Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Arts and Humanities (1896)
- Theatre and Performance Studies (1744)
- Theatre History (477)
- Other Theatre and Performance Studies (231)
- Performance Studies (210)
-
- Acting (186)
- Education (173)
- Social and Behavioral Sciences (161)
- Dramatic Literature, Criticism and Theory (109)
- Playwriting (105)
- Higher Education (85)
- History (75)
- Communication (71)
- Fine Arts (60)
- Dance (59)
- Art and Design (56)
- Feminist, Gender, and Sexuality Studies (50)
- English Language and Literature (45)
- Sociology (45)
- Photography (42)
- Creative Writing (39)
- Music (37)
- Religion (35)
- Journalism Studies (32)
- Film and Media Studies (28)
- Mass Communication (28)
- Public Relations and Advertising (27)
- Medicine and Health Sciences (22)
- Women's Studies (20)
- Business (19)
- Institution
-
- University of Southern Maine (462)
- Lindenwood University (429)
- Collin College (98)
- Georgia Southern University (95)
- University of South Florida (84)
-
- Virginia Commonwealth University (84)
- University of Central Florida (69)
- Taylor University (57)
- Columbia College Chicago (51)
- Brigham Young University (48)
- Western Kentucky University (47)
- Claremont Colleges (45)
- Chapman University (38)
- Louisiana State University (35)
- New Jersey Institute of Technology (35)
- Northwestern College, Iowa (35)
- City University of New York (CUNY) (34)
- University of Arkansas, Fayetteville (31)
- Harding University (28)
- University of Nebraska - Lincoln (26)
- University of North Florida (25)
- Otterbein University (24)
- East Tennessee State University (23)
- Technological University Dublin (22)
- The College of Wooster (22)
- West Virginia University (22)
- Utah State University (20)
- Central Washington University (19)
- Linfield University (19)
- University of New Orleans (19)
- Publication
-
- Student Theatre Programs (387)
- Theses and Dissertations (117)
- Theatre Programs (98)
- Electronic Theses and Dissertations (71)
- Postcard Collection (64)
-
- Theatre Programs 1970-1989 (38)
- Student Organizations (37)
- Theses (37)
- Humanities Syllabi (34)
- Mime Journal (34)
- Season Ticket (34)
- Center for Art & Theater (Archived) (31)
- Theatre Programs and Posters (27)
- Graduate Theses and Dissertations (26)
- Playbills (26)
- LSU Master's Theses (24)
- Student Scholar Symposium Abstracts and Posters (23)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (21)
- Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work (21)
- Season Announcements (21)
- University of New Orleans Theses and Dissertations (18)
- Theatre Programs 1910-1939 (17)
- Correspondence 1922-1938 (16)
- Honors Theses (15)
- Musical Theatre Club and Swoop Troupe Theatre Corporation Performances (15)
- Theatre Programs 1940-1969 (15)
- All Graduate Theses, Dissertations, and Other Capstone Projects (14)
- TUFW Alumni Publications (All) (14)
- The George-Anne (14)
- Undergraduate Honors Theses (14)
- Publication Type
- File Type
Articles 1 - 30 of 2673
Full-Text Articles in Entire DC Network
Intersecciones Hispánicas Número Completo 3
Intersecciones Hispánicas Número Completo 3
Intersecciones Hispánicas: Revista de Cultura, Literatura y Lingüística
No abstract provided.
From Story To Stage: A Journey In Pursuit Of Virtuous Leadership And Artistic Intentionality Through Student Directing A Full Play Production At University Level Theatre, Josephine L. Partridge
From Story To Stage: A Journey In Pursuit Of Virtuous Leadership And Artistic Intentionality Through Student Directing A Full Play Production At University Level Theatre, Josephine L. Partridge
Honors Projects
A passionate storyteller and artist, earning her Bachelor of Arts Degree in Honors Liberal Arts and Theatre-Performance, explores her personal potential as the play Director of Little Women, a stage play adaptation based on the 1868 novel by Louisa May Alcott, adapted from the 1912 play by Marian de Forest and Jessie Bonstelle written by Josephine Partridge. Throughout the course of four months, Partridge adapted the script and works as Director and Marketing Director for this production with SPU Theatre Company club. She uses this experience to deepen her understanding and practice of intentionality with artistic vision and virtuous leadership. …
Glory, North Dakota State University--Fargo
Glory, North Dakota State University--Fargo
Promotional Material and Program
It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …
Glory, North Dakota State University--Fargo
Glory, North Dakota State University--Fargo
Dramaturgy
It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …
Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?, Richard C. Moore Mr
Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?, Richard C. Moore Mr
Staff Scholarship - Australia & Dubai
This article published in Spectator Magazine - online - is a reflection on whether or not a cultural policy is a means of controlling the artistic community and whether there is still such a being as an independent Australian artist. It was published as the 2026 submissions for an update to Australia's cultural policy REVIVE - were closing.
