Digital Commons Network^™

Professionalizing Folklore In Latin America: Four Paradigms Of The Musician And The Coloniality Of Music Education, Matias Recharte

Visions of Research in Music Education

In this article, I discuss the professionalization of folklore and its entanglements with coloniality through an analysis of four paradigms of the musicians I encountered in conversations with students, administrators and instructors at the Escuela Nacional de Folklore Jose Maria Arguedas in Lima, Peru. I contrast two pairs of paradigms, the empírico with the académico and the chivero with the professional in order to show how the “professional folklore musician” is constructed through similarities and differences with these paradigms. For my analysis, I use a coloniality theory framework (Casto-Gomez, 2021; Quijan, 1980, 2000, 2007; Segato 2011, 2022) which considers social …

Songwriting Learning Experiences In Music Education: A Bifurcated Study, Thomas Amoriello Jr.

Doctoral Dissertations and Projects

Historically, the field of music education has been grounded in the band, chorus, and orchestra model, with an abundance of professional development opportunities for educators. Despite the eventual expansion to introduce alternatives, including the Orff approach, guitar ensembles, mariachi, and the ukulele; further exploration of songwriting learning experiences is warranted due to a lack of professional development opportunities for music educators. Traditionally, songwriting is learned or taught piecemeal; thus, the need for music educators to possess additional skills is paramount. This qualitative narrative study will examine the perspectives of music educators who participate in interviews about teaching songwriting or their …

Reintegrating Wisdom: A Cultural-Sciences Framework For Linking Music, Faith, And Stem Education, Yoonil Auh, Minjeong Cho, Sang-Eun Hwang

The Journal of Faith, Education, and Community

This article proposes a theoretical model for integrating music and religious education into STEM by reframing them as cultural sciences, disciplines that generate symbolic, ethical, relational, and meaning-making forms of knowledge essential for 21st-century learning. While technocratic models of STEM emphasize quantification, efficiency, and innovation, they often marginalize the humanistic and spiritual dimensions of education that support ethical discernment, cultural literacy, and communal responsibility. Drawing on epistemic pluralism, transdisciplinary studies, educational philosophy, theology, and music pedagogy, this study outlines a four-dimensional framework, epistemic integration, transdisciplinary learning, ethical praxis, and spiritual-communal ways of knowing, that positions music and religious education not …

Comparing Aesthetic And Praxial Approaches To Music Education: Effects On Newark, New Jersey High School Student Achievement And Engagement, Jayson Martinez

Doctoral Dissertations and Projects

Music education plays a vital role in a well-rounded educational framework, supporting the intellectual, emotional, and social development of students. Within this field, two prominent pedagogical approaches are the aesthetic and praxial methodologies. The aesthetic approach emphasizes the intrinsic value and expressive qualities of music, while the praxial approach focuses on music as a form of human activity, integrating practical, social, and contextual dimensions. Educators often aim to enhance students’ musical growth by developing skills and understanding through musical engagement. However, the predominance of one method over another has led to discussions about whether students are receiving a fully comprehensive …

Learning To Play Drums: Rote Learning Versus Note Approach, Jacob R. Brumback

Masters Theses

The purpose of this qualitative historical study is to determine whether rote-learned drummers perform better than formally trained drummers. The issue is that some drummers may excel by watching and developing aural skills exclusively, while others perform well by only reading sheet music. The goal is to decide if drummers with strong aural skills or those who rely on note-reading performed better. The rationale explained how the applicability of rudiments, complex timing, creative fills, and improvisational soloing skills influences the performances of both rote-learned and note-approach drummers. Data collection methods for this research included oral history traditions and analyzing secondary …

General Music Pedagogies Through The Lens Of Culturally Relevant Pedagogy, David Dockan, Carla Aguilar, Martina Vasil, Brent M. Gault, Jason D. Jones, Robin Giebelhausen, Sandra Sanchez Adorno

School of Music Faculty Publications

Common general music pedagogies include Orff-Keetman, Kodály, Dalcroze, Music Learning Theory, and World Music Pedagogy. These approaches engage learners through moving to music, playing instruments, and developing aural skills with repertoire from around the globe. As we look toward the future, general music classroom teachers are working to create engaging and relevant learning spaces. To help make the music classroom relevant for their students, music educators might consider incorporating culturally relevant pedagogy into general music pedagogies. The framework of culturally relevant pedagogy uses academic success, cultural competence, and critical consciousness as pillars for practice. In this article, authors share their …

