Arts and Humanities Commons^™

Weirdo, No. 24, Aline Kominsky-Crumb (Editor), Special Collections, Fleet Library

Underground Comix

28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 24 Contributors: Robert Crumb, Cathy Millet, Phoebe Gloeckner, Bill Griffith, Justin Green, Dori …

Pennsylvania Folklife Vol. 38, No. 1, Lorett Treese, Rhoda Horning Denlinger, William B. Fetterman, Lee C. Hopple

Pennsylvania Folklife Magazine

• "Faithful Laborers in this Vineyard of the Lord": The Swedish Mission to America
• Metzler's School, Then and Now
• E. H. Rauch's Formative Influence on Pennsylvania German Folk Theater
• Germanic Origins and Religious-Geographical History of the Mennonites in Europe
• Aldes un Neies (Old and New)

Inscape Fall 1988, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 1988 edition of the Inscape: Literary and Art Magazine.

Measuring Product Semantics With A Computer, Del Coates

Faculty Publications

No abstract provided.

The Lantern Vol. 55, No. 1, Fall 1988, Brian L. Evans, Suzanne Kleintop, Lora L. Hart, Frank R. Moulton Jr., Laura Sassaman, John Biesecker, Matthew Noll, Erika Rohrbach, Keith Leparulo, Jerry Vankanan, Liz Young, Jeremy S. Trinidad, Rich Galeone, Michelle L. Grande

The Lantern Literary Magazines, 1933 to Present

• The Third Grade Gorilla
• Friend, I Am Not Yet A Poet
• Twisted
• The Final Journey
• Ritu Miltonis
• Hearthside
• The Ogre
• O Indestructible Everlasting
• December 1, 1988
• Our Church
• Louise
• Gazebo For Learned Women
• Hanging Mirror
• Of Football and Flashlights
• The Ragged Brown Peasant
• Judgement of the Serpent
• Sidewalk Wars
• I Guess That's Why I Went Away

Interview With Randall Grider And Ginnie Mae Grider About The Float Building Tradition In Tompkinsville, Kentucky (Fa 401), Manuscripts & Folklife Archives

FA Oral Histories

Transcript of an interview of Randall and Ginnie Mae Grider conducted by Nancy Clay Hundley about the float building tradition at Tompkinsville High School in Tompkinsville, Kentucky. The Griders describe the whole float making process and the activities created through the building of a float. The emotions of the people involved in the process were also discussed. This project was completed as part of a folk studies class at Western Kentucky University.

Gallery: From An Artist's Sketchbook, Walter Hawk

Bridgewater Review

No abstract provided.

Nexus, Fall 1988, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Pennsylvania Folklife Vol. 37, No. 4, Carl Ned Foltz, Paul Shetrompf, Deborah Shetrompf, Gregory A. Petrick, Patrick Rudolph, Ivan Belac, Loretta Belac, David S. Marks, Lee S. Heffner, Ivan E. Hoyt, J. Ernest Miller, Malcolm Jones, Sheldon Janse, Rachel Janse, Robert Evans, Richard Dewalt, Sandra Gilpin

Pennsylvania Folklife Magazine

• Pennsylvania Redware
• Intaglio
• Silhouette Glass
• Marionettes
• Ceramics
• Fretted Dulcimers
• Satisfying the Hungry
• Festival Focus
• Festival Programs
• Hex Signs
• Dutch Fries
• Metal and Slate Engraving
• Antler Lore
• What are Knobbits?
• Wood Sculpture
• Scherenschnitte and Fraktur

Weirdo, No. 23, Aline Kominsky-Crumb (Editor), Special Collections, Fleet Library

Underground Comix

28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 23 Contributors: Robert Crumb, Sophie Crumb, Ace Backwords, Aline Kominsky-Crumb, Ted Jouflas, Tom …

No Title, Mell Popenic

Morehead State University Art Collection

An untitled 1988 painting by Mell Popenic. Presented in Memory of Miss Patti Bolin by Ginny Hudgens Ellington in June of 1992.