"Pockets Of Existence" The Lighting Design For "Silent Sky", Faith Noel Spencer
"Pockets Of Existence" The Lighting Design For "Silent Sky", Faith Noel Spencer
Graduate Theses and Dissertations
This thesis will explore how lighting can express wonder, isolation, and discovery through the lens of the play Silent Sky by Lauren Gunderson. Produced at the University of Arkansas in February 2025, my design utilized shifts in color, intensity, and movement to mirror Henrietta Levitt’s pursuit of understanding within both science and society. This design sought to balance the expansiveness of the never ending universe with the intimacy of humanity, using lighting to bridge the vastness with isolation. Challenges in this production included creating a sense of infinite space within the confines of a proscenium theatre, having continuity across multiple …
Burning In The Aftermath: Lightning The Trojan Women, Olivia Mack
Burning In The Aftermath: Lightning The Trojan Women, Olivia Mack
Graduate Theses and Dissertations
This thesis documents the lighting design process for The Trojan Women at the University of Arkansas, exploring how light can hold space for grief, devastation, beauty, and survival. Guided by the central conceptual image of “flowers burning in a garden,” the design sought to balance fragility and destruction allowing moments of tenderness to exist within the wreckage of war. This document reflects on research, collaboration, conceptual development, drafting, cueing, and rehearsal-to-performance evolution. It evaluates the emotional and visual effectiveness of color, angle, texture, and rhythm in shaping audience experience. Production photographs, the light plot, and cue paperwork are included to …
Granted, Emily Weissman
Granted, Emily Weissman
Theses and Dissertations
Granted is an Alice in Wonderland-style psychotic break of a play about trying and explosively failing to dodge the landmines of being an artist–only to become your own worst enemy: a gatekeeper.
Let The Mystery Be: Meditations On Process, Wildness, And Collaboration In The Creation Of The Play Camp Wyldwood, Basilton Parnell
Let The Mystery Be: Meditations On Process, Wildness, And Collaboration In The Creation Of The Play Camp Wyldwood, Basilton Parnell
Graduate Theses and Dissertations
This thesis is a mix of personal reflection and examination of my time in graduate school and the creation, development, and subsequent production of my full-length play, Camp Wyldwood. Camp Wyldwood was performed as a part of the spring 2026 ArkType New Works Festival at the University of Arkansas.
Eurydice | Tigers Be Still: Technical Direction Between Two Studio Sets, Rory G. Galada Brownell
Eurydice | Tigers Be Still: Technical Direction Between Two Studio Sets, Rory G. Galada Brownell
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis examines the technical direction processes for two studio productions, Eurydice by Sarah Ruhl and Tigers Be Still by Kim Rosenstock, produced during the 2025–2026 season at the Nebraska Repertory Theatre. Through comparative analysis, this document explores how differing design styles—metaphorical and installation-based versus grounded realism—impact the planning, communication, and execution responsibilities of a technical director within a constrained academic production environment. Both productions operated within similar parameters, including limited budgets, student-based labor, and a shared performance space, allowing for a focused evaluation of process rather than resources. The Eurydice production emphasized abstract scenic elements, including large-scale string installations …
Against Despair: Hope As Rhetorical Practice In Chicana Theatre, Esperanza Arreola
Against Despair: Hope As Rhetorical Practice In Chicana Theatre, Esperanza Arreola
Electronic Theses, Projects, and Dissertations
This thesis argues that Chicana theatre functions as survival pedagogy—a rhetorical practice that teaches communities to name structural violence, transform bodily trauma into collective power, and rehearse liberation as a precondition for enacting it. Drawing on Kenneth Burke’s concept of literature as “equipment for living,” Augusto Boal’s Theatre of the Oppressed, and Cynthia M. Sheard’s reconceptualization of epideictic rhetoric as community formation, I analyze three plays that exemplify this pedagogy: Cherríe Moraga’s Heroes and Saints (1992) and The Hungry Woman: A Mexican Medea (2001), and Josefina López’s Real Women Have Curves (1990).
