Digital Commons Network^™

Transcribing Shakuhachi Honkyoku For Bassoon: Notation, Orality, And Perfomance Practice, Adrian Fonseca Tellez

LSU Doctoral Dissertations

This project consists of transcriptions of two pieces from the shakuhachi honkyoku (“original pieces”) repertoire, Kumoi Jishi (Cloud Lion) and Sanya Sugagaki (Three Valleys), with the aim of extending the bassoon’s repertoire outside of the Western canon while exploring the capabilities of the bassoon to emulate the performance practices of the shakuhachi, which include both extended techniques found in current bassoon literature as well as techniques unique to shakuhachi performance. Included in the written document is a brief overview of the shakuhachi and its applications in traditional Japanese music, a description of honkyoku and its characteristics, and the Japanese concept …

Expanding Access To Latin American Art Song: A Study Of Theodoro Valcárcel's Andean-Influenced Art Songs, Douglas E. Perez

LSU Doctoral Dissertations

EXPANDING ACCESS TO LATIN AMERICAN ART SONG: A STUDY OF THEODORO VALCÁRCEL’S ANDEAN-INFLUENCED ART SONGS advocates for the exploration and performance of underrepresented Latin American composers. Multiple methods of increasing access are discussed, including the creation of a central source for IPA, literal, and poetic translations of Latin American art songs; the study of seldom-performed composers, their output, and influences; and the application of these elements through informed performance. This document centers on the Peruvian composer Theodoro Valcárcel and analyzes the intersection of his indigenous heritage with his Latin American and European musical training as reflected in his compositional style …

“En Clave” Tania León And Roberto Sierra: Autochthonous Music Of Cuba And Puerto Rico, Contemporary Music Composition And The ‘Puente’ In Between, Omar A. Ramirez

LSU Doctoral Dissertations

This document is in two parts. The first examines selected works of Latin-American composers Tania León and Roberto Sierra. Both composers cite their cultural background as a force that shapes their artistic expression. Many of their works are titled in Spanish, with compositions referencing their homelands in subject and narrative, and incorporate the autochthonous music(s) of Cuba and Puerto Rico. Elements of these afrodiasporic musical traditions can be found in their works: Alegre, Batá, Stride, (León), Loiza, and Concerto for Viola (Sierra), each examined here.

Autochthonous musical elements are highlighted in score excerpts and described using …

"En Clave" Tania León And Roberto Sierra: Autochthonous Music Of Cuba And Puerto Rico, Contemporary Music Composition And The 'Puente' In Between, Omar A. Ramirez

LSU Doctoral Dissertations

This document is in two parts. The first examines selected works of Latin-American composers Tania León and Roberto Sierra. Both composers cite their cultural background as a force that shapes their artistic expression. Many of their works are titled in Spanish, with compositions referencing their homelands in subject and narrative, and incorporate the autochthonous music(s) of Cuba and Puerto Rico. Elements of these afrodiasporic musical traditions can be found in their works: Alegre, Batá, Stride, (Leon), Loiza, and Concerto for Viola (Sierra), each examined here.

Autochthonous musical elements are highlighted in score excerpts and described using …

“San Antonio, ¡De Cabeza!”: An Opera By Marcelo Beltrán Using A Fusion Of Ecuadorian Musical Traditions And Various Musical Genres, Lucía Berenice Carrera Troya

LSU Doctoral Dissertations

This study explores the opera San Antonio, ¡de cabeza! (Saint Anthony, upside down!), examining its cultural and musical significance in Ecuadorian folklore and its integration of traditional Ecuadorian genres to create a nationalist opera that is also grounded in operatic traditions. The figure of Saint Anthony of Padua is explored, tracing the origins of his legend and its influence on Ecuadorian folklore, with a focus on how these elements are represented in the opera. The life and career of the composer are discussed, emphasizing academic background, and the development of San Antonio, ¡de cabeza! within the context of his broader …

