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Articles 1 - 9 of 9
Full-Text Articles in Entire DC Network
Creative Nothingness: Dada As Art, Politics And Religion In Interwar Japan, James Mark Shields
Creative Nothingness: Dada As Art, Politics And Religion In Interwar Japan, James Mark Shields
Faculty Journal Articles
The decades immediately following the Meiji Restoration of 1868 saw Japan rapidly develop as a “modern” nation — replete with industrial technology, a powerful and sophisticated military, a burgeoning capitalist economy, a broad based educational system, and, by the early twentieth century, a massive influx of contemporary Western political, philosophical, literary and artistic ideals, including socialism, anarchism, and nearly all variations of avant-garde art and aesthetics. By the end of the Meiji period, however, with the crackdown on leftist activities in the wake of the High Treason Incident (1910–1911) and the slow but steady accretion of Japanese imperialist ideology through …
Osvobození Jako Revoluční Praxe: Opĕtovné Promyšlení Buddhistického Materialism, James Mark Shields
Osvobození Jako Revoluční Praxe: Opĕtovné Promyšlení Buddhistického Materialism, James Mark Shields
Faculty Journal Articles
In this article, first published in English in the Journal of Buddhist Ethics 20 (2013), pp. 461–99, James Mark Shields analyzes the possibilities and problems of a “Buddhist materialism” constructed along Marxian lines, by focusing in particular on Buddhist and Marxist conceptions of “liberation.” Although it is only in recent decades that scholars have begun to reconsider and problematize Buddhist conceptions of “free- dom” and “agency,” the thought traditions of Asian Buddhism have for many centuries struggled with questions related to the issue of “liberation”—along with its fundamental ontological, epistemological and ethical implications. With the development of Marxist thought in …
After The Fall: Tsuji Zennosuke And The Creation Of Bukkyōshugi Kokushi, James Mark Shields
After The Fall: Tsuji Zennosuke And The Creation Of Bukkyōshugi Kokushi, James Mark Shields
Faculty Journal Articles
Tsuji Zennosuke 辻善之助 (1877–1955), the dominant figure in Buddhist historical scholarship in Japan from the 1930s until the mid-1950s, is known to have employed a broad range of sources in order to provide a comprehensive analysis of his subject. This essay examines Tsuji’s conception of Buddhist history in relation to the emer- gence of both National Historical Studies (kokushigaku 国史学) and so-called State Shintō (kokka shintō 国家神道) and argues against the image of Tsuji as an “objec- tive historian” resistant to nationalist trends in historical scholarship. In fact, Tsuji was involved in the creation of an alternative, “Buddhistic” national history, …
Future Perfect: Tolstoy And The Structures Of Agrarian Buddhist Utopianism In Taishō Japan, James Mark Shields
Future Perfect: Tolstoy And The Structures Of Agrarian Buddhist Utopianism In Taishō Japan, James Mark Shields
Faculty Journal Articles
This study focuses on the role played by the work of Leo Tolstoy (1828–1910) in shaping socialism and agrarian-Buddhist utopianism in Japan. As Japanese translations of Tolstoy’s fiction and philosophy, and accounts of his life became more available at the end of the 19th century, his ideas on the individual, religion, society, and politics had a tremendous impact on the generation coming of age in the 1900s and his popularity grew among young intellectuals. One important legacy of Tolstoy in Japan is his particular concern with the peasantry and agricultural reform. Among those inspired by Tolstoy and the narodniki lifestyle, …
Immanent Frames: Meiji New Buddhism And The 'Religious Secular', James Mark Shields
Immanent Frames: Meiji New Buddhism And The 'Religious Secular', James Mark Shields
Faculty Journal Articles
The secularization thesis, rooted in the idea that “modernity” brings with it the destruction—or, at least, the ruthless privatization—of religion, is clearly grounded in specific, often oversimplified, interpretations of Western historical developments since the eighteenth century. In this article, I use the case of the New Buddhist Fellowship (Shin Bukkyō Dōshikai 新仏教同志会) of the Meiji period (1868–1911) to query the category of the secular in the context of Japanese modernity. I argue that the New Buddhists, drawing on elements of classical and East Asian Buddhism as well as modern Western thought, promoted a resolutely social and this-worldly Buddhism that …
Peasant Revolts As Anti-Authoritarian Archetypes For Radical Buddhism In Modern Japan, James Mark Shields
Peasant Revolts As Anti-Authoritarian Archetypes For Radical Buddhism In Modern Japan, James Mark Shields
Faculty Journal Articles
The late Meiji period (1868-1912) witnessed the birth of various forms of “progressive” and “radical” Buddhism both within and beyond traditional Japanese Buddhist institutions. This paper examines several historical precedents for “Buddhist revolution” in East Asian—and particularly Japanese—peasant rebellions of the early modern period. I argue that these rebellions, or at least the received narratives of such, provided significant “root paradigms” for the thought and practice of early Buddhist socialists and radical Buddhists of early twentieth century Japan. Even if these narratives ended in “failure”—as, indeed, they often did—they can be understood as examples of what James White calls “expressionistic …
Transnational Marriage: Modern Imaginings, Relational Realignments, And Persistent Inequalities, Coralynn V. Davis
Transnational Marriage: Modern Imaginings, Relational Realignments, And Persistent Inequalities, Coralynn V. Davis
Faculty Journal Articles
In the context of shifting cultural anchors as well as unstable global economic conditions, new practices of intimacy and sexuality may become tactics in an individual’s negotiation of conflicting desires and potentials. This article offers reflection on the interface between global forces, powerful transcultural narratives, and state policies, on the one hand, and local, even individual, constructions and tactics in regard to sexuality, marriage, migration, and work, on the other. The article focuses on the life trajectory of Gudiya, an ambitious young Hindu woman who started out life with little social capital and few economic resources in a dusty corner …
Beyond Belief: Japanese Approaches To The Meaning Of Religion, James Mark Shields
Beyond Belief: Japanese Approaches To The Meaning Of Religion, James Mark Shields
Faculty Journal Articles
For several centuries, Japanese scholars have argued that their nation’s culture—including its language, religion and ways of thinking—is somehow unique. The darker side of this rhetoric, sometimes known by the English term “Japanism” (nihon-jinron), played no small role in the nationalist fervor of the late-nineteenth and early twentieth centuries. While much of the so-called “ideology of Japanese uniqueness” can be dismissed, in terms of the Japanese approach to “religion,” there may be something to it. This paper highlights some distinctive—if not entirely unique—features of the way religion has been categorized and understood in Japanese tradition, contrasting these with Western (i.e., …
The Art Of Aidagara: Ethics, Aesthetics, And The Quest For An Ontology Of Social Existence In Watsuji Tetsurō’S Rinrigaku, James Mark Shields
The Art Of Aidagara: Ethics, Aesthetics, And The Quest For An Ontology Of Social Existence In Watsuji Tetsurō’S Rinrigaku, James Mark Shields
Faculty Journal Articles
This paper provides an analysis of the key term aidagara (“betweenness”) in the philosophical ethics of Watsuji Tetsurō (1889-1960), in response to and in light of the recent movement in Japanese Buddhist studies known as “Critical Buddhism.” The Critical Buddhist call for a turn away from “topical” or intuitionist thinking and towards (properly Buddhist) “critical” thinking, while problematic in its bipolarity, raises the important issue of the place of “reason” versus “intuition” in Japanese Buddhist ethics. In this paper, a comparison of Watsuji’s “ontological quest” with that of Martin Heidegger (1889-1976), Watsuji’s primary Western source and foil, is followed by …