These works address distinct but interlocking forms of …
Through The Looking-Glass: A Process Of Trust And Discovery, Selena Mykenzie Gordon
Through The Looking-Glass: A Process Of Trust And Discovery, Selena Mykenzie Gordon
Graduate Theses and Dissertations
This thesis explores the process of joy, trust, and discovery I have cultivated as a professional actor and its application in various productions. I will examine my role as Sabine in Ken Ludwig’s The Three Musketeers at TheatreSquared in Fall of 2025, as well as the role of Alice in my One Person Show, titled Curiouser, developed in Spring of 2024. Included in this document is my artistic statement, my one-person show script, production posters and programs, production photos, website link, headshot and resume, my character analysis of Sabine, One-Person Show class writing prompts, and proof of permission for use …
Rationalizing The Despicable: Creating Talthybius In Euripides’ The Trojan Women, P Rob Brown
Rationalizing The Despicable: Creating Talthybius In Euripides’ The Trojan Women, P Rob Brown
Graduate Theses and Dissertations
A reflection on my personal work and development as an actor and performer over the three years of this program, specifically focusing on the work of creating the character of Talthybius in Euripides’ The Trojan Women.
Every Why Hath A Wherefore, Harrison Baxley
Every Why Hath A Wherefore, Harrison Baxley
Graduate Theses and Dissertations
This thesis investigates techniques learned in classes at the University of Arkansas that would prepare me for my thesis role as both Dromio twins in The Comedy of Errors. The fast-paced production required a demanding performance from me mentally and physically, with rapid changes between each character. This project breaks down developmental training from One Person Show and Acting Studio classes that would prove essential to my thesis role. The result of this project has led to a toolbox for approaching a career in clowning, multi-character performance, and audience connection.
Bright Star: A Scenic Design, Sariah M, Roberts
Bright Star: A Scenic Design, Sariah M, Roberts
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis documents the process and paperwork of the scenic design and ends with a reflection on how the process affected the final product.
Director, Bobby Pieranunzi
Stage Manager, Savannah Stermer
Lighting Designer, Dean Bressler
Costume Designer, Jamie Bullins
Technical Directors, Bryce Allen, Hayden Honomichl, and Shelby Hindman
Thesis advisor: JD Madsen
A Midsummer Night's Dream (April 8-11, 2026), Willliam Shakespeare
A Midsummer Night's Dream (April 8-11, 2026), Willliam Shakespeare
Student Theatre Programs
Event Program for A Midsummer Night's Dream (April 8-11, 2026), Lindenwood University.
Egg Tarts For Evie, Hannah Ko
Egg Tarts For Evie, Hannah Ko
LMU Theatre Arts Annual New Works Festival
A mother and daughter struggle to connect, facing barriers such as differences in language, culture and personality, ultimately proving that love is a compromise.
Should Tomorrow Mark The Start Of Forever?, Rodrigo Zoratto Assis
Should Tomorrow Mark The Start Of Forever?, Rodrigo Zoratto Assis
LMU Theatre Arts Annual New Works Festival
Should Tomorrow Mark the Start of Forever? is a play about family, memory, love, and the strange performance of becoming yourself. The work follows characters who are trying to tell the truth, even when truth becomes painful, theatrical, funny, or impossible. At its center, the show explores how children inherit stories from their parents, and how those stories shape faith, identity, desire, and belonging. The piece moves between humor and emotional intensity, using performance itself as a way to reveal what people cannot say directly. Brazilian culture, love, spirituality, and the fear of disappointing the people we love all live …
Properties Design For George C. Wolfe’S The Colored Museum, Giavanna Vainisi
Properties Design For George C. Wolfe’S The Colored Museum, Giavanna Vainisi
Honors Theses
This thesis details the properties design process for the University of Southern Mississippi’s Fall 2025 production of George C. Wolfe’s The Colored Museum. Through analysis of the script, research into the subject matter and playwright, and collaboration with the artistic team, this student designed and constructed effective properties for this production.
