Arts and Humanities Commons^™

Faculty Wind Quintet: Five High School Tour, South And Central Oregon, Nicole Molumby, Jeanne Belfy, Leslie Moreau, Janelle Oberbillig, David Saunders

Leslie M. Moreau

These performances spanned 150 years of wind quintet repertoire including works by György Ligeti, Carl Nielsen, August Klughardt, Jacques Ibert, Paul Hindemith, Sir Malcolm Arnold and Paquito D’Rivera.

Faculty Wind Quintet: Five High School Tour, South And Central Oregon, Nicole Molumby, Jeanne Belfy, Leslie Moreau, Janelle Oberbillig, David Saunders

Jeanne M. Belfy

These performances spanned 150 years of wind quintet repertoire including works by György Ligeti, Carl Nielsen, August Klughardt, Jacques Ibert, Paul Hindemith, Sir Malcolm Arnold and Paquito D’Rivera.

Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders

David Saunders

Included Boise premier of Malcolm Arnold’s recently discovered “Wind Quintet of 1943".

Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders

Leslie M. Moreau

Included Boise premier of Malcolm Arnold’s recently discovered “Wind Quintet of 1943".

Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum

Performance Practice Review

In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest.

The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf

Performance Practice Review

Evidence from medieval writers, musical notation, and variant readings in the sources all suggest that troubadour and trouvere songs were performed in more or less equal note values and in a manner that presented the poetry clearly.

'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole

Performance Practice Review

Although much valuable work has been done on performance practice in the Classic period, many issues await detailed study.

The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen

Performance Practice Review

A survey, with a bibliography, of published research on French Baroque performance practice that appeared during the period 1978-88.

The “Indie” Sound: A Band's Guide To Success In The Competitive Indie Market. An Evaluation Of Touring Trends & Helpful Tricks Of The Trade., Nicole L. Stratman

Chancellor’s Honors Program Projects

No abstract provided.

All I Am: Defining Music As An Emotional Catalyst Through A Sociological Study Of Emotions, Gender And Culture, Adrienne M. Trier-Bieniek

Dissertations

This dissertation, "'All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. A primary focus is on understanding the emotional and empowering relationships women build with music that is written and performed by women, especially if they are using the music for emotional support or as a means to heal themselves. This study examines the cultural, emotional and gendered role music plays in day-to-day social life using data collected during forty-two semi-structured interviews …

The Maturation Of Pulse: The Rhythmic Evolution From Swing To Bebop, Sam Weber

Masters Theses

The musical style that came to prominence in US in the 1940s, known as bebop, is a style that is remembered and discussed in terms of its harmonic characteristics and its notable soloists. This is the view that is taken in most scholarly writing on the music and also the view that is taught to most students of jazz today. However, there is arguably an equally if not more profound evolution in the rhythmic language of this music which is almost totally un-discussed. By digitally analyzing recordings, tracing musical and personal influence, and by examining related technological developments, it becomes …

The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich

Articles and Chapters in Academic Book Collections

The Hallelujah Effect on the Internet

The initial focus of this essay, apart from important preliminary references to Leonard Cohen is on kd lang, not as composer (although she is one) but musical performer and not as guitarist (although she is one) but as a singer and although her live performances have to make all the difference, very specifically, for the sake of any analysis, specifically as her singing is available in video format on YouTube. Of course there are many readings of kd lang and popular music, and of course most of them focus on the way she dresses, …

Faculty Wind Quintet: Five High School Tour, South And Central Oregon, Nicole Molumby, Jeanne Belfy, Leslie Moreau, Janelle Oberbillig, David Saunders

David Saunders

These performances spanned 150 years of wind quintet repertoire including works by György Ligeti, Carl Nielsen, August Klughardt, Jacques Ibert, Paul Hindemith, Sir Malcolm Arnold and Paquito D’Rivera.

