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Disability Representation In Contemporary Playwriting, Caroline Hull Jan 2024

Disability Representation In Contemporary Playwriting, Caroline Hull

Graduate Thesis and Dissertation 2023-2024

Is it possible for a playwright to authentically capture the disabled experience without it becoming privy to stereotypes or utilized as a catalyst for the plot? The thesis aims to challenge the prevalent notion that making the disability intrinsic to a theatrical plot is essential for authentic representation, and instead asserts that authentic portrayal of the disabled experience can exist independently of making the disability a central plot device. To support this claim, In Chapter One, I engage with relevant work in the field of playwriting and narrative media studies, such as the workshop "Inaccessible: Writing Plays with Characters who …


Theatre As Resistance: Application Of Queer And Feminist Theories To Theatrical Practice And Pedagogy, Chanel H. Gomaa Jan 2024

Theatre As Resistance: Application Of Queer And Feminist Theories To Theatrical Practice And Pedagogy, Chanel H. Gomaa

Graduate Thesis and Dissertation 2023-2024

Throughout my time at UCF, I have committed my studies to better understanding my positionality as someone who both benefits and suffers from systems of oppression. I have dedicated my pedagogy and artistry to questioning how I can apply theatre as a tool to resist these systems through my work, as well as wondering how I may communicate my thoughts and concerns to the colleagues I collaborate with as I am to hold myself accountable for my involvement in works that I recognize as being in need of revision in order to resist systems of oppression. I conceptualize that to …


The Dyslexic Actor: How Dyslexia Affects The Acting Process, Kate Milazzo Jan 2024

The Dyslexic Actor: How Dyslexia Affects The Acting Process, Kate Milazzo

Graduate Thesis and Dissertation 2023-2024

Dyslexia can benefit an actor, especially if the individual is aware of how the challenges and advantages of dyslexia impact their personal acting process. Dyslexia is widely understood to be a learning disability that affects an individual's reading and writing abilities. Many forms of theater rely on the written word, and an actor's success lies in their ability to interpret the text, leading one to question whether a dyslexic individual can find success as an actor. Yet several famous actors, including Octavia Spencer and Henry Winkler, are known to be dyslexic. As a dyslexic individual, I have also successfully participated …


Direction Of Reflection: The Means By Which One Establishes Directorial And Choreographic Proficiency, Nicholas J. Wood Jr. Dec 2015

Direction Of Reflection: The Means By Which One Establishes Directorial And Choreographic Proficiency, Nicholas J. Wood Jr.

HIM 1990-2015

I examined how one may establish directorial and choreographic proficiency in the contemporary society of American musical theatre. I did so by completing an examination of five personal observations in my craft. These observations included: (1) Directorship and choreography of Welcome to Vegas, an original jukebox musical; (2) Mentorship on Theatre UCF’s Nine as Assistant Director and Co-Choreographer; (3) Research on the methodologies of various directors and choreographers; (4) Directorship and choreography of Welcome to Broadway, an original jukebox musical; and (5) Assistant to the Program Director of Broadway Theatre Project. I evaluated parallels of my directing and choreography methodologies …


The Branding, Creation, And Promotion Of A Solo Comedienne, Anna Mccorison Jan 2015

The Branding, Creation, And Promotion Of A Solo Comedienne, Anna Mccorison

Electronic Theses and Dissertations

Comedy exists as a stronghold in American culture as a coping mechanism throughout history, but is often limited to the male headliner. From Charlie Chaplin to Jackie Gleason and Bill Cosby to Will Ferrell, men have kept us laughing from stages to screen throughout the last century. Thus, I inquire: who are the prominent women who rose to the top of this male-dominated industry and how did they create a brand for themselves that was distinguishable and celebrated? What is it about being a woman in the last century that made making a name in comedic entertainment more cumbersome, and …


Almost Mirror Image: Exploring The Similarities And Dissimilarities Of Identical Twins In Theatrical Solo Performance, Elizabeth Mignacca Jan 2015