Historic Shrouds: A New Voice For Shakespearean Women, Ashleigh E. Weinstock
Historic Shrouds: A New Voice For Shakespearean Women, Ashleigh E. Weinstock
Global Tides
This article presents, and seeks to remedy, the argument that Shakespeare’s female characters are deprived of equal representation as complex humans through narrative gaps, action relegated to offstage scenes, and reduced opportunities for direct-to-audience speech, mirroring the social hierarchies of early modern gender, which continue to be reflected in modern society.
While this critique is not new, this essay argues that the criticism of these theatrical inequalities is insufficient to remedy their harms. Instead, this author proposes a performance-based, generative model of restorative justice termed the Historic Shroud, which seeks to give voice to sidelined female characters by placing …
Spatial Narrative Beyond The Proscenium: Set Design As A Tool For Wellness, Christina Griffey
Spatial Narrative Beyond The Proscenium: Set Design As A Tool For Wellness, Christina Griffey
LSU Master's Theses
Inspired by a health crisis that led to spending time in medical settings, this thesis examines how our surroundings impact our well-being. By developing a framework that explores the topics of storytelling, space, place, theatre, and expanded scenography, I propose that set design can be used as a tool for wellness. I explore several disciplines through the lens of set design and highlight the disciplines, professionals, and designers that are contributing to the creation of therapeutic environments using scenographic practices.
Su Drama Picnic Production Photos, Henry Killbourn, Alex Jainchill, Reyna Sanchez
Su Drama Picnic Production Photos, Henry Killbourn, Alex Jainchill, Reyna Sanchez
Drama - All Scholarship
This project strengthens the Syracuse University Department of Drama’s ability to document its theatrical productions through high-quality digital photography. With support from the SOURCE grant, the department acquired updated photography equipment that enables students to capture clearer, more accurate images of performances. These photographs document acting, staging, costumes, sets, and lighting in a professional and archival manner.
Ride The Cyclone (February 25-28, 2026), Jacob Richmond
Ride The Cyclone (February 25-28, 2026), Jacob Richmond
Student Theatre Programs
Event program for Ride the Cyclone (February 25-28, 2026), Lindenwood University.
Framing Affect: Close Up To Feeling With Women At The Eighteenth-Century Theatre On The Twenty-First Century Screen, Ros M. Ballaster Professor
Framing Affect: Close Up To Feeling With Women At The Eighteenth-Century Theatre On The Twenty-First Century Screen, Ros M. Ballaster Professor
ABO: Interactive Journal for Women in the Arts, 1640–1830
Period films and television dramas of the twenty-first century use scenes of attendance at the theatre by women in the (long) eighteenth century as a test of their capacity to feel. Such scenes provide an opportunity to measure the competing affordances of screen and stage regarding affect in the eighteenth century and our present moment. Explored are scenes of theatrical affect from Dangerous Liaisons (1998) to The Duchess (2008), Harlots (2017), Portrait of a Lady on Fire (2019), Bridgerton (2020). The figure of the liberated, educated, and aesthetically sensitive woman serves in period fiction on stage, screen and page more …
Umn Morris Theatre Students Excel At Regional Theatre Festival, Communications And Marketing
Umn Morris Theatre Students Excel At Regional Theatre Festival, Communications And Marketing
Campus News Archive
No abstract provided.
The Real Queen Of Hearts Aint Even Pretty, Collin College
The Real Queen Of Hearts Aint Even Pretty, Collin College
Theatre Programs
Program for The Real Queen of Hearts Aint Even Pretty.
The Directing Project, Collin College
The Directing Project, Collin College
Theatre Programs
Program for The Directing Project.
Stand Up Tragedy, Collin College
Not Yet Cheese, Collin College
Heaven Can Wait, Collin College