The Other Sides Of Billy Joel: Six Case Studies Revealing The Sociologist, The Balladeer, And The Historian, A. Morgan Jones

Electronic Thesis and Dissertation Repository

The failure of music critics to recognize Billy Joel’s tendency towards writing songs about issues greater than himself, issues such as the Vietnam War, the Cold War, struggling American industries and the effect of mass media on popular culture, particularly on two albums, The Nylon Curtain and Storm Front, has led to a pronounced lacuna in serious scholarship on Joel and his music. Relegated to adult contemporary radio stations due to the success of romantic pop ballads such as “Just the Way You Are,” “She’s Always a Woman” and “Uptown Girl,” and derided as a drunken egomaniac by many …

Musica Mechanica Organoedi • Musical Mechanics For The Organist, Jacob Adlung, Johann Lorenz Albrecht, Johann Friedrich Agricola, Quentin Faulkner

Zea E-Books Collection

This is the first English translation of Musica mechanica organoedi, originally published in Berlin in 1768. Its author Jacob Adlung (1699-1762) was a musician and scholar and organist at the Predigerkirche in Erfurt.

The Musica mechanica organoedi focuses primarily on the organ, from the perspective of the information an organist might need to know about the instrument; specifically, it encompasses the following:

• an evaluation, from an 18th-century perspective, of earlier works on its subject: Praetorius, Werkmeister, Mattheson, Niedt, Kircher and others

• an appreciation of the organ: its value and regard

• the history of the organ

• …

The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Highlife In The Ghanaian Music Scene: A Historical And Socio-Political Perspective, Micah Motenko

Independent Study Project (ISP) Collection

I lived in the cities of Accra and Kumasi for a total of 30 days during the month of November, 2011. To achieve my research objectives, I used a combination of formal and informal interviews, participant observation, and non-participant observation. I interviewed 7 musicians and 1 professor/musician in Accra, as well as 1 musician, 1 CD shop owner, and 1 DJ in Kumasi, making a total of 11 interviews most of which I recorded. For my participant observation, I observed 4 concerts total in Accra, all consisting of a mixture of genres including Highlife and Gospel. I participated in 2 …

Ars Musice, Johannes De Grocheio, Constant J. Mews, John N. Crossley, Catherine Jeffreys, Leigh Mckinnon, Carol J. Williams

TEAMS Varia

Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. As the editors note in their introduction, "Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter? He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main 'branches': music of the people (musica vulgalis), composite or regular, 'which they call measured …

Faculty Artist Series Recital, Jeanne Belfy, Janelle Oberbillig, Nicole Molumby, Leslie Moreau, David Saunders

Jeanne M. Belfy

Included Boise premier of Malcolm Arnold’s recently discovered “Wind Quintet of 1943".

Così Fan Tutte: Brilliance Or Buffoonery?, Sarah Whitfield

Musical Offerings

Hardly any opera has endured more scrutiny and self-preserving apology than Mozart’s Così fan tutte. Flagrant opposition and a long string of “rescue” attempts shroud the receptive history of the work. Since its premiere, Così fan tutte has long been recognized as a problem opera. Many critics found it implausible that Mozart—the consummate composer and man that warranted their idolization—could have stooped so low as to agree to such an immoral plot. The great beauty in Mozart’s musical parody is that it at once mocks and transforms the supposed superficial experiment of Lorenzo Da Ponte’s libretto. The parody in …

From Mozart To Lookout: The Flute’S Evolution From 1800, Anna J. Reisenweaver

Musical Offerings

As this brief survey of the flute’s history and repertoire reveals, the instrument evolved significantly over the centuries. From works such as Mozart’s Concerto in G to Robert Dick’s Lookout, from the single-keyed, four-piece flute of Jacob Denner to the highly complex mechanism of Alexander Murray, the flute’s growth has been dramatic and extensive. While some of its technical changes were the result of new styles of repertoire, other innovations spurred musical developments as the instrument’s capabilities expanded. As both the instrument and its repertoire grew simultaneously, the flute solidified its standing as in the classical tradition both a solo …

Musical Voyages And Their Baggage: Orientalism In Music And Critical Musicology, Jonathan D. Bellman

Music Faculty Publications

No abstract provided.

