Digital Commons Network^™

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Finding A Way Out Of The Filter Bubble: The Confusion Of A Heavy Social Media User, Longwen Miao

Masters Theses

This thesis studies how algorithmic recommendation systems reshape visual perception, aesthetic judgment, and the construction of selfhood within contemporary digital culture.

Everything begins with the experience of repeatedly encountering algorithmically recommended content on everyday digital platforms. On these platforms, images, sounds, and social interactions are continuously selected, repeated, and reorganized by predictive systems, forming an environment in which perception is constantly structured and adjusted.

From this observation, the research raises two central questions: how do algorithmic recommendation systems reshape visual perception, aesthetic judgment, and self-recognition, and how might these systems be intervened in or made perceptible through artistic practice? Within …

Re-Assembly, Tonia Zhang

Masters Theses

Graphic design is bound by invisible defaults — software suites, standardized formats, and interfaces optimized for speed, profit, and frictionless output. Re-Assembly treats these standardized technologies not as neutral scaffolding, but as the primary material for critical inquiry. By dissecting this “default” infrastructure, the work exposes the logic of extraction and control baked into our templates and grids. Through a practice of subverting and rebuilding these everyday systems, design is pushed to operate under decentralized and open terms. This repositioning rejects the role of the designer as a surface technician, instead defining them as an active agent and an architect …

Finding The Estuary, Rhea Hu

Masters Theses

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Menstrual Muses: Art, Storytelling, And The Care-Based Communication Of Menstrual Justice, Burcu Koleli

Masters Theses

Menstrual Muses is an artistic research project comprising a written thesis and a body of work developed across soft sculpture, ceramics, illustration, graphic memoir, digital media, and participatory workshops. The written component operates alongside the studio practice, outlining the project’s theoretical framework, methodology, and context while engaging questions of communication, accessibility, embodiment, and stigma. It situates menstruation within feminist discourse, examining how it has been culturally silenced, regulated, and shaped through systems of power.

The artistic work functions as research materialized through practice, responding to the central question of how my art can facilitate conversations around menstrual justice. It explores …

Where Each Step Lands: Reconnecting And Reparenting Through Visual Narrative, Skye Wang

Masters Theses

This research begins with lived experiences of dissociation and a persistent sense of disconnection between body and consciousness. It explores the potential of visual narrative as an embodied practice. Through daily walking and sketching, bodily sensations are translated into visual language through a synesthetic process, forming the foundation for a picture book as the central outcome of this project.

The picture book adopts the perspective of a jumping spider positioned beneath a five-year-old girl’s shoe, creating a shifting, downward-facing viewpoint. The spider functions as a viewing position, while the girl represents the inner child. The narrative is constructed around the …

Open Forms, Barbara Cutlak

Masters Theses

Open Forms

Architecture always exists in relation to the context in which it stands. There is no way, however, to anticipate how the constructed space will be inhabited, or transformed by the surroundings — and so, it remains open to discovery and change. Graphic design form can operate in a similar way: opening itself to a context by offering multiple ways of seeing, interacting and being performed.

Drawing from the contexts that have informed my practice — my training in architecture and the artistic movements of Brazil, my home country — Open Forms experiments with how to translate these spatial …

Till Tender, Karli R. Ehl

Masters Theses

Vulnerable, young, sensitive to pain, immature, not tough. These are some of the words and phrases that come up when you do a quick search of the definition of tender. I have felt every single one of these emotions over the past two years in depths I have not before. I have worked tirelessly, back and forth and in between, to try and figure out what it means to become oneself, while slowly untethering myself from the devotion to my Southern family. Trying to find the visual language for this process has transformed me into a tender being with no …

The Sixth Interface: The Integration Of Drone Infrastructure With Low-Altitude Landscape, Shicheng Tang

Masters Theses

This project focuses on the design of outdoor vertical space in Hong Kong in response to the development of China’s Low-Altitude Economy. It explores the integration of these spaces with drones. Through site design and planning, the project uses existing rooftops, parks, and public plazas to create multi-functional drone infrastructure. These spaces enable low-altitude logistics while providing additional social benefits such as public recreation facilities. These landscape enhancements create a harmonious synergy between technology and ecology.

Central to this work is the concept of “The Sixth Interface”, a new spatial layer between the ground and the sky where drone-driven flows …

Gesture And Trace, Luisa M. Heindl

Masters Theses

I approach type as both gesture and trace: something made and something read, impulse and afterimage, formed through action, reception, and reuse.

My work focuses on the smallest components of written narratives: the shapes that form and encase letters, and the typography that enhances the emotional and cultural resonance of text. I explore how type and language encode meaning through various lenses, whether through the ideological ‘freight’ of reviving or using historical styles, the emotional charge of certain forms, the possibilities of variable font technology, or the curated (and sometimes instrumentalized) narratives embedded in nostalgic-feeling visual trends.

Typographic expression embodies …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

No One Thing, Kate Brown

Masters Theses

Graphic design has mobility. It is oriented toward action, travel, and distribution.

