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User-Centered Dread: A Lovecraftian Critique Of Design, Lewis Urquhart, Emma Lawrie
User-Centered Dread: A Lovecraftian Critique Of Design, Lewis Urquhart, Emma Lawrie
DRS Biennial Conference Series
This paper offers a speculative critique of contemporary design practice through the lens of Lovecraftian horror by critically interrogating assumptions embedded in user-centered design theory. Drawing on the oeuvre of 'weird fiction' author H.P. Lovecraft’s cosmically pessimistic mythologies, this paper explores three thematic dimensions - control, user unknowability, alien materiality - to reveal the limitations of human-centred design paradigms. Utlising examples from literature, film, and everyday experience, this critique demonstrates how design’s aspirational narratives, centered on mastery, empathy, and progress, are increasingly inadequate in addressing the complexities of a more-than-human world. The concept of 'user-centered dread' emerges as a central …
Uncertainty In The Studio: Ai As A Material In The Design Of Tangible Products, Sam Theelen, Giulia Talamini, Roy Op Het Veld, Demi Sparidans, Jesse Joshua Benjamin, Stephan Wensveen
Uncertainty In The Studio: Ai As A Material In The Design Of Tangible Products, Sam Theelen, Giulia Talamini, Roy Op Het Veld, Demi Sparidans, Jesse Joshua Benjamin, Stephan Wensveen
DRS Biennial Conference Series
AI uncertainty has been proposed as a design material that provides practitioners with a foothold to engage with technical attributes of these technologies beyond any given output. However, it is unclear what role AI uncertainty can play in tangible product design processes. In this paper, we investigate this through two design research projects following a studio methodology; combining first-person reflective making with autoethnographic elements, incorporating a variety of AI technologies (e.g., object detection, image and video generation, mesh extraction). Through the analysis of these first-person accounts and reflection on design processes and outcomes, we find qualitatively different types of uncertainties …
Interdependencies Of Art History And Design History Curriculum In Indian Undergraduate Education, Srutinwita Roy, Saurabh Tewari
Interdependencies Of Art History And Design History Curriculum In Indian Undergraduate Education, Srutinwita Roy, Saurabh Tewari
DRS Biennial Conference Series
This research investigates the interdependencies between the subject of Art History and Design History within undergraduate programs across five prominent institutions in India. The study draws upon the experiences, perspectives, and reflections of both teachers and students and through interviews, curriculum mapping, and classroom observations, explores how these two disciplines influence, overlap, and inform each other in both content and pedagogy. The findings reveal that these subjects are deeply interconnected, with each contributing significantly to the understanding and evolution of the other. The research also highlights institutional variations among curriculum development. It is observed that the absence of a defined …
Designing With Changeability: Material Agency And Theory In Textile Design, Zuzana Šebeková, Petra Vicianová, Zuzana Veselá, Barbora Hank Palatínusová, Zuzana Machatova
Designing With Changeability: Material Agency And Theory In Textile Design, Zuzana Šebeková, Petra Vicianová, Zuzana Veselá, Barbora Hank Palatínusová, Zuzana Machatova
DRS Biennial Conference Series
This paper investigates how natural dye printing and material agency in textile design can generate theoretical insights for design practice and pedagogy. Textiles are positioned as participants in material processes, where material behaviour, environmental exposure, and user interaction shape design outcomes, moving beyond stability and control toward adaptability, reflectivity, and sustainability. Drawing on critical making and time-based design thinking, impermanence and imperfection become foundational strategies for developing pedagogical and theoretical frameworks. Practice-based experimentation demonstrates how process, relationality, and sensitivity to materials allow theory to emerge directly from making and observing transformation. By embracing changeability, this approach reframes conventional notions of …
Participatory Design As Third Space: Iterative Ethic In Singapore’S Contemporary Multiculturalism, Cheng Chen
Participatory Design As Third Space: Iterative Ethic In Singapore’S Contemporary Multiculturalism, Cheng Chen
DRS Biennial Conference Series
