Other Architecture Commons^™

Sketching As Visual Dialogue.Pdf, Andreas Luescher

Andreas Luescher

From Socialist To Post-Socialist Cities: Narrating The Nation Through Urban Space, Joshua Hagen, Alexander Diener

Joshua Hagen

The development of post-socialist cities has emerged as a major field of study among critical theorists from across the social sciences. Originally constructed under the dictates of central planners and designed to serve the demands of command economies, post-socialist urban centers currently develop at the nexus of varied and often competing economic, cultural, and political forces. Among these, nationalist aspirations, previously simmering beneath the official rhetoric of communist fraternity and veneer of architectural conformity, have emerged as dominant factors shaping the urban landscape. This article examines patterns, processes, and practices concerning the cultural politics of architecture, urban planning, and identity …

Education Of The Senses: Hugo KüKelhaus’ Empirical Methodology, Andreas Luescher

Andreas Luescher

To “live with the senses.” Hugo Kükelhaus (1900-1984) cultivated a philosophy of being that included intuition and feeling. “It is not the brain that thinks, but the human that experiences.” Hugo Kükelhaus’ most enduring legacy are two theoretically and experimentally accomplished investigations of sense processes and the phenomenology of perception: the Allbedeut¬–means everything–infant toys (1930) and production of first set of 32 “play” stations for the Expo’67 in Montreal. Kükelhaus’ interest in psycho-physiological substratum of learning, the erfahrbar (that which can become known through experience), led him to experimental investigations into creative consciousness and sense-based learning. Works by Kükelhaus was …

Design Epilogues, Andreas Luescher

Andreas Luescher

The booklet tries to explain the generally unrecognized aspect of a studio experience that stitches together the most salient elements of the individual design projects into one coherent narrative. Design epilogues attempt to borrow something from each project that can be used to create something new.

A "Temple Of Pleasure:" Missoula's Wilma Theatre, Elizabeth 'Libi' A. Sundermann

Elizabeth 'Libi' Sundermann

The Wilma Theatre in downtown Missoula, Montana, has provided the city and surrounding area with entertainment since 1921. W. A. "Billy" Simons, president of the Northwest Theatre Company, commissioned the building's construction in 1920, during the heyday of the movie palace. In addition to the well-appointed theatre, the building housed a café , an Olympic-sized swimming pool, a gymnasium, offices, and apartments.

Integral Sustainable Design: Transformative Perspectives, Mark Dekay

Mark DeKay

This book offers practical and theoretical tools for more effective sustainable design solutions and for communicating sustainable design ideas to today's diverse stakeholders.It uses integral theory to make sense of the many competing ideas in this area and offers a powerful conceptual framework for sustainable designers through the four main perspectives of: behaviours; systems; experiences; cultures.It also uses human developmental theory to reframe sustainable design across four levels of complexity present in society: the Traditional, Modern, Postmodern, and Integral waves. Profuse with illustrations and examples, the book offers many conceptual tools including:twelve principles of integral sustainable design sixteen prospects of …

What Is, What Will Be And How It Should Be, Tobias Bernecker

Tobias Bernecker

Drawings talk about more than just a building project, or an idea. They provide an insight into the means of production, the creators mind and the medial environment. Drawings are also instruments of communication and not only construction blue prints. They can bridge the gap in between what is, what will be and how it should be.

Owen Jones And The Conventionalization Of Ornament, John Kresten Jespersen Ph.D.

Kresten Jespersen

Owen Jones, an architect and theorist of ornament, is best remembered as an ornamenter of distinction. His theory and practice of conventional ornament, his powerful color, and his original forms which had their origins in the ornament of the Alhambra substantiate the claim that he was the greatest ornamenter of his age. The book analyzes the theory of conventionalization as it applies to ornament, color, architecture and interior design. In particular, the book explores repose as the psychological and spiritual outcome of his ornament.