Digital Commons Network^™

Developing Vocal Technique Through The Canción Ranchera In The Middle School Mariachi Classroom, Perry Chacon Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

Mariachi is taught in more than 500 public school programs across the United States, yet current scholarship on the mariachi voice primarily focuses on defining and analyzing performance practice, offering limited guidance for classroom instruction. This study provides a methodology for developing healthy vocal technique in the middle school mariachi classroom. Grounded in established vocal pedagogy and informed by teaching practice, this approach first builds student confidence through participation in group vocal exploration that encourages active vocal participation. Instruction progresses from foundational skill development, including aural skills, breath coordination, and healthy vocal projection, to the application of these skills through …

Musical Language And Communication: Students Connect Music Streams To Literacy, Mathematics, Science, And Movement, Kelly Collier

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation discusses how music and literacy claim many of the same skills, ways music may be used as a motivational tool to help promote strategies for skill development, and how teachers working in teams have the innovation to generate strategic learning. By combining music symbolism with the literacy curriculum, one can create a set of elementary school lessons that integrate musical melody with the facets of literacy, mathematics, science, and movement to formulate beneficial opportunities for student engagement and learning. Students cultivate learning by using the elements of rhythmic literacy, such as identifying beat values in conjunction with their …

A Comparative Study Of Music Between Mongolia And The Mongolian Ethnic Minority In China: Cultural Backgrounds, Musical Styles, And Modern Developments, Yile Huang

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis conducts a comparative study of Mongolian music traditions as they have developed both within Mongolia and among the Mongolian ethnic minority in China, exploring their cultural backgrounds, musical styles, and contemporary developments. By investigating the historical, geographical, and socio-cultural influences that shape the music in these regions, this study highlights the unique musical identities of each group while uncovering their commonalities and cultural exchanges. Drawing from a wide range of sources—including ethnographic studies and analysis of specific musical pieces—this research examines foundational elements such as the Mongolian long song, throat singing, and horsehead fiddle music. These traditional forms …

East Meets West In Chinese Orchestral Repertoire: The Fusion Of Chinese Nationalism And Western Musical Influence, Tianxi Wen

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral document explores the intersection of Chinese musical traditions and Western orchestral influences, focusing specifically on how Chinese composers have navigated this blend to create distinctive orchestral works. Grounded in my background as a doctoral student in orchestral conducting and enriched by my ethnomusicological expertise, this document examines how these composers have integrated both traditions into their music.CHAPTER 1, “Introduction”, introduces the document’s structure, central argument, and the selection of orchestral works for analysis. It also defines the document's purpose and scope. CHAPTER 2, “A Brief History of the Orchestra in China”, examines the origins, evolution, and development of …

Adapting Traditional Flamenco Music For The Modern Marimba Artist, Gabriela Ordoñez Villalobos

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document is a compilation of information and exercises for the percussionist to learn how to play Traditional Flamenco on marimba. The document contains a brief history of flamenco and the explanation of the elements of four different palos flamencos (subgenres) to introduce the marimbist to the basic musical elements and structure of each palos flamencos. It also includes musical exercises written specifically for marimba. These exercises are traditional components of authentic Flamenco music and can be used in performances as a soloist or as part of a Flamenco ensamble.

Flamenco music has three main elements: El cante, el toque, …

Africanities In Selected Art Songs For Voice And Piano By Babi De Oliveira, Ana Elisa Portes Lima

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores Africanities on the music and texts of selected art songs by the Brazilian composer Babi de Oliveira (1908-1993), providing the historical context of how the Brazilian Portuguese appropriated the vocabulary and culture of African people brought to the New World during the period of slavery between the 15th and 19th centuries. The purpose of this document is to provide additional background information on the Afro-Brazilian musical heritage, its relevance to the composer, and its aesthetics in the history of Brazilian music, in order to give voice students and performers, especially non-Portuguese speakers, a broader perspective on this …

Asian Culture In Western Music: Piano Music By Tan Dun And Bright Sheng, Guqi Zhang

UNLV Theses, Dissertations, Professional Papers, and Capstones

Chinese-American composers Tan Dun and Bright Sheng present culturally eclectic writing styles in their contemporary compositions by leveraging Chinese folk elements, which have gained them an international reputation. This paper examines folk music elements in Tan Dun’s and Bright Sheng’s piano works and their methods of incorporating them. Two main sources provide my methodological models. Locating East Asia in Western Art Music, a collection of essays that compares Asian-influenced Western composers and Western-influenced Asian composers, combines music theory, musicology, and ethnomusicology to explore how composers construct and utilize Eastern and Western musical concepts. Le Kang’s 2009 “The Development of Chinese …

The Issue Of Communicability In Guerra-Peixe’S 1947 Solo Violin Works, Lucas Henrique Teixeira Martins

UNLV Theses, Dissertations, Professional Papers, and Capstones

Throughout an important period of his career as a composer, César Guerra-Peixe demonstrated a preoccupation with both the issue of communicability between listeners and the musical composition, as well as avenues for expressing national identity in music. The works composed between 1944 and 1948 present several possible paths for answering these questions with the musical language of the twelve-tone style. Música no. 1 and Música no. 2 for solo violin demonstrate a search for familiarity through the use of chords created by grouping sets of pitches from the originating tone row. The simple linear motif of the movements within these …

The Influence Of Volga Tatar Folk Music And Soviet Cultural Policies On The Orchestral Composers Of Kazan, Jane Katherine Brown

UNLV Theses, Dissertations, Professional Papers, and Capstones

After a brief historical overview of Volga Tatar history and Soviet political and historical contexts, this document begins with a detailed description of Volga-Tatar folk musical characteristics, including probable influences as described, analyzed, and transcribed by twentieth and twenty-first century Volga Tatar scholars. In this description, the author attempts to give the preferential voice to Tatar perspectives, such as the early ethnographers and Tatar ethnomusicologists from Kazan State Conservatory, the officials from the Union of Composers of the Republic of Tatarstan, and of course, the composers themselves. The author’s detailed discussion of folk music elements and genres is then followed …

The Historical And Cultural Influences Of Gagok 가곡 (Korean Art Song): A Musical Guide, Sarah Kim

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.

The research …

Balys Dvarionas: A Brief History, Analysis Of His Concerto For Horn And Orchestra, And The First Recording Of The Concerto, Jonathan Lewis Snyder

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document will concentrate on the currently unpublished and incomplete manuscript of the orchestral version of Concerto for Horn and Orchestra [Koncertas valtornei su orkestru], composed by Lithuanian composer Balys Dvarionas (1904–1972). Despite his popularity and importance in Lithuania, Dvarionas’s music is not as well known throughout the rest of the world. This document aims to redress this situation.

The document provides a more thorough English-language biography about the composer than those that currently exist in print. It discusses various aspects of the concerto, including its place in Dvarionis’s output and a brief analysis, a core aspect of which is …

The Synthesis Of Balkan Folk Tunes In The Music Of Vlastimir Nikolovski And Alexander Vladigerov, Dejan Daskalov

UNLV Theses, Dissertations, Professional Papers, and Capstones

The study of folk music from the Balkan countries proves to be a long and complex area of study, since the access to sources, scores and literature is quite limited. Distribution of accurate information in regards to Balkan folk music is of significant importance because it would provide a global opportunity for promotion and education on this topic. Without documented research, inaccurate presentations of Balkan music could cause an overall disinterest in this genre.

The original and alluring aspects of this style of music lie mostly in its meter. Moreover, it contains three fundamental metric structures: regular, asymmetric, unmeasured and …

The Life Of A Marimba Master: Zeferino Nandayapa Ralda; Composer, Band Leader, Soloist, Lindsay Michelle Whelan

UNLV Theses, Dissertations, Professional Papers, and Capstones

Zeferino Nandayapa Ralda was the greatest Mexican marimba artist of the twentieth century. Born in Chiapas, Mexico, Zeferino was the youngest son of Norberto Nandayapa, the most well respected Mexican marimba builder of his time. Throughout Zeferino’s lifetime, he

cultivated a career that made him well-known in Mexico and firmly established the name Nandayapa as being synonymous with the word marimba. Zeferino’s career consisted of appearances as a solo artist, as a featured soloist with symphony orchestras around Mexico, as leader of marimba bands, and, many appearances abroad. He wrote many arrangements of standard Mexican folk songs, classical literature, as …

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …

Kimmo Hakola's Diamond Street And Loco: A Performance Guide, Erin Elizabeth Vander Wyst

UNLV Theses, Dissertations, Professional Papers, and Capstones

Kimmo Hakola (b.1958) has emerged in the past two decades as one of Finland’s leading contemporary composers. His numerous clarinet and bass clarinet works include a clarinet concerto, five chamber works with various instrumentations, a work for solo clarinet, a work for solo bass clarinet, and a work for solo clarinet and pedal bass drum (the clarinetist performs both the clarinet and bass drum parts). While this relatively large output featuring the clarinet family may be a result of Hakola’s personal interests, it may also be the result of a friendship with virtuoso clarinetist Kari Kriikku (b. 1960). This document …

From Paper To Podium: Exploring The Gap Between University Training And Professional Experience In Orchestral Conductors, Rachel L. Waddell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In African polyrhythmic drum circles there is a proverb that exemplifies the necessity of common vision and community in group musical performance: “I am because we are.” This simple ideal is ostensibly mirrored in the western institution of the symphonic orchestra, an ensemble of many that nevertheless must arrive at one, shared interpretation of a piece of music. The structure of the orchestra is a complicated hierarchy with section players at its base, followed by principals, the concertmaster, and finally the conductor. Although conductors are the public face of leadership in orchestras, if they alienate the musicians they will have …

Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan, Pei-Ning Ku

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this document is to understand Taiwanese composer Hsiao Tyzen's artistic persona through analysis of the textual and musical characteristics of his songs. This document is comprised of: 1) an historical overview of Taiwan, 2) a history of Taiwanese vocal music, 3) a description of Hsiao Tyzen's life and career, 4) an introduction to Taiwanese diction, 5) an examination and analysis of musical components (melody, rhythm, accompaniment and form) of four of Tyzen's songs, and 6) a conclusion based upon sociological factors, historical influences and musical devices to define what constitutes the stylistic characteristics of the songs of …

The American Homophilic School Of Composition, Rik Noyce

UNLV Theses, Dissertations, Professional Papers, and Capstones

A small enclave of gay composers in New York, led by Aaron Copland (1900-1990) and Virgil Thomson (1896-1989), established a distinct twentieth-century musical sound that became synonymous with America. Copland and Thomson were prominent among a group of gifted gay musicians and conductors in New York in the 1930s, 40s and 50s. While perhaps not self-identifying as gay, as the term had not yet been coined, they did however acknowledge, honor, and support one another's lives as being homosexual. Is it possible that something as seemingly unrelated as sexual preference could, in fact, impact a musical style?

In this document, …

The Effects Of Cultural Experience And Subdivision On Tapping To Slow Tempi, Sangeeta Ullal

UNLV Theses, Dissertations, Professional Papers, and Capstones

Our ability to accurately synchronize with rhythmic patterns is constrained by two factors: temporal length and interval structure. By using strategies such as subdivision, we can improve synchronization accuracy at slow tempos, but our ability to utilize subdivisions is constrained by the nature of interval ratios contained in culture-specific subdivision types. Western music falls within a restricted temporal range and its metrical subdivisions contain simple ratios, but Indian music violates these constraints. The present study examines the effects of culture-specific experience on these constraints. American and Indian listeners were asked to perform synchronous tapping to a stimulus with a slow …