2025 Asia-Pacific Symposium For Music Education Research: Conference Proceedings, Jason Goopy, Jason Boron, Emily Wilson, Han Meng, Cynthia Howard, Philippa Chapman

Research outputs 2022 to 2026

The 2025 Asia-Pacific Symposium for Music Education Research (APSMER) was held from 9 – 11 July at Edith Cowan University in partnership with the School of Education and the Western Australian Academy of Performing Arts (WAAPA). APSMER is the official regional conference of the International Society for Music Education (ISME), and in 2025, it was proudly supported by the Australian Society for Music Education (ASME). The symposium was last held in Australia in Launceston, Tasmania, in 1999. APSMER 2025 welcomed over 300 international delegates to Perth, Western Australia, for scholarly and cultural exchange. The theme, “Being and becoming musical in …

Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati

Paradigma: Jurnal Kajian Budaya

This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …

Teaching Aural Skills In Undergraduate Music Using World Music Concepts: A Narrative Inquiry, Eugene Seow

Doctoral Dissertations and Projects

This project recognizes the potential of pedagogical innovation through world music concepts, particularly in applying world music education techniques to acquiring undergraduate aural skills. The study examines concepts from African drumming, Indian tala, Arabic maqam, and Japanese gagaku, briefly inquiring into the psychology and theory behind these world musics, and determines how best to transfer the concepts to an undergraduate aural skill teaching curriculum alongside its core concepts rooted in the Western classical idiom. Thus, teachers can augment aural skills education at the collegiate level with cross-cultural perspectives and integrative techniques. This qualitative narrative inquiry research recognizes the imbalance in …

Ownership Behaviors In Children's Music Culture, Sarah Dworjan

Masters Theses

Adults may demonstrate cultural ownership of music in various ways, but children are limited in their artistic expression by the restrictions of youth, parental authority, and financial subordination. This project evaluates the ownership behaviors demonstrated by 60 third and fourth grade female students in Albany, NY. Considering self-reported behaviors and the completion of creative activities in the general music classroom, the study also examines a secondary question: is there a difference in the way children interact with music of their own choosing as compared to the music of a teacher’s choosing? Results from this project indicate that students naturally respond …

Music Performance Anxiety: Should It Be Addressed In Music Curricula And By Whom?, Kaitlynn Kamer

Honors Projects

Music performance anxiety (MPA) impacts musicians of all skill levels, as demonstrated by existing research on both student and professional musicians. Although most musicians experience MPA, it is not formally addressed in music curriculum. This study seeks to evaluate the views and discourse around MPA in the collegiate music community through a survey of 66 college music students, 17 faculty members, and a series of secondary interviews. Through the results of the surveys and interviews, the thoughts on MPA from both the faculty and student perspective will be discussed. Upon reviewing the results of study, possible avenues for addressing MPA …

Somali Students In The American Elementary General Music Classroom, Alice L. Charland

Masters Theses

Education must be cognizant of the Somali culture’s inclination to classify music as a morally charged entity. It must also be careful not to forget American cultural values that have defined the music classroom. The purpose of this research was to identify Somali cultural expressions that occur in the American elementary general music classroom and to identify underlying concepts that contribute to these cultural expressions. Additionally, the research sought to bring light to the relationship between the two, so that future music educators might be inspired to create assessments and activities that better suit the needs of all learners.

The Influences Of Music On The Confidence And Sense Of Belonging Of Children, Melinda Sue Mertz

Doctoral Dissertations and Projects

Human emotion is greatly affected by music. Both listening to and creating music influence a person’s emotions. Despite the research supporting this finding, there is a lack of research detailing how music influences the confidence and sense of belonging for the early childhood student. This issue is important because educators are concerned about the mental wellbeing of their students. The observation of how music effects the confidence and sense of belonging of a child may assist educators to improve the issue of mental health among the students in their schools. This qualitative case study, which takes place in South Africa, …

The Thrill Is Here: An Instrumental Case Study Of The Pinetop Perkins Foundation Workshop Experience, Spencer Lewis Byrd

