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African Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
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- Comparative cultural studies (2)
- Comparative humanities (2)
- Comparative literature (2)
- Comparison of marginalities and culture (2)
- Comparison of primary texts across languages and cultures (2)
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- Cultural Belonging (2)
- Cultural Recognition (2)
- Culture and sociology (2)
- Diasporic, exile, (im)migrant, and ethnic minority writing (2)
- Diversity (2)
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- Film and literature (2)
- France (2)
- Gender studies (2)
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- Immigrant Identity (2)
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- Intercultural education (2)
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- Ireland (2)
- Jacobinism (2)
- Language acquisition (2)
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- Literature (2)
- Memory (2)
Articles 1 - 3 of 3
Full-Text Articles in African Languages and Societies
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay
Artl@s Bulletin
This article on literary and theatrical circulations in Africa’s Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation.