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Full-Text Articles in Arts and Humanities
The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin
The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin
Journal of Undergraduate Research at Minnesota State University, Mankato
The style of Rococo evokes a variety of feminine attributions; women were usually depicted in works of art in a decorative manner. Many of the interpretations of these paintings focus on the luxurious clothes and lavish backgrounds. Artists like Jean-Antoine Watteau and Francois Boucher were responsible for elevating a very elegant view of Rococo women of Rococo within the public’s eyes. But there were also depictions of non-aristocratic women that were geared more to the middle class (bourgeois). After reading a number of articles and book chapters on Jean-Baptiste- Simeon Chardin, and visiting the Louvre museum in Paris, I became …
To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux
To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux
Artl@s Bulletin
How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the research team is facing, descriptions of its methodology, an analysis of preliminary results and what they allow …
Paris And Havana: A Century Of Mutual Influence, Laila Pedro
Paris And Havana: A Century Of Mutual Influence, Laila Pedro
Dissertations, Theses, and Capstone Projects
This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …