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Choreographing Intimacy: The Making Of ‘[They] Slipped Briskly Into An Intimacy From Which They Never Recovered’ – A Dance Film, Antonio Rinaldi Jan 2016

Choreographing Intimacy: The Making Of ‘[They] Slipped Briskly Into An Intimacy From Which They Never Recovered’ – A Dance Film, Antonio Rinaldi

Theses : Honours

In this investigation, I have utilised a practice-led research methodology to capture ‘intimacy’ in film, specifically, the medium of dance film. The exegetical work is divided into the written research with an accompanied dance film component; however they should be viewed as an integrated thesis. The aim of my research was to develop my choreographic practice through a film that is a sensory and evocative exploration of intimacy. I argue that the film components of dance film (directing, cinematography, editing and the like) uniquely capture an intangability of dance and the complexities of human intimacy in a manner that is …


'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron Jan 2009

'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron

Theses : Honours

As a new emerging dancer and artist who is highly interested in the form of choreography, the search for knowledge and understanding of where choreography has come from as well as how to generate works have been at the forefront of my personal journey in dance. My thesis looks at and asks how the formal choreographic elements and approaches can assist new choreographers in developing an individual style of dance making? This question leads to the various approaches and elements taken from famous choreographers over time, and assesses how new emerging artists can draw from these examples as a way …


Cinematography And Choreography: "It Takes Two To Tango", Laura Boynes Jan 2007

Cinematography And Choreography: "It Takes Two To Tango", Laura Boynes

Theses : Honours

As a practicing dancer and choreographer with a developing interest in film, the lifelong struggle (where many have gone before) to capture and accurately depict choreography on screen, intrigues me.

Who should dance the camera or the choreography? These are questions that have been pondered by choreographers and theorists for centuries, with pioneers such as Busby Berkeley and Maya Deren each finding their own answers to success.

This thesis discusses the creation and production of dance film, and the importance of movement in front of and behind the camera lens. I believe experimentation and research are the most effective methods …


The Influence Of Genetics And The Environment On Human Personalities, Relationships And Experiences, Patrice Smith Jan 2006

The Influence Of Genetics And The Environment On Human Personalities, Relationships And Experiences, Patrice Smith

Theses : Honours

It's no mystery that our genetic make-up plays an integral part in the outcome of our lives, but to what extent exactly are our personalities, relationships and experiences pre-determined by this genetic code? There are two forces that contribute to the outcome of these aspects of our lives. Genetics and Environment. The significance of the environment, i.e., our upbringing, lifestyle and the world around us is often emphasized by psychologists as the more dominant force, however our genes are just as, if not more, influential on our lives. My choreographic process is directly in relation to the group of artists …