Boudica: An Illustrated Narrative, Robin A. Ator

Dissertations and Theses

I study painting and composition for its own sake, and in this program I am pursuing it from a narrative or pictorial stance, much as did earlier artists, and doing so in contemporary terms. Distinguished examples of illustrators could include such artists as Raphael, Michelangelo, Rembrandt and Rubens, and modern practitioners such as Wyeth and Baskin.

The illustrator needs not only control of his means, but also other qualities in addition to those of a studio painter. He needs an imagination that will allow portrayal of scenes and viewpoints that can't be arranged in a studio. The artist's memory and …

Pennsylvania Folklife Vol. 37, No. 3, Mary Lou Robson Fleming, Richard Matthews, William B. Fetterman, Erick D. Slazinski, N. F. Karlins, Leland D. Baldwin, Edward W. Chester

Pennsylvania Folklife Magazine

• Folk Artist Jacob Maentel of Pennsylvania and Indiana
• Up Another River: Fourteen Days on the St. Johns
• An Appreciation of Russell Wieder Gilbert
• Holy Images: A Brief Study of Folk Religious Belief
• Lamont Alfred "Old Ironsides" Pry, Contemporary American Folk Artist
• Synopsis of the Penburne Quintet

Inscape Spring 1988, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 1988 edition of the Inscape: Literary and Art Magazine.

The Painters Of Henry Clay As "The Sage Of Ashland", Clifford Amyx

The Kentucky Review

No abstract provided.

Joel Tanner Hart: Kentucky's Neo-Classic Sculptor, David B. Dearinger

The Kentucky Review

No abstract provided.

Ann O'Hanlon's Kentucky Mural, Harriet W. Fowler

The Kentucky Review

No abstract provided.

The Lantern Vol. 54, No. 2, Spring 1988, Laura Sassaman, Bill Connolly, Suzanne Kleintop, Erika Rohrback, Kathleen Walton, Rebecca E. Moore, Lisa R. Talarico, Lisa M. Williams, Vince Leskusky, Jennifer Healy, Orena Herrold, Kevin Adams, Matthew Noll, Jill Hanna, Julie Ann Corish

The Lantern Literary Magazines, 1933 to Present

• Burning the Christmas Guests
• A Song in Time
• I Ask a Question
• As If Raggedy Anne
• One Man's Escape
• Gypsy Caravan
• Apartment 14B
• The College Inferno
• Somewhere Under Manhattan
• Trumped
• Sunday
• In Quest of Creativity
• Imperfect Healing
• The Game
• The Hunger
• Peanuts on the Beach
• Battlefield Prom
• Confessions of the Untrained Eye
• Animal Attraction
• Street Lamps
• Hey, Old Man
• In Search of Self-Actualization
• Cousin Joe Bob's First Visit to Pulsations

"Sacred" And "Secular" In Australian Rock Art, Paul Faulstich

Pitzer Faculty Publications and Research

Recently I have been questioned by several scholars about the terms "sacred" and "secular" in my research on Aboriginal rock art in Australia. It seems clear that many people are uncomfortable with distinguishing between sacred and secular within a tribal context. I would like to express my viewpoint briefly, and hopefully to clear up some of the misconceptions that are held about Aboriginal concepts of spirituality.

Weirdo, No. 22, Aline Kominsky-Crumb (Editor), Special Collections, Fleet Library

Underground Comix

28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 22 Contributors: Robert Crumb, Krystine Kryttre, Dori Seda, Justin Green, Ell, Kim Deitch, …

Nexus, Spring 1988, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Redefining The Object, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features work from an exhibition of a collection of artists including Jeff Koons, Donald Lipski, and more. The ReDefining the Object exhibition was held at the Wright State University Art Galleries from February 22 through April 3, 1988