Almost Mirror Image: Exploring The Similarities And Dissimilarities Of Identical Twins In Theatrical Solo Performance, Elizabeth Mignacca

Electronic Theses and Dissertations

Almost Mirror Image: Exploring the Similarities and Dissimilarities of Identical Twins in Theatrical Solo Performance Is an exploration of the psyche of identical twins within the context of devised solo performance. The author, an identical twin herself, has long been interested in twins' ability to cultivate both highly independent personalities as well as intensely co-dependent tendencies during development. What can twins tell us about the way we create close relationships and how is their upbringing radically different from the majority of the world that is born alone? Equally intrigued by society's growing technological dependence, the author would like to delve …


The Artistry Of Accessibility: Creating Theatre With And For Students On The Autism Spectrum, Sara Brunow Jan 2015

The Artistry Of Accessibility: Creating Theatre With And For Students On The Autism Spectrum, Sara Brunow

Electronic Theses and Dissertations

Theatre is a place where all can come together and have an experience regardless of ethnicity, gender, sexuality, or ability. As a theatre maker and teaching artist, how do I create inclusion and augment social awareness by designing and implementing theatrical experiences for a specific audience? In this personal exploration of inclusive theatre practices (Sensory Friendly Theatre, Inclusive Arts Integration, and Multi-Sensory Theatre) I will examine my experience of creating and adapting theatre with and for students with Autism Spectrum Disorder. My process has a three-pronged approach: adapting an established production using a Sensory Friendly model; adapting an arts integration …


Writes Of Spring 2014: Fostering Creativity In Theatre, Education, And Leadership, Alexandra Hodson Jan 2015

Writes Of Spring 2014: Fostering Creativity In Theatre, Education, And Leadership, Alexandra Hodson

Electronic Theses and Dissertations

Creativity is valued in many fields. In theatre, creativity celebrates the imaginative power of a theatrical experience. In theatre for young audiences (TYA), creativity is extended from the stage to the classroom, where theatre empowers learning through creative and imaginative teaching. Teaching artists and theatre makers in the field of theatre for young audiences utilize creativity as a means of connecting artistic and educational value. Through professional development and qualitative research, this project demonstrates the importance of creativity and its role in the classroom and on stage. This study examines my role as Project Coordinator in Orlando Repertory Theatre's (The …


The Forging Of Modern Broadway Sound Design Techniques Amid The Fires Of The Rock Musicals In The Late 1960s And 1970s., Timothy Tracey Jan 2015

The Forging Of Modern Broadway Sound Design Techniques Amid The Fires Of The Rock Musicals In The Late 1960s And 1970s., Timothy Tracey

Electronic Theses and Dissertations

From the ancient Greek theater, through the dawn of the Renaissance, beyond the development of Shakespearean theater, to the Broadway theater boon in the 1920s, sound reinforcement within the theater remained virtually unchanged. Through Broadway's Golden Age, directors and producers relied on architectural acoustics to carry sound throughout the theaters. This is not surprising given that most of the theaters were built in the early 1900s, before the invention of any electric sound reinforcement technology. Moreover, early attempts at amplification in the 1940s yielded dismal results. Eventually, the maturation of the integrated book musical and the invasion of the rock …


Halloween Horror Nights And/Or Visceral Theatre, Patrick Braillard Jan 2014

Halloween Horror Nights And/Or Visceral Theatre, Patrick Braillard

Electronic Theses and Dissertations

Visceral [vis-er-uh l] -adj 1. of, relating to, or affecting the viscera 2. characterized by intuition or instinct rather than intellect ("visceral," def. 1-2) The above words speak to define far more than merely the word "visceral." They speak to also embody and classify a previously untitled form of theatre. Visceral Theatre: A form of theatre that uses the instinctual awareness of the audience- the audiences' perception of popular culture, societal contexts both historical and geographical, as well as their instinctual-physical aversion to danger- to cause physiological and emotional responses through the overstimulation of the senses in a non-tactile attack. …


Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form, Alexander Hluch Jan 2013

Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form, Alexander Hluch

Electronic Theses and Dissertations

Comedy has typically been derided as second-tier to drama in all aspects of narrative. Throughout history, comedy has seen short shrift in both critical reception and academic investigation. Merit is simply placed on drama far before that of comedy. This is not for comedy’s own lack of skill or craft, but simply for comedy’s misappropriation as a narrative form. Throughout the years, by way of either competition or economic superiority, comedy has been pigeonholed into the typified dramatic structure that drama so thoroughly encapsulates. Being forced into a form that exemplifies complex, climactic structure and explicit character development, comedy in …


Attention Must Be Paid: A Critical Study Of The Non-Traditional Leading Man In Twentieth Century Drama, Trevin Cooper Jan 2013

Attention Must Be Paid: A Critical Study Of The Non-Traditional Leading Man In Twentieth Century Drama, Trevin Cooper

Electronic Theses and Dissertations

The role of the non-traditional leading man has painted a strong image which mirrors the cultural development of our identities; we turn to these men/characters to understand who, or why, we are. Their contributions require acknowledgement. This thesis is a study of the vital role the non-traditional leading man has played in the evolution of twentieth-century theatre. It will examine, through the use of ten plays, one from every decade of the twentieth century, and twelve male roles, the theory that some of the greatest leading male characters in modern theatre are not epitomized by the qualities identified with the …


X: The Rise And Fall Of An Asylum Star (A Journey Of Two Actresses), Erika Wilhite Jan 2009

X: The Rise And Fall Of An Asylum Star (A Journey Of Two Actresses), Erika Wilhite

Electronic Theses and Dissertations

The performance of X: The Rise and Fall of an Asylum Star, in conjunction with my thesis document, investigates the dichotomy of fantasy and reality for a performer. I compare the creative and emotional journey of Augustine, a young woman hospitalized for hysteria, to my own journey as an actress. Augustine was also performer, for her doctors led her in public demonstrations of the symptoms of hysteria. Her "talent" for hysteria earned her notoriety and celebrity. She was coached and directed from her doctors to enhance her demonstrations. As a result, the validity and authenticity of her state was questionable. …


Investigating The 'Audience' In Theatre For Young Audiences: The Call For Artistic Educators, Amanda Morris Jan 2008

Investigating The 'Audience' In Theatre For Young Audiences: The Call For Artistic Educators, Amanda Morris

Electronic Theses and Dissertations

Theatre history provides little information on theatre audiences and how the concept of an audience has changed over time. Through the investigation of theatre history texts, theatre theorists' manifestos, and interviews with workers in the field of theatre for young audiences, this thesis outlines the theatre audience from the first performance to the present and examines how the history of the concept of "child" and young audiences has developed in recent years. Opposing views exist on the subject of how a child is perceived as well as the purpose and role of a theatre audience. In this thesis, I investigate …


Emulating The Swedes: An Exploration Of The Developing Trends In Swedish Theatre For Young Audiences, Amanda Wolgast Jan 2008

Emulating The Swedes: An Exploration Of The Developing Trends In Swedish Theatre For Young Audiences, Amanda Wolgast

Electronic Theses and Dissertations

As a practitioner in the field of Theatre for Young Audiences (TYA), I have always been drawn to looking at literature and productions that challenge my preconceptions of what constitutes good theatre for youth. I enjoy the bold and innovative, versus the cute and playful. My training and education in this developing branch of theatre has undoubtedly exposed me to the many accomplishments of the American TYA system, but quite often - through attending conferences, as well as participating in class discussions - I find that many debates/conversations center around what more we need to do in this field or …


A Performance Study And Analysis Of The Role Of Soot In The Marriage Of Bette And Boo, Jodi Coleman Jan 2008

A Performance Study And Analysis Of The Role Of Soot In The Marriage Of Bette And Boo, Jodi Coleman

Electronic Theses and Dissertations

In 1985, Christopher Durang created a master work titled The Marriage of Bette and Boo which was described by The New Yorker as a "brimming cornucopia of brilliant lines." Frank Rich of the New York Times called it "so speedy and chipper that it could almost be mistaken for a Bob Fosse musical." Douglas Watt of the New York Daily News referred to it as a "farcical study of a disastrous marriage, marked by still births, insanity in the family and divorce." These critical responses indicate the necessity to maintain the complexity of the character of Soot without allowing her …


A Scenic Design For Richard O'Brien's The Rocky Horror Show, Gary Alexander Jan 2008

A Scenic Design For Richard O'Brien's The Rocky Horror Show, Gary Alexander

Electronic Theses and Dissertations

This thesis documents my process as Scenic Designer for Richard O'Brien's musical, The Rocky Horror Show, presented by the University of Central Florida Conservatory Theatre. This production premiered on the University of Central Florida's Mainstage Theatre 29 March 2007 and ran for fifteen performances, closing on 15 April 2007. This thesis includes my research and analysis of the published script and a production journal which documents my process for our specific production. In this document, I illustrate how my communication and meetings with the director and members of the design team moved from initial conversations into the research, development, and …


A Performance Study And Analysis Of The Role Of Mrs. Medlock In The Secret Garden, Samantha Stern Jan 2008

A Performance Study And Analysis Of The Role Of Mrs. Medlock In The Secret Garden, Samantha Stern

Electronic Theses and Dissertations

This thesis will examine the character of Mrs. Medlock in the Orlando Shakespeare Theatre's "Theatre for Young Audiences" stage production of The Secret Garden. While recording my preparation and performance of the role, I will be drawing on and integrating many of the skills I have been acquiring in my Master's Degree program at UCF, including not only acting, movement, and voice, but also theatre research. My goals are twofold: first, to document the method of creating a rich, multi-layered, remarkable character, and second, to try to solidify what I have learned about this process and thus prepare for future …


Defining A Character Through Voice Quality: An Analysis Of The Character "George" In Sondheim And Lapine's Sunday In The Park With George Using The Estill Voice Model, Michael Swickard Jan 2007

Defining A Character Through Voice Quality: An Analysis Of The Character "George" In Sondheim And Lapine's Sunday In The Park With George Using The Estill Voice Model, Michael Swickard

Electronic Theses and Dissertations

This thesis explores the use of the Estill Voice Model, in particular six voice qualities (Speech, Twang, Falsetto, Cry/Sob, Belt and Opera) and their permutations, to define character, character traits and emotions. Traits and emotions that specific voice qualities can influence are, but are not limited to, location, age, background, socioeconomic status, genre, intelligence, nationality, class, culture, gender, promiscuity, disposition, pain and revelations. In particular, this thesis explores the use of voice qualities to show specific human qualities of the character "George" from Sondheim and Lapine's "Sunday in the Park with George" and the people he imitates in his painting …


The Belle Of Amherst: Developing A Solo Performance, Janet Sue Raskin Jan 2007

The Belle Of Amherst: Developing A Solo Performance, Janet Sue Raskin

Electronic Theses and Dissertations

This thesis will document the process of rehearsing and performing a one-woman show based on the life of the poet Emily Dickinson. The script is a cutting of the full-length play, The Belle of Amherst, written in 1976 by William Luce. This self-directed project will document the process that all actors use when developing a role. The first part of developing a role includes historical research, character analysis, and script analysis. The second phase is the rehearsal process. This includes developing the physical and vocal qualities of the character and staging the action of the play. Because this performance is …


Not Quite The Ingenue: The Development Of The Middle-Aged Female Character In Musical Theatre, Tara Snyder Jan 2007

Not Quite The Ingenue: The Development Of The Middle-Aged Female Character In Musical Theatre, Tara Snyder

Electronic Theses and Dissertations

Not Quite the Ingenue: The Development of the Middle-Aged Female Character in Musical Theatre is an exploration of the influences which have defined the function of middle-aged female characters within the musical theatre genre. This author was cast in the role of Arlene MacNalley, a forty-three year old woman, in the University of Central Florida's fall 2006 production of the musical Baby. Preparation for performance of this thesis role required identification of the traits and factors which would be vital for a realistic and relevant portrayal of Arlene. This document provides the reader with a working definition of middle age. …


Revitalizing "The Rocky Horror Show" Through Gospel Music, Kip Taisey Jan 2007

Revitalizing "The Rocky Horror Show" Through Gospel Music, Kip Taisey

Electronic Theses and Dissertations

In Spring 2007, the University of Central Florida (UCF) Department of Theatre mounted a production of "The Rocky Horror Show." This thesis focuses on the author's process of using the gospel music style to revitalize "The Rocky Horror Show," a cult musical. The author uses defining characteristics of the cult film genre to establish a set of guidelines. "The Rocky Horror Picture Show" is the movie version of the stage musical and is responsible for the show's inevitable cult status. He discusses the history and journey of "The Rocky Horror Show" and how audience participation was integral in establishing this …


A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin Jan 2006

A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin

Electronic Theses and Dissertations

I have been cast as "Bobby" in A Chorus Line at Orlando Broadway Dinner Theatre in Orlando. I will use this opportunity as my thesis role. As part of my thesis defense, I will combine an analysis of the character of "Bobby" in A Chorus Line with an assessment of Actors' Equity Association's audition policies from 1970 to the present, and investigate whether the audition held in the show abides by the policies established by AEA for Broadway calls. "Bobby" has an interesting arc of development as he actually gives the director what he (the director) does not want, yet …


The Resurrection Of Everyman, David Knoell Jan 2006

The Resurrection Of Everyman, David Knoell

Electronic Theses and Dissertations

In March of 2005 I was a cast member in Mad Cow Theatre's production of the Morality drama Everyman. This classic tale on the condition of human dying is regarding as one of the greatest dramas of the Medieval period and is one of the first plays in the English language to be put into print. This thesis is an actor's journey into the history of Medieval theatre, the challenges of producing Everyman for a contemporary audience, and the techniques of acting implemented in the creation of allegorical characters. Medieval drama, like Everyman, is still relevant in today's world because …


The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi, Matthew Hamner Jan 2006

The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi, Matthew Hamner

Electronic Theses and Dissertations

Constantin Stanislavski developed a method for actors in bringing to life characters for the stage. Even though Stanislavski developed his theories in response to the stage climate of the late nineteenth and early twentieth centuries, many of his ideas remain relevant today. In this study, parts of his system were applied to the roles performed in Moises Kaufman's The Laramie Project. Those roles were Moises Kaufman, Jonas Slonaker, Doug Laws, Anonymous, Detective Rob Debree, Governor Jim Geringer, Reverend Fred Phelps and Dennis Shepard. The purpose of this exploration was to create unique, believable characters and develop solutions for personal acting …


A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison Jan 2006

A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison

Electronic Theses and Dissertations

I propose to study the role of Professor Muller in The Visit as my thesis role because of the challenge that it presents, not only as a translated work, but also because of the character shift for me - Professor Muller is a 72 year old man and has now been changed to a woman in her thirties. Professor Muller is the only person to stand up to the antagonist, Claire. The confrontation between Claire and Muller takes on a certain tone when it is between a woman and a man, and has a completely different outlook when it becomes …


The Merry Wives Of Windsor: A University Actress's Approach To The Role Of Mistress Ford, Brook Akya Hanemann Jan 2004

The Merry Wives Of Windsor: A University Actress's Approach To The Role Of Mistress Ford, Brook Akya Hanemann

Electronic Theses and Dissertations

Art is too ethereal a thing to judge by tangible measure. There is no scale to weigh a performance on, no level to gauge a character’s balance, no plumb line to measure its depth. No critic can appoint an allotment of stars to represent the worth of a production, and the audience, though a vital participant within the performance experience, cannot act as Jury and deliberate together to reach an absolute verdict of approval or disapproval. How then can an actor go about working towards giving a successful performance? The Merry Wives of Windsor was written at a time when …