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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
The Shanachie, Volume 21, Number 1, Connecticut Irish-American Historical Society
The Shanachie, Volume 21, Number 1, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
No abstract provided.
The Shanachie, Volume 21, Number 2, Connecticut Irish-American Historical Society
The Shanachie, Volume 21, Number 2, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
No abstract provided.
The Shanachie, Volume 21, Number 3, Connecticut Irish-American Historical Society
The Shanachie, Volume 21, Number 3, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
No abstract provided.
The Shanachie, Volume 21, Number 4, Connecticut Irish-American Historical Society
The Shanachie, Volume 21, Number 4, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
No abstract provided.
The Genesis Of The Chicago Renaissance: Theodore Dreiser, Langston, Cara E. Erdheim
The Genesis Of The Chicago Renaissance: Theodore Dreiser, Langston, Cara E. Erdheim
English Faculty Publications
Book review by Cara Erdheim.
Hricko, Mary. The Genesis of the Chicago Renaissance: Theodore Dreiser, Langston Hughes, Richard Wright, and James T. Farrell. London & New York: Routledge, 2009.
Blood Culture And The Problem Of Decadence, Jeffrey P. Cain
Blood Culture And The Problem Of Decadence, Jeffrey P. Cain
English Faculty Publications
This paper examines the commodification of hunting practices via the deterritorializing function of capitalism described by Deleuze and Guattari. It also studies counter trends-- predicted by or consistent with Deleuzean theory--that indicate a subtending authenticity displayed by certain hunting practices apparently resistant to commercial exploitation. "Blood culture" is my term for inauthentic hunting activity--a distinction drawn directly by Deleuze in his televised interviews with Claire Parnet. Aspects of "becoming-animal" and other transversal and cross-disciplinary flows of thought are also of course in play. As in some of my former work, I again argue for a Deleuzean cultural mechanics of the …
The Priestly Imagination: Thomas Merton And The Poetics Of Critique, Michael W. Higgins
The Priestly Imagination: Thomas Merton And The Poetics Of Critique, Michael W. Higgins
Mission Integration & Ministry Publications
The article looks at the representation of ideals of the poet-priest in the works of Thomas Merton. It provides an analysis of Merton's poetics of critique. For Merton, John the Baptist represents the model anchorite as well as the first Cisterician and the greatest Trappist. The indivisible and comprehensive dimensions of Merton as a whole man are represented by John the Baptist, John of the Cross and John the Beloved. The two types of Merton's poetics of critique are ecclesial/monastic and societal.
The Bride Is Keeping Her Name: A 35-Year Retrospective Analysis Of Trends And Correlates, Richard J. Kopelman, Rita J. Shea Van-Fossen, Eletherios Paraskevas, Leanna Lawter, David J. Prottas
The Bride Is Keeping Her Name: A 35-Year Retrospective Analysis Of Trends And Correlates, Richard J. Kopelman, Rita J. Shea Van-Fossen, Eletherios Paraskevas, Leanna Lawter, David J. Prottas
WCBT Faculty Publications
We used data obtained from wedding announcements in the New York Times newspaper from 1971 through 2005 (N=2,400) to test 9 hypotheses related to brides' decisions to change or retain their maiden names upon marriage. As predicted, a trend was found in brides keeping their surname, and correlates included the bride’s occupation, education, age, and the type of ceremony (religious versus nonsectarian). Partial support was found for the following correlates: officiants representing different religions, brides with one or both parents deceased, and brides whose parents had divorced or separated. There was mixed support for the hypothesis that a …