The Life And Selected Piano Works Of David Burge, Mary Chung

Dissertations

Although David Burge is recognized as one of the most important American pianists dedicated to contemporary music in the twentieth century, little is known about his contributions as a pedagogue, lecturer, writer, novelist, and, especially, as a composer. This biographical study focuses on three of his piano compositions: Second Sonata, Eclipse II, and Go-Hyang. Each work represents one of three distinct compositional periods: the first reflects the influence of Prokofiev and features characteristics of the neoclassicism; the second marks a turn to experimentalism, atonality, and serialism; and the final indicates the return to a more traditional style that makes use …

"You're Pretty Good For A Girl": Roles Of Women In Bluegrass Music, Jenna Michele Lawson

Masters Theses

This thesis explores the past and current roles that female bluegrass musicians achieve within the music industry in the United States. Using sociological concepts by Judith Butler, Simon Frith, Mavis Bayton, and, importantly, Thomas Turino’s ideas of participatory and communal versus performative and individual, I demonstrate women’s complex musical, social, and cultural positions in bluegrass culture.

While women continue to make strides in achieving recognition in the bluegrass genre, society still hinders them from finding complete acceptance alongside male musicians. As bluegrass music is based on patriarchal foundations set by its creator, Bill Monroe of the Blue Grass Boys, female …

An Explanation Of Anomalous Hexachords In Four Serial Works By Igor Stravinsky, Robert Sivy

Masters Theses

Igor Stravinsky's precompositional process was so methodical that his move to serialism is no surprise. After becoming acquainted with the music of Schoenberg and Webern, Stravinsky was moved to experiment with serial techniques. He rejected many of the conventional approaches developed by the serial architects, only to adopt the technique at its basic form—the use of a series of pitches—and cultivate it into his own compositional style. Stravinsky continued to refine his style throughout his serial period (1951–1966) as each composition grew increasingly more serial than the last. For each work composed after 1960, Stravinsky constructed rotation arrays, a serial …

"This Murder Done": Misogyny, Femicide, And Modernity In 19th-Century Appalachian Murder Ballads, Christina Ruth Hastie

Masters Theses

This thesis contextualizes Appalachian murder ballads of the 19^th- and early 20^th-centuries through a close reading of the lyric texts. Using a research frame that draws from the musicological and feminist concepts of Diana Russell, Susan McClary, Norm Cohen, and Christopher Small, I reveal 19^th-century Appalachia as a patriarchal, modern, and highly codified society despite its popularized image as a culturally isolated and “backward” place. I use the ballads to demonstrate how music serves the greater cultural purpose of preserving and perpetuating social ideologies. Specifically, the murder ballads reveal layers of meaning regarding hegemonic …

Kevin Volans' She Who Sleeps Witha Small Blanket: An Examination Of The Intentions, Reactions, Musical Influences, And Idiomatic Implications, Peter D. Breithaupt

Masters Theses

Using and expanding upon a theoretical model for examining the meaning of music presented by ethnomusicologist Timothy Taylor, one of the leading scholars on composer Kevin Volans and his music, this research will attempt to properly position Volans' percussion solo, She Who Sleeps witha Small Blanket, composed in 1985, within Volans' African Paraphrase classification. It will also attempt to dissociate She Who Sleeps from the claims of hegemonic cultural appropriation that are attached to Volans' African Paraphrase pieces. In his model, Taylor talks about the "inseparable metatext" that surrounds a piece of music and includes the composer's intentions, the listener's …

Turkey, Yasar University, Izmir. May 5, 2011, Oscar E. Macchioni

Oscar Macchioni

The Tardy Recognition Of J.S. Bach's Sonatas And Partitas For Violin Solo, Di Su

Publications and Research

J. S. Bach’s Sonatas and Partitas for Violin Solo (BWV 1001-1006) are among the most important masterpieces in the literature of violin music. They are included in standard repertoire for serious violin students; they are frequently performed in solo recitals; they are recorded by numerous virtuosi; and they are required in major violin competitions. The vast amount of editions also indicates the importance of the works. In Edlund’s catalogue, one finds as many as seventy-seven editions ranging from Simrock (1802) to Henle (1987)

However, the Solos did not enjoy such a prominent status in Bach’s own time and even in …

Bluegrass Nation: A Historical And Cultural Analysis Of America's Truest Music, Leslie Blake Price

Chancellor’s Honors Program Projects

No abstract provided.