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Full-Text Articles in Landscape Architecture
Umass Brut: Re-Imagining The Plinth, John Amodeo
Umass Brut: Re-Imagining The Plinth, John Amodeo
UMassBRUT Community
Modeled on UVA’s Lawn, Paul Rudolph’s mid-century Brutalist UMass Dartmouth buildings march down both sides of a gently sloped great lawn following the grade with one exception, the Auditorium, which is raised above the quad’s lawn on a 6’ high plinth, accessed by monumental stairs underscoring the entire building. With its entries elusively tucked into the ends of the building, the Auditorium steps were ceremonial at best and vacant, functionless and windswept at worst.
Evolving tastes, priorities and social behavior over subsequent decades, and even more recently, the pandemic, have made indoor/outdoor relationships, outdoor space, and universal access a top …
Notes Towards A History Of The Brutalist Landscape, Marisa Angell Brown
Notes Towards A History Of The Brutalist Landscape, Marisa Angell Brown
UMassBRUT Community
When we talk about Brutalism, we are generally talking about architecture. Is there such a thing as the Brutalist landscape? If so, what defines it, and who are its practitioners? How does the Brutalist landscape navigate the relationship between plantings, hardscape and public art? What is it designed to do, and for whom? If the Brutalist landscape exists as a category, was it successful? Is the history of its public reception different from the reception of Brutalist architecture? This presentation lays out notes towards a history of the Brutalist landscape, considering the work of Bertrand Goldberg, M. Paul Friedberg, Lawrence …
Beholding Brutalism: A Cultural Landscape View, Elaine Stiles
Beholding Brutalism: A Cultural Landscape View, Elaine Stiles
UMassBRUT Community
This talk looks at the complexities of how we encounter monumental concrete not as art objects, but as elements of the cultural landscape with social meanings, relationships, and stories encoded into their spaces. This socially-driven approach rooted in historic and cultural context, renders fuller biographies of these places than aesthetics alone, and also enriches thinking about the futures of these monumental places.