Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Abject (1)
- Advertising (1)
- America settler colonialism (1)
- Anthropocene (1)
- Art (1)
-
- Body (1)
- Communication (1)
- Culture (1)
- Decolonial art (1)
- Design (1)
- Edith Wharton (1)
- Edwardian (1)
- Ethos (1)
- Exhibit (1)
- Fetish (1)
- Fine art (1)
- Forest (1)
- Forestry (1)
- History (1)
- Hymn to Logos (1)
- Isocrates (1)
- Judith Butler (1)
- Kentucky (1)
- Laura Mulvey (1)
- Logos (1)
- Marketing (1)
- Masculinity (1)
- Mikhail Bakhtin (1)
- Museum (1)
- Pathos (1)
Articles 1 - 5 of 5
Full-Text Articles in Art and Design
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
Electronic Theses and Dissertations
These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …
Isocrates's Place In Postmodern Advertising, Christopher Barkley
Isocrates's Place In Postmodern Advertising, Christopher Barkley
Electronic Theses and Dissertations
This study in communication and rhetoric seeks to ascertain constructive applications for distinct advertising practices by examining Isocrates’s work and place in postmodern advertising. The focus uses 5 principles known to Isocrates which are: 1) commonwealths of households, 2) integration of reputation, elegance, substance and style, 3) education and public discourse, 4) phronesis and praxis, and 5) truth and verisimilitude. These 5 principles can form a constructive and practical advertising approach. This study is important. It examines Isocrates through the lens of advertising and extends the research done about him by leading Isocrates scholars who have looked primarily at his …
The Classical Versus The Grotesque Body In Edith Wharton's Fiction, Joshua T. Temples
The Classical Versus The Grotesque Body In Edith Wharton's Fiction, Joshua T. Temples
Electronic Theses and Dissertations
In her landmark works The House of Mirth (1905), The Custom of the Country (1913), and The Age of Innocence (1920), Edith Wharton responds to earlier depictions of the classical, pure Victorian and Edwardian woman. Wharton's "inconvenient" women overturn popular stereotypes. Subsequently, they are barred from their social groups, but they are independent, unlike the complicit and obedient women of the classical body, most of whom ascribe to the trope of the "Angel in the House." The grotesque seeks to undercut the unrealistic expectations enforced by the classical through its embodiment of progression and humanity, and Wharton is drawn to …
Design Plan For The Sawmill Town History Wing At The Texas Forestry Museum, Kendall D. Gay
Design Plan For The Sawmill Town History Wing At The Texas Forestry Museum, Kendall D. Gay
Electronic Theses and Dissertations
The Texas Forestry Museum in Lufkin, Texas is the only forestry museum in the state. It preserves artifacts and educates visitors about Texas’ forest industry history. The museum has a Sawmill Town History Wing that is outdated and in need of a refreshing exhibit design based on current best practices. Using a previous museum audit as a guide, the new exhibit will have better flow, panel aesthetics, content, and interactive elements. By creating a new exhibit, the museum is better able to educate and entertain the visitors about Texas’ forest industry history.
Man/Boy., Nick Hartman
Man/Boy., Nick Hartman
Electronic Theses and Dissertations
Verisimilitude, or the appearance of being true, is a concept I turn upside down; relating it to a guise I wear as a contemporary male in a society dictated by learned social behavior and gender norms. Cultural iconography and expected gender norms are tropes I confront within my artwork. Drawings of seemingly everyday objects act as meditations or a fetishized repetition of supposed unobtainable objects and ideals that deal with masculine societal norms. Manliness, machismo, masculinity… it is all a culturally learned and expected pose placed on all men. Coming to the realization that I do not necessarily fit …