Arts and Humanities Commons^™

Leading Ladies?: Feminism And The Hollywood New Wave, Allison A. Smith

Pell Scholars and Senior Theses

In the late 1960s, a new film movement emerged in Hollywood cinema known as the Hollywood New Wave. The women’s movement began roughly the same time as the Hollywood New Wave, but feminism was rarely a topic discussed in Hollywood cinema. The Hollywood New Wave is often considered a “boy’s club,” in the sense that most of the filmmakers, actors and other crewmembers were male and writing stories about male experiences. Women did have a part in these films in a limited way, yet there are some examples of strong female characters in select films.

Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith

American Studies Faculty Publication Series

A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique. The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It …

Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross

Communication, Media & The Arts Faculty Publications

Book review

Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins University Press, 2008.

This book will be a useful reference for feminist and film historians looking to expand their understanding of how film and business history can help to explain the gendering of filmmaking.