My projects put me in touch with people and ideas, language, and visual form. They’re broad, conversational, and curatorial in spirit. They allow me to cut a path through the discipline of graphic design, and to branch opportunistically out to others, when I can—to art, architecture, fashion, writing. I expand my field of operations. Make it as big as you are. Make it 1:1. Take the part and run with it. Fold it up, send it away.

Settling Dust, Unsettling Ground, Olivia Newroz

Masters Theses

Understanding dust as a material system that blurs the line between ground and atmosphere, I developed a dust machine as a tool for making dust legible at the human scale. While the blurriness of ground is visualized at both particle and planetary scales, at the human scale, it becomes less evident. Drawing from Lisa’s Moffitt’s discussion of “environmental models”–that is, models that don’t merely simulate phenomena, in this case dust, but rather produce the underlying force itself––I produced visualizations of how dust, as both a grounded and atmospheric element, intertwines ground and weather across scales, through a cyclical process of …

Growing Together: Cultivating The Social-Emotional Effects Of Art Education Through Trauma-Informed Pedagogy, Kaitlyn Lawrence

Masters Theses

In many societies, the process of art is recognized as a healing and transformative practice. In recent years, it has been emerging in tandem with social emotional practices and procedures in American education. However, it is also a fact that social emotional learning (SEL) does not account for all students due to its inability to account for the needs of all students in the classroom. SEL alone aims to teach healthy development and emotional management skills, but fails to account for students with varying experiences. While there are those who can and do integrate the skills from the Social Emotional …

Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith

Masters Theses

What does it mean to feel represented in a space?

What does a trans space look like?

How can we queer our interior spaces?

Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.

Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …

This Is For You: A Handbook For Design Students, Gabriel Drozdov

Masters Theses

This Is For You is a handbook for design students. It is a collection of stories, projects, and conversations on the subjects of design, code, and teaching. The book’s first part, “Learning,” contains stories about the experiences that shaped me as a designer. The second part, “Making,” summarizes the projects that taught me how to design. The third and final part, “Sharing,” is a series of conversations with the people that helped me along the way. In collecting and publishing these resources, This Is For You is an attempt to create an open-source example of what a career in design …

Here—There, Glikeriya Shotanova

Masters Theses

Here—there explores the nature and ways of gathering, proposing an alternative path to organizing a cultural center. Divided into three acts (Act One: There, Act Two: Here, and Act Three: Together), it touches on the topics of collective knowledge and the importance of its accessibility to the local communities. How do we organize communities in a way that operates as a body, and how do we use industrial spaces as a bridge between knowledge and those who carry the knowledge? Due to alienation in societies, the decentralization of creative communities, and the inaccessibility of real estate to younger generations, there …

Industrial Tenderness, Elbert Girón

Masters Theses

Industrial Tenderness surveys the relationship between visual language, cultural expression, and diasporic practices through the design of functional sculptures. These designed objects seek to communicate cultural legibility, or intuitive cultural belonging, to Mexican-American peoples by challenging legacy notions of design language. Through a proposed design language framework and designed objects, Industrial Tenderness seeks to affirm a pluriversal practice of industrial design.

Legacy industrial design confines design language to a heavily prescriptive canon, resulting in a stark monocultural language that is unrepresentative of perspectives outside of a legacy dominant white eurocentricity founded in thinking from the Bauhaus and Ulm schools. Through …

Variations On Noise, Clinton Van Arnam

Masters Theses

Variations on Noise is a three-part collection: an index, a set of interviews, and a perspective on a working practice in graphic design and sound.

If noise is ubiquitous in our everyday lives, how do we define it and use it as a catalyst for dissonance and change? As a designer, I use noise algorithms to generate pseudo randomness and break up repetitive textures. As a musician, I use noise to create scores and performances that challenge our perception of what is comfortable and uncomfortable.

Seven interviews with designers, artists, musicians, and a Tibetan monk offer ways to approach the …

Stand By, I'M Getting Ready., Mina Kim

Masters Theses

This thesis introduces a tangible user experience featuring wearable and portable items designed to allow anonymity while fostering social interaction. Covering one layer on one’s eyes and allowing for gradual removal, these items humorously transcend social norms, functioning as conduits for expressing inner emotions through an external action of signaling.

Inspired by the absence of physical-world boundaries akin to digital ‘Do Not Disturb’ modes, the research delves into crafting user experiences that safeguard personal boundaries in face-to-face interactions. It targets the apprehension felt in unfamiliar group settings and the impact of external stimuli on personal comfort. The research endeavors to …

Reshaping Aesthetics And Aesthetic Sensibility In A Hybrid Environment, Aleksandra Łukaszewicz, Jakub Petri

Contemporary Aesthetics (Journal Archive)

The contemporary environment in developed countries is highly urbanized and technologized. It is not only physical but also virtual, created with the use of cyber-techniques and the internet. The two layers of the environment are: the physical places, persons, objects, etc., and the virtual – electronically-emerged places, persons, and objects, etc. Therefore, it is correct to overcome the enforced conceptual dualism between what is virtual and what is physical, as proposed by Michal Ostrowicki (aka Sidey Myoo) in calling for the recognition of the hybrid status of reality, by pointing to symbiosis within the context of lived experience. This raises …

V.1 Fall 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2022 issue centers on the theme "what do you see?" and contains articles on a lecture by Camille Norment, the curator for the student exhibition "No Longer Transparent," the new RISD identity, elevators at RISD, various objects, crabs, the Prov-Wash bathrooms, the history of the drinking straw, drawing, Charles Mingus, and the 2022 grad show, along with other student creative writing.