Quiet No More: An Analysis Of Women's Protest Music, Jillian Vogel

LSU Doctoral Dissertations

This dissertation explores the multifaceted role of music in women’s protests, emphasizing how it serves as a unifying and rallying tool in the fight against inequality. By delving into the interdisciplinary realms of music theory, sound studies, and women’s and gender studies, this work highlights how women’s protest composers utilize musical texts and content to turn their music into a tool to inspire change. This dissertation investigates the musical structures and harmonic innovations in suffrage movement music, examining how suffragettes with varying musical knowledge engaged with music to further their cause. The suffragette music analyses combine text analysis, harmonic analysis, …

Preserving The Historic And Cultural Music Of Louisiana Through School Music: An Ethnographic Case Study, Christopher S. Song

LSU Doctoral Dissertations

The purpose of this ethnographic case study was to examine the lives of teachers, students, community members, and culture bearers within a musical community located in South Central Louisiana. The geographic area of focus in this research was Vermilion Parish and its surrounding area, known as Acadiana, the heart of Creole and Cajun culture where Traditional Louisiana Music finds its origins. Participants’ intrinsic cultural understandings of Louisiana’s music and impact on school music programs was examined through ethnographic interview and observation. A resource pedagogy known as funds of knowledge was used as a theoretical framework meant to maintain participants’ intrinsic …

Introducing Chinese Folk Songs Through Arrangements For Trombone & Piano And Chamber Music, Tianyu Xue

LSU Doctoral Dissertations

The scarcity of trombone in traditional Chinese music reflects the limited exposure and education for the trombone in China. Additionally, Chinese folk songs have minimal presence on the global stage. This project will bridge this gap by developing a series of trombone pieces that incorporate Chinese musical elements, explicitly focusing on elevating Chinese folk songs through trombone performance. This initiative offers an opportunity for trombonists worldwide to delve into the richness of Chinese folk music. The core of this work involves selecting Chinese folk songs that represent diverse historical contexts, regional characteristics, and emotional content and then arranging them for …

Yiannis Constantinidis "Petite Suite" For Violin And Piano Transcribed For Cello Quarte: Synthesizing Foreign Inspirations And Greek Folk Melodies To Shape A Distinct National And Individual Genre., Eirini Triantafyllia Barouta

LSU Doctoral Dissertations

This paper accompanies my transcription for Cello Quartet of Yiannis Constantinidis' "Petite Dodekanese Suite" originally composed for violin and piano. Constantinidis, skillfully weaves Greek folk-inspired elements with classical forms and techniques in his "Petite Suite for Violin and Piano." The chamber piece serves as a testament to Constantinidis' mastery, as it intricately melds folk melodies, rhythms, and modes from the rich musical traditions of Greece with classical structures. This fusion imparts a distinctly Greek character to the composition, evoking a profound sense of nostalgia and connecting the listener to the cultural heritage and spirit of the Greek people. The paper …

In Search Of The Armorial Aesthetic: The Counter-Reform Of Ariano Suassuna And The Compositional Techniques In Clovis Pereira’S Suite Macambira, Wagner De Oliveira Duarte

LSU Doctoral Dissertations

Throughout the first half of the twentieth century, in the wake of the Week of Modern Art in São Paulo in 1922, Brazil grappled with defining its national identity, distinct from European influences. While eminent figures such as Villa-Lobos, Camargo Guarnieri, and Francisco Mignone provided foundational narratives in this quest, the Armorial movement emerged as a unique and emblematic response to these nationalistic aspirations.

Originating from the creative vision of Ariano Suassuna, the Armorial movement, though often perceived as a regional initiative, epitomized a broader endeavor to represent Brazil's diverse cultural tapestry. Central to understanding this movement is the work …

Dicotomía: Context, Aesthetic, And Performance Of The Symphonic Works Of Margarita Luna García, Gabriela Sofía Gómez Estévez

LSU Doctoral Dissertations

Dominican women had an active role in the musical life and discourse of the Dominican Republic in the twentieth century and made substantial contributions as composers, performers, pedagogues, and scholars. Margarita Luna García (1921-2016), Dominican composer and pedagogue, was one of the most notable figures of avant-garde music in the Dominican Republic in the twentieth century. Numerous modernist trends converge in her works including serialism, indeterminacy, and graphic notation. Influenced by Paul Hindemith, Béla Bartók, Krzysztof Penderecki, and Dominican composer Manuel Simó, her works synthesize vernacular musical material and modernist techniques. Luna García’s orchestral works make use of folk rhythms, …

'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin

LSU Doctoral Dissertations

This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …

Toybox: A New Approach For Auxiliary Percussion Instruments At The Beginning Level, Spencer Craig Jones

LSU Doctoral Dissertations

Currently, there exist little materials to introduce elementary students to auxiliary percussion instruments. There is a need for the creation of more instructional material for this age group that provides pedagogy descriptions for the instruments as well as playing examples. The purpose of this project is to create a method book that provides pedagogy examples for auxiliary percussion instruments while also providing playing examples to use.

A Performance Practice Guide For :Only.Just.Almost.Never For Solo Vibraphone By Jay Alan Yim, Dustin Ray Haigler

LSU Doctoral Dissertations

Abstract

Currently, there exists little scholarship on Dr. Jay Alan Yim’s percussion music, and none exists for :only.just.almost.never for solo vibraphone. Establishing a performance practice guide will allow future percussionists a glimpse into the compositional process of Yim and allow them to expand their repertoire to include this challenging music. The purpose of this project is to create a comprehensive performance practice guide for :only.just.almost.never for solo vibraphone by Jay Alan Yim.

Resources Required

This project relies mainly on the score of :only.just.almost.never for solo vibraphone. I have also conducted multiple interviews with Yim regarding his compositional process, sketches, and …

The Rougarou Concerto And Initial Observations Of The Flex Ensemble, Thomas Wilson

LSU Doctoral Dissertations

The purpose of this dissertation is to examine the immediate impact of the coronavirus pandemic through a composer’s lens. It will examine the impact through a variety of means, considerably: interviews of those with first-hand experiences, analyses of prominent adaptable works, and self-analysis of how my own process adapted to meet the moment.

After discovering the Composers Repertoire Initiative and being commissioned to write a concerto by Eduard Teregulov, I wrote a cello concert. The central chapter features the Rougarou Concerto, a cello concerto with accompanying flex ensemble, written for Eduard Teregulov. The work was written over ten months …

A Case Study Of Two Preservice Elementary Music Teachers As Culture-Bearers, Julius Kyakuwa

LSU Doctoral Dissertations

The integration of music from unfamiliar cultures in music classrooms is part of education curriculums around the world. International music education organizations also have goals for using a variety of musics in music education programs as one way of educating students to meet the 21st century global education targets. In the American education practice, the concept and principles of multiculturalism have been prominent in classroom subjects for over 50 years. In music education, multicultural approaches continue to be included in music standards and curriculum guides across the United States. Music educators, likewise, often use culture-bearers to expose their students to …

An Integration Of East And West: History, Analysis And Reception Of The Yellow River Piano Concerto, Lin Tao

LSU Doctoral Dissertations

The Yellow River Piano Concerto remains as one of a few representative and major instrumental compositions within the Chinese repertoire since it was composed in 1969. Thanks to the devoted work of Chinese pianists, the Yellow River Piano Concerto has disseminated around the world and has become a musical symbol of Chinese culture in recent years. This piano concerto serves as a tool for the cultural communication between China and the world. The Yellow River Piano Concerto has a unique ability to depict Chinese culture and history through the language of music. Its exotic pentatonic melodies and eastern orchestrations make …

Verifying Modeling And Audiovisual Stimuli As Strategies For Mastering Guedes Peixoto's Maracatú, Rodrigo Clementino Diniz

LSU Master's Theses

ABSTRACT

Literature has been saying that auditory Modeling can be a useful tool in order to develop or broaden musical interpretive ideas. In the same way, literature ventilates that audiovisual stimuli can be applied to musicians in order to raise emotions that some scholars consider as indispensable when it comes to deliver expressive musical communications. More specifically, research in the Music Performance field points out that Modeling and Audiovisual stimuli are useful strategies in the learning process of building up a musical interpretation, both, fostering expressive tools for aiming musical performance.

