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Articles 1 - 9 of 9

Full-Text Articles in Arts and Humanities

Black Women's Relational Competencies And Ethical Leadership In The Workplace, S. Alease Ferguson, Toni C. King Jan 2023

Black Women's Relational Competencies And Ethical Leadership In The Workplace, S. Alease Ferguson, Toni C. King

Faculty Publications

Three qualitative case vignettes illustrate Black women leaders’ application of relational competencies to assert culturally informed ethical values in organizational life. Theoretical frameworks of Patricia Hill Collins’ (1994) theory of motherwork and Wilfred Bion’s (1991) psycho-dynamics theory of group development guide the analysis of Black women’s relational competencies. Methodologically, the data derive from the authors’ use of phenomenological review of over three decades of corporate and non-profit consultancies. This methodology entailed uncensored story genera- tion relative to the topic and culling of the story set guided by a rubric to screen for story features that exemplify group and relational competencies …


Historical Records: Reissuing As Curatorial Practice In Harry Smith's Anthology Of American Folk Music, Dan Blim Jan 2023

Historical Records: Reissuing As Curatorial Practice In Harry Smith's Anthology Of American Folk Music, Dan Blim

Faculty Publications

No abstract provided.


"Trading Western Suits For Monastic Robes" : Remaking Tibetan Buddhism In The Chinese Religious Revival, Jue Liang Jan 2022

"Trading Western Suits For Monastic Robes" : Remaking Tibetan Buddhism In The Chinese Religious Revival, Jue Liang

Faculty Publications

No abstract provided.


“You Don’T Belong In Nashville!”: Politics, Country Music, And The Reception Of Robert Altman’S Nashville, Dan Blim Jan 2022

“You Don’T Belong In Nashville!”: Politics, Country Music, And The Reception Of Robert Altman’S Nashville, Dan Blim

Faculty Publications

Robert Altman’s film Nashville (1975) generated a prodigious amount of press commentary following its release. Early on, critics praised the film, but a disappointing box office led many to assume a split between big-city liberal audiences and small-town conservative audiences. Subsequent press coverage connected this divide to both the film’s politics and its use and portrayal of country music, as political pundits, music critics, country music stars, and general audiences weighed in. This essay situates the reception of the film within a shifting country music industry, which was growing increasingly aligned with the Republican Party and increasingly suspicious of new …


Style, Affect, And Subjectivity: An Introduction To" Readings Of The Romanian New Wave", Alina Haliliuc, Jesse Schlotterbeck Jan 2017

Style, Affect, And Subjectivity: An Introduction To" Readings Of The Romanian New Wave", Alina Haliliuc, Jesse Schlotterbeck

Faculty Publications

No abstract provided.


British And African Literature In Transnational Context, Diana Adesola Mafe Jan 2013

British And African Literature In Transnational Context, Diana Adesola Mafe

Faculty Publications

No abstract provided.


Documenting Horror: The Use Of Sound In Non-Fiction 9/11 Films, Jesse Schlotterbeck Sep 2011

Documenting Horror: The Use Of Sound In Non-Fiction 9/11 Films, Jesse Schlotterbeck

Faculty Publications

No abstract provided.


The Surplus Woman: Unmarried Women In Imperial Germany, Catherine L. Dollard Jan 2009

The Surplus Woman: Unmarried Women In Imperial Germany, Catherine L. Dollard

Faculty Publications

No abstract provided.


Non-Urban Noirs: Rural Space In Moonrise, On Dangerous Ground, Thieves’ Highway, And They Live By Night, Jesse Schlotterbeck Oct 2008

Non-Urban Noirs: Rural Space In Moonrise, On Dangerous Ground, Thieves’ Highway, And They Live By Night, Jesse Schlotterbeck

Faculty Publications

No abstract provided.