The Golden Age Of European Cabaret, Agnieszka Taborska, William Damkoehler, Anne Johnson, Susan Sellers, Georgie Stout, Mark Borok, Michael Zimmerman, Bill Gold, Charles Oestreicher, Edward Guttman, Caroline Provost, Ed Hemingway, Holly Heerens, Eugene Mollica, Susan Unger, Michelle Talbot, Sarah Bishop, Malcom Coelho, Heather Frith, Charles Baudelaire, Paul Verlaine, Jacques Prevert, Don Keefer, Emliy Cohen, Martha Crawford, Susan Becker, Hanns Eisler, Molly Komacker, Vivienne Cho, Carsten Stehr

Programs

Program for the second annual RISD Cabaret held in the Cellar in the Pit. Design and layout by Anne Johnson, Susan Sellers and Georgie Stout.

Southwinds - Spring 1988

Southwinds: The Literary and Arts Magazine of Missouri S&T

VOLUME XVI

Pennsylvania Folklife Vol. 37, No. 2, Ned D. Heindel, Linda H. Heindel, Karl J. R. Arndt, Terry G. Jordan, Lois J. Groff

Pennsylvania Folklife Magazine

• The Junior Republic Movement in Pennsylvania: Youth Care in Grove City and Redington
• Brechloch, or Rapp's Harmony Society and the Production of Flax, Hemp, and Linen in Pennsylvania and Indiana
• Some Neglected Swiss Literature on the Forebay Bank Barn
• "Hoping for the Best, Yet Fearing the Worst": An Overview of Civil War Medical Care Until the Battle of Gettysburg
• Aldes un Neies

Contents- Textiles As Primary Sources- 1988, John E. Vollmer

Textile Society of America Symposium Proceedings

Note: This quick copy published volume includes talks prepared by panelists and speakers for the first symposium of the Textile Society of America held at the Minneapolis Institute of Art held September 16-18, 1988. The papers are unedited and have been reproduced as submitted by each author. The speakers were vetted by the 1988 program chair for the Textile Society of America; but the Society takes no responsibility for the content or accuracy of the submissions printed here.

Copyright remains with each author. No part of this book may be reproduced in any form or by any electronic or …

Orientation And Symmetry: The Structuring Of Pattern Repeats In The Paracas Necropolis Embroideries, Mary Frame

Textile Society of America Symposium Proceedings

The most extensive Peruvian fabric remains come from the archeological site of Paracas Necropolis on the South Coast of Peru. Preserved by the dry desert conditions, this cache of 429 mummy bundles, excavated in 1926-27, provides an unparalleled opportunity for comparing the range and nature of variations in similar fabrics which are securely related in time and space. The bundles are thought to span the time period from 500-200 B.C.

The most numerous and notable fabrics are embroideries: garments that have been classified as mantles, tunics, wraparound skirts, loincloths, turbans and ponchos. In general, a single figure is repeated in …

Transmutations Of The Tartan: Attributed Meanings To Tartan Design, Richard Martin

Textile Society of America Symposium Proceedings

We all associate meaning with textile designs. If we can see the principles of Revolutionary zeal and the sanction of family life and work in one textile design, we can perceive the explicit Modernism of another and realize that in the complex decisions that comprise the creation of a textile, we have fashioned our world and its values. Perhaps the textile is small, but its condensed values and meaning may be a more clarified perception about the world than most others. For many, such as Roland Barthes, textiles and clothing can thereby be described as a sign system offering a …

Cognitive Textiles Cloths: The Indigenous Classification Of Batak, Sandra A. Niessen

Textile Society of America Symposium Proceedings

INTRODUCTION

Since completing a doctorate in anthropology on textiles produced by the Batak of North Sumatra (Niessen 1985), I have been supported by various post-doctoral scholarships (1) to produce an inventory of these same textiles. I am pleased to have this rare opportunity to tell you, a learned society of textile scholars, how I have gone about this task, my motives, goals, and methodology. I particularly would welcome feedback from you on what I see to be the theoretical underpinnings and implications of the project.

The inception of this project dates from a day in 1980 when I visited one …

Mallard, Unknown

Morehead State University Art Collection

A 1988 wooden sculpture of a mallard duck by an unknown artist.