This research is intended to empirically verify the applicability …

Analyzing Hermeto Pascoal's Calendário Do Som, Adam Rosado

LSU Doctoral Dissertations

Hermeto Pascoal is one of the most prolific composers of the twentieth and twenty-first centuries, having composed thousands of pieces across his career. Despite his immense and eclectic catalogue, the current analytical literature on him is comparatively scant, particularly outside of the composer’s native Brazil. In order to represent the diversity of his music, this dissertation studies a collection of his works entitled the Calendário do Som. This collection was an exercise in daily composition and comprises 366 short pieces written from July 23, 1996 to July 23, 1997. Through the analysis of the pieces in this collection, this dissertation …

Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), Juan Rodríguez-Cepero

LSU Master's Theses

The Cuban Revolution was one of the most important events in 20th century Latin American history. The unlikely success of revolutionary heroes such as Fidel Castro and Ernesto “Che” Guevara inspired not only similar movements throughout the region, but an entire generation of artists and musicians. One such artist was Cuban singer-songwriter Carlos Puebla. A long-time critic of Batista and his corrupt administration, Puebla set to music the ideals that the Revolution sought to build a new Cuba upon. In a country which

most of the population was illiterate until 1961, the music of artists such as Puebla served as …

A Cycle Of Giving: Transforming Individuals, Transforming Community In A Louisiana Children's Choir, Jason Paul Bowers

LSU Doctoral Dissertations

Kids’ Choir, a community children’s choir in Baton Rouge, Louisiana, formed in 2014 as part of the Kids’ Orchestra organization. The organization, founded in 2011, is El Sistema-inspired—a model developed in 1975 by Venezuelan orchestra conductor, José Abreu. The model’s mission is “to effect social change through music for children with the fewest resources and the greatest need” (Mission Statement, 2017).

El Sistema's focus on social change through musical excellence may hold great promise in the United States where neighborhoods are becoming increasingly diverse. Moreover, the El Sistema philosophy responds directly to issues of segregation still present in the Baton …

The "Missing Audience": A Query Into The Future Of The Orchestra And The Potential Benefits Of Bringing Live Classical Music To The Community Through Informal Performances, Natalie Wei-Ting Chang

LSU Doctoral Dissertations

In this dissertation, I discuss the traditional organizational model adopted by symphony orchestras in the United States as non-profit arts organizations that are struggling to maintain solvency within the current philanthropic, political, and digital contexts. As part of the discussion, I conduct field research within the local area of the city of Baton Rouge, Louisiana, in providing demonstrations of live and informal classical performance in various businesses and institutions while collecting data via surveys from willing adult participants (ages 18 and above) of all demographics, specifically lower income areas. The survey analysis gives important insights into public perception of symphony …

Local Embeddedness Matters: A Study Of Hip-Hop Artists' Interaction With Their Local Community, Castel Vette Sweet

LSU Doctoral Dissertations

This dissertation study is an exploration of hip hop and rap artists’ embeddedness in local communities, and their interpretation of the connectedness between their work and their communities. I explore the influence of place and space in the identity development of artists, and how artist use those identities to guide their interactions with their local community. I also investigate the significance of artists’ interactions and relationship in the cultivation of social and cultural capital. In contrast to previous scholarship emphasising the negative influence rap and hip-hop artists have on their communities, I utilize in-depth interviews with artists to examine the …

Linking The Histories Of Slavery: North America And Its Borderlands, Sterling Evans

Civil War Book Review

Slavery in the North American Borderlands

The editors of Linking the Histories of Slavery state that the goal of their volume is that by introducing “unexpected scenes" and by “challeng[ing] assumptions about how slavery worked across North America," they want readers to “expand th....