Dear City, Give Me Some Space; Creating Space For Ephemeral Forces In A City, Abinaya Sivaprakasam Thamilarasan

Masters Theses

Architecture of the past was regarded as a concrete entity, both in its materiality and approach, unresponsive to change within a city. Climatic and societal shifts greatly impact cities ill-prepared to adjust. How can the intractable architecture of the past become flexible? Does the current environmental devastation we’re witnessing demand architecture that can embrace, rather than neglect, such shifts?

Situated in Chennai, a densifying coastal metropolis in India, the adaptation focuses on two key shifts. Firstly, the climatic shifts: the alternating patterns of severe flooding, and periods of droughts. Second, the transient youth population within the city. They both share …

Alien Encyclopedia, Zengqi Guo

Masters Theses

Alien Encyclopedia is a body of work that analyzes, expands, redefines, and leverages the definition of “alien” as both problematic and an avenue of possibility. By mapping the word “alien” as a fragmented play of alternatives, I translate the lessons derived from this exploration into a maker’s lexicon. I use “alien” to frame my identity, as a prompt to ground my projects, a factor to interrupt existing typography and to spark questions, a generative tool to explore the interpolation between the familiar and unfamiliar, and to incite new solutions and actions to solve the problems we are facing now. Alien …

Disoriented: Navigating The Nuances Of Communication, Ann Dinh

Masters Theses

What happens when you lose your language?

With this loss comes emotional and cultural implications, moments of incompleteness, along with a power struggle. Within immigrant communities especially, there are issues of communication and comprehension between generations. U.S.-born children of immigrants must deal with both a generational and cultural gap, gaps exacerbated by both distance and time. All of this is compounded by the challenges of assimilating to Western culture. In confronting the loss of language, this thesis aims to develop new informal methods of communication, ones less reliant on established language structures, ones that can help interact with future generations.

Sub Sequence : Building A Participatory Infrastructure, Aaron Wright

Masters Theses

What might it look like to make the nebulous quality of air pollution visible?

There is a lack of infrastructure that has been constructed in response to the contaminants produced from the Port of Providence in Rhode Island. Air quality surrounding the Port is impacted by air pollution from legacy industrial sites – diesel trucks, marine vessels, oil and gas storage and distribution, asphalt and cement processing, metals recycling, natural gas and utility services, and large heating plants.

The thesis sets out to investigate, question, and iterate upon the possibilities of collective environmental action and accessible information through an individual’s …

Soul Soiree: How “Sunday Best” Dressing Encourages Celebration Of Self, Olufisayo Quadri

Masters Theses

Celebration is an important part of living a fulfilled life. From significant milestone events like weddings and birthdays to smaller moments of serendipity, the act of celebration is an affirmation of one’s place in the world. Across cultures, communities have used festive textiles to show an appreciation for their values and histories.

Openness, Qiwen Ju

Masters Theses

We perceive the world as flat when we close one eye. When both eyes are open, the world takes on a three-dimensional quality.

Our childhood, education, family, and environment form and bind our cognitive perspective. As the ancient Chinese proverb goes: “You can’t see Mount Tai by blinding your eyes with one leaf.” Truth is exceedingly difficult to discern. Like the obscuring leaf, there are blind spots in our vision. Prejudice is often the narrow leaf that obstructs perception, preventing us from seeing with greater dimension.

For actual comprehension, we can only see through the eyes, hearts, and minds of …

Connect: Translating Complexity Through Visual Simplification, Ilhee Park

Masters Theses

CONNECT: Translating Complexity through Visual Simplification brings complex data into concise visual systems that encourage ease of access. With a background in Human Factors Engineering, user engagement remains a central focus in my design. Whether reducing barriers to scientific information or untangling deeply complex data, design must contain intuitive concepts without the need for extended explanation. Using bold color and geometric shapes as the core design language to render pictorial narratives, this thesis maps my development as an information designer through modes of gathering, deciphering, and interpreting.

Beacon Public Library: Expanding Radical Civic Care For An Uncertain Future, Katrina Machado

Masters Theses

Stressors like climate change will put strain on our communities, making them more vulnerable. I am asserting and expanding the role of the public library as a civic space for radical care and community resilience. This work explores the ways in which the public library, as an existing institution, could adapt to the needs of its changing environment and community. Interventions are visualized by a librarian’s jumpsuit and library apron, an adapted library book cart, public signage, and a re-imagined library card.

I imagine a public library that pushes the bounds of its physical building and actively and compassionately serves …