Art and Design Commons^™

The Garden Of Extraterrestrial Deee-Lites, Jessica Bremehr

Graduate School of Art Theses

I present a delusion where you, the reader, are a hitchhiker on a journey toward an alternate realm guided by a god-like buffoon. While I take you on a journey through my daydreams and my musings on an alternate existence, a tour guide will lead the way to an otherworldly realm called The Garden of Extraterrestrial Deee-Lites, reflective of a tourist experience to a faraway destination. The tour will culminate in an uncanny space where curious life forms converge with familiar objects to encourage a sense of wonder while promoting ideas of interconnectedness within the world around us.

The Feeling Of Foam & Other Essays, Ryan Erickson

Graduate School of Art Theses

I create conceptual drawings, collages, sculptures, and installations to humorously destabilize and ultimately question how human language, formal methodologies, and social institutions function. While seemingly embracing an aesthetic of rationality, I undermine it with absurdity. In my work, I take a fundamentally dialectical position by skewering the rational to the illogical as neither can exist without the other.

Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight

Graduate School of Art Theses

In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary …

Tracing The Past, Drawing The Present, Sixue Yang

Graduate School of Art Theses

The group of work, Rising Water, Floating Islands is inspired by traditional Chinese scroll landscape paintings. Such landscape paintings combine meticulous technique, compositional complexity, and tension between representation and abstraction to reveal an alternative universe that waits discovery amid our mundane existence. In “Rising Water, Floating Islands,” I explore the political and social ramifications of the ongoing cultural conflict between traditional and emergent contemporary values. By combining traditional Chinese elements and techniques with my own markings and gestural adaptation in my painting, I give the audience the opportunity to contemplate the implications of our present digital condition through traditional esthetic …

Concrete Poetry, Sara Ghazi Asadollahi

Graduate School of Art Theses

This text addresses my work as an artist and defines it in the context of the following subjects: The concept of ruins, which highlights the relationship between architecture and landscape; the formal and metaphorical dialectic between absence and presence in abandoned places; and the idea of dystopia, which emerges from that in-between space where the real dissolves into the imaginary. At the same time, my work is inspired by the visual culture of cinema and literature, principally within the science-fiction genre, and draws upon my observation of abandoned buildings in Tehran, my native city. These urban ruins are products of …

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or lack …

Four Sights Of The Patient (Ophelia), Cecily Ann Fergeson

Graduate School of Art Theses

I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to reckon with the following subjects: a reclamation of the notion of the so-called medical gaze and its historical record in photography; the idea that receiving the medical gaze transforms patients’ bodies; the idea of illness as an uncanny and intimate experience; and, finally, the act of metaphorically retracing the body’s material journey through the medical institution as it exists today. In this text, I discuss my practice in the context of critical theory, a recent observation …

The Nature Of My Nature; A Story About Relationships, Andrew Mcilvaine

Graduate School of Art Theses

Abstract

As a second generation Hispanic, I am a painter whose work is informed by my personal experience of displacement and longing to belong. In turn, I hope, this longing inspires an important dialogue about place, memory, otherness and belonging. I work in small, intimate scale, evoking narratives of vastness yet also of solitude. The landscape and the natural environment I represent, become populated by anonymous creatures. Both animal and human, posed in semi-natural and semi-artificial settings.

I was born in Texas and grew up in Missouri. The images I produce are often tranquil and surreal yet are grounded through …

The Vanishing Line, Jacopo Mazzoni

Graduate School of Art Theses

This thesis is an exploratory effort to bridge the rift that political and monetary powers created between art and technology. In my practice, these socio-political motivations are exposed through the creation of non-utilitarian inventions that use different technologies as charged metaphors. I research mass media language and construct interactive pieces while borrowing strategies from the entertainment industry to make environmental, social, and political issues more palatable than documentary films or raw data could. In my work, technology is regarded as a semidivine entity with supernatural powers that can both elevate and reduce the human experience. My work functions differently according …

If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger

Graduate School of Art Theses

The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces that much like the previous layers, are made up of many things, most certainly not one thing. A static object may hold a series of other objects, spaces and events. A static object may also embody the passage of time.Though one may try to hold the object at a constant, that is to slow or even bring a halt to its motion, this task is near impossible.

Bird Box House, Bear Box Dresser, Lamp Hat, Macaroni …

Fighting Domestic Terrorism: Art's Role In Social Activism, Jonathan Cornell

Graduate School of Art Theses

Abstract

Through a study into the complex web of Church and State, I describe how the American condition falters under a Capitalist regime. Throughout this thesis, I identify incongruences within pervading socio-political tropes. By dissections of religion and culture, I identify how the American people are subjugated by their own ideologies, thereby perpetuating a cycle of class struggle and social injustice. I assert that the American hero has failed in the face of material desire and blind faith to a ruling plutocracy, and that organized religion has been ultimately subsumed by politics as a tool of control. Using the visual …

Phenomenal Marks, Ruptured Spaces, Relearning Language, Crossing Cultures, Meelee Ahn

Graduate School of Art Theses

The form of my thesis is one of interruptions, or “Ruptures,” as I call them. These are events of my personal history, or stories from the lives of artists, that intervene against my narrative through graphic and language devices meant to be understood as equivalent to the material affects in my painting. Important artists and movements mentioned are Gerhard Richter, Franz Kline, Helen Frankenhauler, Lee Ufan, Doho Suh, and Abstract Expressionism. Writers and philosophers Maurice Merlou-Ponty, Gaston Bachelard, Joan Banach, Sigmund Freud, John Gage, Brian Massumi, Allen Weiss, Clement Greenburg, Shin-Chulgyu, and Yoon-Dongju are also discussed. The idea discussed include …

Creatures Of Play, Melissa Shelton

Graduate School of Art Theses

This thesis explores my practice as an artist and my work’s cultural, theoretical and social contexts, such carnival theory, feminist studies and film studies, as well as references to mythology and my own biography. I discuss forms of representation of gendered identities through my work in drawing, performance, animation, video and installation.

The masks we wear become as real as our bare face. Through the act of doubling the representation, my thesis work BECOMING/a fine line situates the mask as the mediator between reflections, mirroring the identity and the notion of performativity. Embracing a certain incompleteness and embodying the theoretical …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …

In Pursuit Of Distant Horizons, Whitney Polich

Graduate School of Art Theses

Our lasting human desire to rationalize the phenomena of nature manifests as ceaseless attempts to fix fluid landscapes within the rigid boundaries of an image. Each landscape with its own physical language, rooted in the temporal and subjective particularities of sense—taste, touch, smell, sound, and sight—requires a lived immersion to be read and as such, eludes static interpretation or expression. The physical horizon provides both a physical and metaphorical reminder of the limits we constantly find ourselves confronted with—those limits of perception, language, and knowledge—as we seek to expresses the immediate experience and profound vastness of a world far exceeding …

Painting And Stuff, Lol, Sopearb Touch

Graduate School of Art Theses

Our own human experience is a distinct realm which can never be precisely duplicated in another lifetime. It frames our whole view of existence and, as artists, affects our art making process. The theory of the Tabula Rasa functions as the inspiration of my work and this writing examines my personal view of growing up in the internet age and America, and how my view of life, as well as artistic practice, is shaped by a consumerist culture that has gone global. Additionally, as a figurative painter, I create a context with other artists who create work about their own …