Arts and Humanities Commons^™

From Byronic To Gothic Blood Sucker: Subversion Toward A Non-Gendered Identity, Hannah Hoover

Electronic Theses and Dissertations

Analyzing Emily Bronte’s Wuthering Heights and linking trends of the Byronic hero that have merged into a variety of genres reveal that the hero is a mode of subversive gender expression, which has evolved within the Gothic through feminine desire. Delving into Bram Stoker’s Dracula will provide unique insight into the audience’s desires/expressions of gender. Finding the transition point from the monster vampire of Dracula to Stephanie Meyer’s desirous, sparkling boy-next-door in Twilight will track the trajectory of gender and sexual norms through time. From the foundational adaptation of the Byronic hero in Wuthering Heights to the repressed vampiric desire …

Vicar Victoria: Writing The Church Of England In Nineteenth-Century Fiction, Rachel Elizabeth Cason

Electronic Theses and Dissertations

Vicar Victoria: Writing the Church of England in Nineteenth-Century Fiction shows how the organizing force of the Anglican Church and the figure of the Anglican clergyman were used to interrogate social, legal, and historical developments in nineteenth-century fiction. The project outlines how authors reacted to events such as Pluralism reform, the opening of training schools for clergy, and the Oxford Movement. There was a growing importance of institutions (including new physical buildings and Anglican reform movements). Further, the clergy, pushed by the increased expectation to modernize and professionalize, became a specialist career, with raised training and performance requirements. As a …

"The Sudden Thrill Of That Change": Framing George Eliot's Social Vision, Cyrus Seaberry Frost

Electronic Theses and Dissertations

Although scholarly commentary of the last decade has engaged more intensively than ever with the content of George Eliot's ideas concerning nineteenth-century British culture, the devices and techniques Eliot employs in the transmission of those ideas remain less explored. Consequently, room exists for a study as attentive to the formal characteristics of Eliot's messages as recent scholars have been to the content of those messages. This dissertation seeks to elucidate the ways in which specific formal techniques that characterize Eliot's fictional work evince her engagement with the thinking of social theorists, particularly Ludwig Feuerbach. The project contends that Eliot internalizes …

Undead Empire: How Folklore Animates The Human Corpse In Nineteenth-Century British Literature, Charles Hoge

Electronic Theses and Dissertations

This dissertation explores representations of the human corpse in nineteenth-century British literature and ephemeral culture as a dynamic, multidirectional vehicle used by writers and readers to help articulate emerging anxieties that were complicating the very idea of death. Using cultural criticism as its primary critical heuristic filter, this project analyzes how the lingering influence of folklore animates the human corpses that populate canonical and extra-canonical nineteenth-century British literature.

The first chapter examines the treatment of the human corpse through burial and mourning rituals, as specific developments within these procedures provide interpretive windows into how the idea of death was quickly …

Redefining The Unrepentant Prostitute In Victorian Poetry, Marijana Stojkovic

Electronic Theses and Dissertations

Poets such as Thomas Hardy, Augusta Webster, and Amy Levy portray prostitutes who seem guiltless about their choice of profession. Hardy's Amelia seems to symbolize the mutation of a pure country girl into a soiled disciple of evil; yet in the poem the changes in her life brought on by prostitution are evident in her drastically changed physical appearance and mannerism. Webster's Eulalie is an intelligent and well-spoken woman who undermines the stereotypical generalizations about prostitutes, relocating the source of the Great Social Evil from her profession to the institutionalized educational failure that trains women for nothing better than housekeeping. …

Middlemarch: Eliot's Spencerian Sociological Study Of Provincial Life, Kellie Marie Mckinney

Electronic Theses and Dissertations

Through the novel Middlemarch, George Eliot fulfills the intention of her subtitle and uses sociological theories to conduct A Study of Provincial Life. Eliot's letters, journals, and various essays provide evidence of sociologist Herbert Spencer's influence on her own writings. Spencer's specific opinions and contributions not only strengthen the sociological message of Eliot's novel, but a handful of his ideals shape the narrative voice of her novel. Variations of Spencer's theories are seen in Eliot's "authorial narrator's" comments and observations of the Middlemarch couples. With her narrator, Eliot applies Spencer's theories on "belief" and on the correlation of …

The Epitome And Portrait Of Modern Society: Ouida As Social Barometer Of The Victorian Era, Lorraine Michelle Dubuisson

Electronic Theses and Dissertations

The Victorian Era was one of great social flux; tremendous advances in science and technology called into question deeply held religious beliefs while the changing legal status of women threatened to undermine traditional views of gender roles. Industrialization and the driving economic force of capitalism led to rapid urbanization as well as contributing to shifting class boundaries. In addition, the purpose and responsibilities of the Artist/Poet and, indeed, of art itself were closely scrutinized and hotly contested. Most frequently, historians and scholars of literature have looked to authors such as Charles Dickens, George Eliot, Oscar Wilde, and Alfred, Lord Tennyson …

Rebel Discords: George Meredith's Metrical Art, Jason Wayne Johnson

Electronic Theses and Dissertations

George Meredith is perhaps best known for his innovative contributions to the Victorian novel. Unfortunately, his formal experiments in poetry have gone unnoticed. This dissertation seeks to rectify this problem by examining Meredith's metrical art and the ways in which he departs from the metrical tradition. The first chapter of the study evaluates his early poetry, most of which is derivative and metrically conventional. Despite. Only two poems are considered prosodically innovative, “The Death of Winter” and “South-west Wind in the Woodlands.” The second chapter discusses Meredith's experiments with the sonnet tradition, particularly as they relate to his most famous …