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The Persistence Of Ethnicity In African American Popular Music: A Theology Of Rap Music, Angela M. S. Nelson Jan 1992

The Persistence Of Ethnicity In African American Popular Music: A Theology Of Rap Music, Angela M. S. Nelson

Explorations in Ethnic Studies

The racial oppression of black people in many ways has fueled and shaped black musical forms in America. One example is the blues which originated in the rural South among poor, nonliterate, agrarian African Americans.[1] In the North the music became more formalized, and singers such as Gertrude "Ma" Rainey, Bessie Smith, Mamie Smith, Ida Cox, and Sarah Martin became known as the queens of the "classic blues." Another musical genre is jazz, which was largely based on the twelve-bar blues harmonic structure and phrasing. It was more "polished" than the earlier New Orleans jazz at the turn of the …


Commonwealth Times 1970-05-07 May 1970

Commonwealth Times 1970-05-07

Commonwealth Times, 1969-

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