Arts and Humanities Commons^™

The Prevalence Of Musculoskeletal Injuries Within The Center For Wellness In The Arts At Marshall University, Colin John Wakeman

Theses, Dissertations and Capstones

Background: The demands on successful performing artists are two-fold. First, they have to perform at a high skill level for their specific art, such as theater, marching band, dance, and color guard. Second, they need to achieve the aesthetic demands of their discipline. Musculoskeletal (MSK) injuries can impact either or both of these elements and affect their overall performance. If MSK injuries are not addressed early in a performer’s career, they can develop into chronic problems that take performers out of rehearsals, practices, and performances.

Purpose: This epidemiological study aimed to investigate the prevalence of MSK injuries within …

Fatigue-Related Jump Landing Knee Injuries In Dancers, Megan Holton

Theses, Dissertations and Capstones

Non-contact knee injuries are prevalent in dancers and have great financial and social costs. These injuries may be prevented with training that modifies jump landing movement patterns and improves lower body strength and cardiorespiratory fitness. Identifying the movement-based risk factors that are most strongly related to injury mechanisms allows healthcare providers to create effective training interventions. The purpose of this study was to determine the relationship between multivariate risk factors and injurious knee forces as a dancer lands from a jump. Twenty female dance students with at least eight years of experience were recruited. These dancers were injury-free and actively …

The Fight Master, Spring 2020, Vol. 42 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2019, Vol. 41 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Performing Arts And Performance Anxiety, Jacklyn Sue Bascomb

Theses, Dissertations and Capstones

Background: Performing arts are a broad view of a range of human activities that occur in front of an audience with the attempt to express human experience and emotion. Performing artists consist of dancers, instrumental musicians, vocal musicians, and drama/comedy or theater/actors. Actors and instrumental musicians participate in tremendous training to provide the emotional story they deliver. Multiple factors contribute to mental and physical stress experienced by a performer. Performance anxiety results from a performer’s fear of an adverse reaction or evaluation of their performance. Performance anxiety can be debilitating with negative effects on a performer’s performance, career, and health. …

0858: Society Of American Fight Directors, 1927-2021, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of various stage directions and fight choreography, books and magazines about weapons, armor, and theatre, SAFD administrative and financial documents, videos, photographs, and various SAFD artifacts. Please download the finding aid for full list of contents.

The Fight Master, Fall 2018, Vol. 40 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2018, Vol. 40 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2017, Vol. 39 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2017, Vol. 39 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2016, Vol. 38 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2015, Vol. 37 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2015, Vol. 37 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

20141115: School Of Music, 1999-2005, School Of Music

Guides to University Archives

These items include materials from the School of Music at Marshall University from 1999-2005. Items were received in 2014 and include notable materials from or about chamber choir, Marshall University Symphonic Band, photographs from the School of Music, African Dance Ensemble and COFA Dance 1996. This is not an exhaustive list. Please download the finding aid for a full list of contents.

The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2014, Vol. 36 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2013, Vol. 35 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Marshall University Music Department Presents The College Of Fine Arts 17th Annual Awards Convocation, April 20, 2012, Marshall University

All Performances

No abstract provided.

The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

West Virginian Dancers: The Creation And Development Of The West Virginia Ballet Festival/West Virginia Dance Festival Community, Lauren Angel

Theses, Dissertations and Capstones

This thesis examines the West Virginia Ballet Festival (WVBF), which began in 1968 and became the West Virginia Dance Festival (WVDF) in 1981. This work studies the four groups that made up the festival community, including the West Virginia performance dance teachers who founded the festival, the West Virginia performance dance students who attend the events, the out-of-state professional guest artists who taught and performed at the festivals, and the nonartistic professional administrators who organized the WVDF. The WVBF/WVDF was part of West Virginia regional culture and the national performance dance boom. I argue that performance dance must be incorporated …

(The “Avos” Phenomenon: A Non-Censured Theatre In The Novosibirsk University, 1975-1976). In: Mosty (The Bridges), Frankfurt, Germany, 2012, 33: 204–257.] [Part 1], Victor Fet, Serge Camyshani, Aleksandr Troitsky, Oleg Polyankov, Elena Fedorovskaya, Aleksandr Butorin, Mark Taraban, Sergei Kovalenko

Biological Sciences Faculty Research

In 1975-1976, a group of science students of the Novosibirsk University (Russia, Siberia) created a small theatre that managed to avoid the official censorship for the entire season. In this memoir, several former actors, now scattered across the world, reconstruct the detailed history of their “Phenomenon” theatre 35 years later. The central event was the (first) staging (December 1975) of Andrey Voznesensky’s long poem “Avos'!”, long before the famous rock opera appeared.

теъане

В 1975-1976 гг. группа студентов Факультета Естественных Наук Новосибирского университета (Академгородок) умудрилась создать свой неподцензурный маленький театр «Феномен», который успел просуществовать целый сезон. В этих мемуарах бывших …

The Fight Master, Fall 2011, Vol. 33 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2011, Vol. 33 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Throwing Down The Gauntlet: Finding The Best Partnership For Fight Scene Work, T. Fulton Burns

Theatre Faculty Research

Over the past few years I have written my perspective on the Skills Proficiency Test process. Earlier this year I thought that my process was complete but then an issue continued to creep up in my mind over and over again. It was that I had not addressed how best to find a partner for one's scene work. The reason for finding a good partner relates to my first workshop in stage combat. Discovering with whom to partner and with whom not to partner for scene work was the most valuable lesson I learned. Rather than focusing upon the ones …

The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Random Acts Of Violence: Bringing John Cage’S Chance Techniques To Fight Choreography And Stage Combatant Acting, T. Fulton Burns

Theatre Faculty Research

The concept of chance utilized by John Cage is a frightening, exciting, and liberating process for any artist. It was so effective that other musical artists such as Morton Feldman, Earle Brown and Christian Wolff used it. In the world of theatre these concepts are constantly used today by the Neo-Futurists in Chicago and New York in their production of Too Much Light Makes The Baby Go Blind and by Improv Troupes throughout the country.