Participatory designers in Singapore work within Bhabha’s “third space,” where identities and practices are continuously negotiated across cultural boundaries. This qualitative study, based on interviews and ethnographic observation with 18 designers addressing social welfare for marginalized communities, examines how designers’ intersectional identities—such as female, queer, Chinese, and gig creatives—shape an ethic of care rooted in Asianised neighbourliness. Designers strategically inhabit in-between spaces, balancing top-down and bottom-up approaches through critical curiosity and cultural competence. Findings identify three interlinked personas: (1) Facilitator—mediating perspectives and trust; (2) Maker—engaging in embodied, situated making; and (3) Reflexive practitioner—cultivating curiosity across demographics. This iterative ethic enables …
Designing For Themselves: The Gearbox Model Of Value-Reclaiming Design Within Grassroots Sports Communities, Yijia Jiang, Huiyi Zhang, Keren Zhang, Shiyu Liu, Kin Wai Michael Siu
Designing For Themselves: The Gearbox Model Of Value-Reclaiming Design Within Grassroots Sports Communities, Yijia Jiang, Huiyi Zhang, Keren Zhang, Shiyu Liu, Kin Wai Michael Siu
DRS Biennial Conference Series
Grassroots sports communities (GSCs) express and impact values through everyday design practices that build belonging, identity, and agency. Adopting qualitative multi-case analysis of representative GSCs (n=10), this study explores how these communities define and reclaim their values through design practice. Four modalities are identified: 1) narrative re-authoring, 2) aesthetic re-coding, 3) collaborative re-making, and 4) ethical re-grounding. These modalities constitute a dynamic process wherein design functions as a relational infrastructure for collective meaning-making. Based on these findings, the study generates a Gearbox Model of Value-Reclaiming Design, theorising how communal design agency is exercised through dynamic and recursive interplay. The model …
Ai' S Brush On Novice Posters: Unfolding Visual Competence Shifts Of Design Students, Yisu Zhao, Chuhan Li, Qianqian Hu, Fang Liu, Renke He
Ai' S Brush On Novice Posters: Unfolding Visual Competence Shifts Of Design Students, Yisu Zhao, Chuhan Li, Qianqian Hu, Fang Liu, Renke He
DRS Biennial Conference Series
As generative AI tools increasingly permeate design education, questions arise about their impact on novice students’ creative competence. This study addresses two research questions: (RQ1) How does AI participation affect students’ creative outcomes, particularly the visual dimensions of their work? (RQ2) How do evaluators redefine competence amid AI involvement in novice design students’ creative processes? Using a mixed-method approach, Study1 analysed professional evaluations of 88 student projects, showing that AI-assisted works scored higher in creativity and visual elaboration but not in design logic, with greater score divergence.Study2 involved interviews with eight design experts, revealing tensions in evaluators’ attribution of competence …
Affective Epistemologies: Textile Teaching At University Of Chile, 1930-2000, Camila Vicencio-Pérez, Magdalena Cattan-Lavin
Affective Epistemologies: Textile Teaching At University Of Chile, 1930-2000, Camila Vicencio-Pérez, Magdalena Cattan-Lavin
DRS Biennial Conference Series
This study analyses textile teaching at Universidad de Chile (1930-2000), the first institution to incorporate it as an academic discipline in the country, as a case of theory-making through practice. Drawing on archives, oral testimonies, and material objects (looms, notebooks, works), we reconstruct how textiles operated simultaneously as technical knowledge, affective space, and pedagogical practice. In dialogue with Catherine Dormor, we approach weaving as material thinking and "theory-making" through making; following Elvira Espejo, we situate it as a matrix of relational knowledges. This case inscribes itself within institutionalization of textiles in 20th-century art and design schools, with influence from foreign …
The Dcf Framework: Integrating Cross-Cultural And Multi-Stakeholder Perspectives On Comfort Experience, Danhua Zhao, Rui Qin, Chaomin Ma, Yuhao Jiang, Bingquan Wang
The Dcf Framework: Integrating Cross-Cultural And Multi-Stakeholder Perspectives On Comfort Experience, Danhua Zhao, Rui Qin, Chaomin Ma, Yuhao Jiang, Bingquan Wang
DRS Biennial Conference Series
