the importance of conservation and inspire viewers to appreciate and protect this bird species.

Every stroke and color choice were carefully considered to accurately depict the bird’s physical attributes. …

Burning Through The Shell, Ethan Harmon

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

“Burning Through the Shell” embodies the process of freeing myself from my inner turmoil. By pouring molten iron into a wooden trough, the iron burns and scorches its way through the wooden exterior, leaving behind only the remnants as it cools and frees itself from its temporary shell. This destructive yet creative act represents shedding my shell of social anxiety and insecurity, emerging stronger and more resilient. Throughout my life, I have always struggled with “coming out of my shell” and dealing with my mental health in a positive way. However, once I discovered my passion for sculpture …

Beyond The Veil, Noah S. Constantino

PANDION: The Osprey Journal of Research and Ideas

The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …

Scrubbing Off The Grime, Angelena M. Chaishowarat

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

This piece is centered around isolation and caring for one’s inner child. The inner child is someone each of us has, and it is our job as the adult, to look after, keep safe, and protect this child. Growing up as an Asian American in the southern region of the United States, I felt an immense amount of isolation and lack of belonging. From a young age I felt alone, weird, strange, and out of place. I knew I looked different than most of my classmates, I knew my packed lunch was different, and I knew my last …

Meditations, Alyssa Hennigar

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Meditations is the second piece in my Meditations Series. I was introduced to meditative or “automatic” drawings in my Drawing II class with Professor McGalliard at the University of North Florida. What resonates so much with me about meditative drawing is the complete freedom in creating art that comes naturally to the movement of a body, the practice of mindfulness, and being in the present. There should be no plan, no thought, no calculations, and no rules when it comes to meditative drawing. It is purely expressive mark-making and therapeutic to the artist’s mind, which often gets tied …

Creating; Kind, Jordan Boutelle

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

As a printmaker, I use the versatility of the medium to create diverse representations of the environment and society each of us are placed in. These contexts are the “tool kit” we are provided to forage together our own identities and relationships. The piece Creating; Kind represents the individual in a moment of time. A set of rigid assets are used to create unique combinations of layered textures, objects, and color that are then cut down to create the element needed for the composition. The contrast between the finite nature of the matrices and substrates used and the …

I Bloomed In The Dark, Izzy (Kiara) Narvais

PANDION: The Osprey Journal of Research and Ideas

We come from different places and different backgrounds. Our lives are a constant trial and error. Our past lives on and makes us bloom into the people that we are today. I want to share my story to create a safe place to talk about our trajectories. In a place of darkness and sadness that I sat in for so long, a bright light and a flower grew through it all within me. I have been bullied, abused, and sexually assaulted. I take that as not a place of weakness but a place of strength. I stand strong to be …

The Anxiety Of Presenting Identity, Savannah Fleming

PANDION: The Osprey Journal of Research and Ideas

This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.