A Performance Guide To Etüden Für Flöte(N) Solo By Isang Yun, Brian Dunbar

LSU Doctoral Dissertations

Born in Korea, Isang Yun (1917-1995) became one of the most prominent avant-garde composers in the world. Yun made use of a distinctive musical language that synthesized Far East Asian philosophy, especially Chinese Taoism, with Western techniques and Korean traditional instrumental idioms. Isang Yun left more that 100 works, including twelve works that feature the flute. This essay will discuss Yun’s five Etüden für Flöte(n) solo (Etudes for solo flute(s)), which are highly representative of Yun’s solo music for flute. The document will include a discussion and performance guide for each of the five etudes. This document will present an …

Alexander Moyzes And His Piano Sonata In The Context Of Slovak Music Between The Wars, Ivan Koska

LSU Doctoral Dissertations

The purpose of this monograph is to introduce to the English-speaking public the Slovak twentieth-century composer Alexander Moyzes and his Piano Sonata in E Minor, Op. 2 (1942), virtually unknown outside Slovakia. The style of the Sonata represents a retreat from earlier, more experimental positions of its author; this shift can be explained by a closer look at historical and aesthetic circumstances surrounding its composition. The first chapter provides an essential biography of the composer with an emphasis on his life and works between 1925 and 1940. The second chapter compares single movements of the Sonata with earlier manuscripts and …

Musicking New Orleans Street Musicians: A Methodology For Writing About Music, Savannah Cadi Rose Ganster

LSU Doctoral Dissertations

This project argues for the use of performative writing as a methodology for writing about musical performances. An analysis of recent scholarship on music and musical performances written by performance studies scholars supports the use of performative writing in texts that address musical performances. In order to further this methodological claim, this study uses performative writing to document both historical and present day accounts of musical performances of street musicians in New Orleans. Utilizing Foucault’s theories on and Roach’s model of genealogy, Bruner’s notion of reflexive ethnography, and Small’s concept of musicking, I theorize, on a meta-methodological level, that performative …

Musical Explorations In Creation And Performance: A School's Alternative Approach To Music Education, Laterence Edward Varnado

LSU Master's Theses

Students have various opportunities to participate in school music. The large ensemble model that follows the Western Classical music tradition is the most commonly used model for music education in secondary schools; however, many students in secondary schools do not participate in school music. Recently, alternative approaches (i.e. popular music, world music, guitar, etc.) have been proposed as valuable music experiences that may increase student participation in school music. The aim of this study was to examine the philosophical foundations and pedagogical practices used at a secondary school that has implemented alternative approaches. I also explored student experiences with these …

An Analysis Of "Printemps D'Amour" (Op.40) And "L'Union" (Op,48): Two Programmatic Piano Solos By Louis Moreau Gottschalk, Sam Vaden

LSU Master's Theses

Close analyses of two works by Gottschalk demonstrate, not just his consummate skill in evoking and sustaining extra-musical imagery, but also his firm control of harmony, motivic development, and form. In Printemps d'amour (1855), a mazurka inspired by Gottschalk's love for Ada McElhenney, a romance develops between two distinct theme-actors, both of whom grow ever more entwined. Comparison with Chopin's mazurka op. 50, no. 2, points out general similarities and profound differences. Analysis of L'Union (1862) follows, presenting a pasticcio rife with narrative and irony. The former manifests as a battaglia; the latter, as denial of listeners' expectations. Comparison with …

"Music Down In My Soul:" Achieving A Sound Ideal For Moses Hogan Spirituals, Loneka Wilkinson Battiste

LSU Doctoral Dissertations

ABSTRACT In 1995, Moses Hogan ushered in a resurgence of interest in the arranged spiritual at the national conference of the American Choral Directors Association in Washington, D. C. The impact of his arrangements was so profound that today he is widely recognized as being responsible for the mid-1990’s revitalization of interest in the arranged spiritual. In a day when various opinions abound on how Moses Hogan’s spirituals should be performed, the purpose of this study was to describe and define the sound ideal for Moses Hogan spirituals. Qualitative methods were used for the collection and analysis of data relevant …