Doctoral Dissertations and Projects

This instrumental case study aimed to discover blues music education's pedagogy, content, and teaching strategies. This was accomplished by examining authentic blues teaching through the lenses of music learning theory, the Danielson framework for teaching, and the spiral curriculum. The study built on literature relating to the historical, musical, and extra-musical contexts of the blues, popular music, community music, and workshop settings. The Pinetop Perkins Foundation’s Workshop Experience served as the single case for investigating authentic blues music education. Nine instructors, two students, two interns, and two board members participated. Data was collected through semi-structured interviews, live observations, and video …

Orff: How His Pedagogy In Early Music Education Came To Be And What Influences Projected His Philosophy Into Popularity Amongst Music Educators, Zachary Gnall

Musicology and Ethnomusicology: Student Scholarship

Carl Orff, a profound music educator, composer, and musician of his time, developed his methodology of teaching early music to young students in the 1920’s. This pedagogy, known as Orff-Schulwerk or simply the Orff Approach, encompasses a student’s ability to use movement, drama, and speech within the context of music to create an engaging and cognitively engaged environment for the students, similar to that of their typical play times. Orff, alongside his colleague Gunild Keetman, developed this approach with through scrutiny over his involvement with the Nazi party, albeit indirect, just after The Great War ended.

Change Through Learning: Observing The Need And Benefits Of A Multicultural Music Education Through Applying Coursework About The Korean And Korean American Musical Diaspora, Austin Eamnarangkool

Masters Theses

Music education is often synonymous with Western Music education, or more specifically, Classical music education. Music theory and analysis surrounding the styles of Bach, Mozart, and Beethoven have been central to the pedagogy of a collegiate musical background, while expertise in Carnatic, Gamelan, or African drumming—to name a few—is seen as nonessential. This research project aims to uncover the reasons why (higher) music education is so narrowly focused and provides the skeletal framework for a practical method to begin constructing diverse, holistic curricula. While the overarching goal is to diversify music education in all cultures, the project focuses on the …

Song Text And Song Structure: With An Emphasis On Oral/Aural Tradition, Hannah Joy Petrick

Masters Theses

This study highlights the different aspects of song texts and song structures while also establishing the impacts of an oral/aural tradition. Emphasis was placed on the relationship between linguistics and music, and how one may alter the teaching/learning process of new song materials for students (especially young adolescents). Song texts and song structures were also looked at in relation to culture, and how culture is affected by oral/aural tradition. Specifically, the outcomes of students learning song texts in their native language/tongue versus songs of a different culture was explored. The differences and commonalities of learning music in various styles were …

Iñupiaq Culture And Wind Band: An Analysis Of Culturally Responsive Pedagogy And Access To Music Education On Alaska's North Slope, Christian Eugene Roseboro

Doctoral Dissertations and Projects

Iñupiaq Culture and Wind Band: An Analysis of Culturally Responsive Pedagogy and Access to Music Education on Alaska’s North Slope is an observational ethnography examining implications for incorporating the Iñupiaq culture into the instrumental music education curriculum for the North Slope Borough School District. The North Slope Borough School District is the geographically largest and northernmost school district in the United States. The majority of the student population it serves are Iñupiaq Native Alaskans. The research interprets the Iñupiaq Iłitqusiat (cultural values), the North Slope Borough School District pedagogical frameworks, and the Alaska Standards for Culturally Responsive Schools to answer …

Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone

Williams Honors College, Honors Research Projects

In recent years, social movements have raised awareness on issues like whitewashing and the oppression of minority voices in fields such as music. These social movements have drawn attention to the cultural appropriation that sometimes occurs in music classrooms. Outcomes from recent legislation proposals and social conflicts across the United States threaten to limit educational opportunities. Although many people have understood these pieces of legislation to affect topics such as history and English, it may also affect music education. When choosing music to teach their students, music educators are often challenged as many songs have questionable pasts and make references …

The Kodály Method: Valid Or Missing The Mark For Developing A Musicking Musician?, Maggie Johnston

Musicology and Ethnomusicology: Student Scholarship

In the ever-evolving world of music education, a handful of “methods” have been identified as favorites, mainly Orff, Suzuki, Dalcroze, and Kodály. These are used in whole or in part in classroom and private music instruction, based on an expected understanding that they produce results. However, these methods are often used without regard for the quality of their delivery, and are relied upon without consideration for the context in which they are delivered. Many music educators are speaking up and analyzing their own teaching, conducting studies, and bettering their understanding of the principles behind these methods. It is from this …

How Theories About Instrumental Practice Strategies In Western Music Evolved Since The 1700'S: A Select Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

As music teachers, we introduce our students to a variety of methods for learning their instrument. In addition, it is necessary to impart wisdom on how to practice those methods and strategic ways to approach the learning and preparing of pieces for performance.

This paper will endeavor to compare and contrast how those strategies and techniques have evolved over the past 300+ years to better understand what practice strategies are “tried and true”, which have been discarded over time, and what has been added to the pantheon of strategies and scientific studies as performance practice and our understanding of psychology …

Take Six, Their Music, And The Impact On Music Education, Roberto L. Burton

Doctoral Dissertations and Projects

While the inclusion of popular music and music ensembles in music education programs continues to gain momentum internationally, it appears that a need exists for music educators to develop a more concrete understanding of how somebody might construct a popular music education curriculum. And presented in a way that supports the shared vision of a democratic, inclusive, and rigorous music education. Although there is a rich tradition of choral singing and many fantastic works to share with students, music educators who studied Accapella changed our perspectives. They began to incorporate popular music with students because music educators found that it …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

Analysis Of Texas Collegiate Mariachi Ensembles: Standard Repertoire And Genres, Angela Michelle Morgan-Thornton

Doctoral Dissertations and Projects

A standard prescribed music list exists for band, orchestra, and choral music ensembles in Texas K-12 music education. Presently, no prescribed music list exists for mariachi ensembles or degree plans in Texas at the collegiate level. This study used explanatory sequential mixed methods to examine the differences in seven Texas collegiate mariachi programs’ standard teaching and performance repertoire. The study explored the commonalities and differences in repertoire and balance of mariachi genres in instruction. The repertoire of diverse genres reflects influences associated with European, Caribbean, and Indigenous cultures and musical forms. Related issues of this study included music literacy, college …

Performing The “Exotic?”: Constructing An Ethical World Music Ensemble, Juliet Hess

Visions of Research in Music Education

The Sankofa Drum and Dance Ensemble was a Ghanaian music ensemble that focused on Ewe music. I founded this ensemble in the elementary school where I taught in the Toronto area. From the time of its founding, one of the overarching goals I had for the group was a disruption of images and stereotypes that the students held of Africa in general, and more specifically, of Ghana. How did the students perceive Africa? Did the ensemble change their perceptions at all? How did my own positionality, as a white, Western woman enter the picture? How did students’ ensemble participation affect …

Video Game Sound As Educational Space, Leonard Grasso

Masters Theses, 2020-current

Synergizing fields such as music theory, computing, musicology, cognition, and psychology, scholars and practitioners have approached game music from many directions. However, research on pedagogical usages of game music is still emerging. While many education scholars have researched game-based-learning (Bourgonjon et al, 2013; Simões, Redondo, & Vilas, 2013; Beavis, Muspratt, & Thompson, 2015; Hamari et al, 2016), music education authors have largely remained distant from ludomusicology (the study of music as it relates to play). I intend to bridge that gap by examining the intersections of game music and sound, player interaction, and learning. My research synthesizes the work of …

Parts Of The Voice - Why Learning Vocal Structure Early Makes A Difference: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This annotated bibliography describes the sources used to support the statement that vocal anatomy should be implemented into early music education.

Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

An Annotated Bibliography discussing how the music education forum could further diversify.

The Connections Of Music, Culture, And Language: A Qualitative Case Study Of The Musical Experience Of A Newcomer Program, Jessica Strawderman

Masters Theses, 2020-current

In this qualitative case study, I investigated the philosophy and process of an elementary newcomer program and explored the perceived benefits for newcomer students of the musical experience, aiding in transition from full-time English as a second language (ESL) services in self-contained class to a general education setting. The studied school division serves a high population of students who are English Language Learners (ELLs), representing a multitude of languages and cultures. The division places students of immigrant families who have no social or educational experience speaking English in the newcomer program. In order to gain a deep understanding of the …

Is Parental Support Necessary For Children’S Piano Learning And What Implications Can Piano Teachers Take Away From This Finding?, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.