Design plays a key role in driving economic and organizational transformations. However, existing approaches face significant challenges in addressing the translation of cross-cultural needs, integrating diverse perspectives, and critically reassessing the role of design within the singular economic/efficiency paradigm, particularly regarding affective experiences assessment such as comfort. To address these, this study proposes a qualitative framework that incorporates multiple stakeholders and cross-cultural users into the design process, referred to as the Diversity-Co-Creation-Framework (DCF). Through four phases—Scanning, Framing, Mapping, and Deepening—the DCF combines tools such as semi-structured interviews and the Futures Triangle from foresight research to engage opinion leaders and cross-cultural …
Growing Pains Of Sustainability: Scale, Care, And Counter-Infrastructures, Angela Ka Ki Lee
Growing Pains Of Sustainability: Scale, Care, And Counter-Infrastructures, Angela Ka Ki Lee
DRS Biennial Conference Series
Sustainability transitions are marked by growing pains: tensions between planetary and local scales, global urgency and lived experience. This paper argues that techno-centric, metric-driven, and scalable approaches obscure inequalities, conceal the labour of maintenance, and overlook affective dimensions. It proposes a counter-infrastructural approach that understands sustainability as emerging through infrastructural, ecological, temporal, embodied, and relational dynamics. Drawing on interdisciplinary theory, participatory workshops, and experiential experiments, the study shows how process-oriented practices can reconnect individuals to energy systems. Bioregional thinking, community-led initiatives, repair and maintenance, and sensory engagement are explored as alternatives that foreground resilience and interdependence. Through lenses of scale, …
Sketching Futures: Cultural Dimensions, Pedagogies, And Digital Transitions, Bryan F. Howell, Janwillem Hoftijzer, Mauricio Novoa Muñoz, Amos Scully
Sketching Futures: Cultural Dimensions, Pedagogies, And Digital Transitions, Bryan F. Howell, Janwillem Hoftijzer, Mauricio Novoa Muñoz, Amos Scully
DRS Biennial Conference Series
This track gathers eighteen papers that consider the work of the sketch and sketching in a moment of accelerating cultural and technological change. Across three sessions: (1) Sketching for Thinking, Expression, and Information; (2) Visualising Narratives; and (3) Sketching & Generative AI, the authors examine analogue, hybrid, immersive, and AI-augmented practices to reveal how design sketching is evolving and rendering the seen and the unseen, the personal and the cultural, the speculative and the practical. Building on the conversation begun at DRS 2024 conference, this year's papers address cultural specificity, decolonial and feminist methodologies, narrative-driven generation, and the pedagogies that …
Environmentality's Integrated Design: Iso Standards As Infrastructural Semiotics, Lucia Jalon Oyarzun
Environmentality's Integrated Design: Iso Standards As Infrastructural Semiotics, Lucia Jalon Oyarzun
DRS Biennial Conference Series
Tracing the emergence of neoliberalism, Michel Foucault introduced the concept of environmentality to describe a form of power in which control is exercised through the design of an increasingly technologically mediated environment to ensure economic circulation. Decades in, environmentality has reshaped how our habitats are conceptualized, designed, and perceived. In many levels, design has stopped being an independent autonomous task to be integrated and automated within the operative nature of our milieux. This integrated design operates through infrastructural semiotics, i.e. texts, codes, guidelines, indicators, benchmarks and protocols as well as other ecologies of biological, social and machinic signs like notifications …
Unmaking Ai’S Classificatory Ontologies: Situated Annotation As Design Inquiry In Human–Ai Assemblages, Antonella Autuori
Unmaking Ai’S Classificatory Ontologies: Situated Annotation As Design Inquiry In Human–Ai Assemblages, Antonella Autuori
DRS Biennial Conference Series
This paper examines how design research can unmake AI's classificatory ontologies through situated and embodied annotation practices. Drawing on feminist, queer, and critical data epistemologies, it reframes bias not as a technical flaw but as a generative condition that reveals how knowledge is produced and negotiated within human–AI assemblages. An autotheoretical experiment grounds the inquiry. The researcher creates and annotates a dataset of self-representations using subjective, affective, and relational labels, training a small-scale model to probe classification as an interpretive encounter shaped by embodiment, ambiguity, and positionality. Building on the shift from debiasing toward reflexive data practices in design and …
Sticky Vitalities: Developing Play Design Sensitivities Through Material-Affective Practices, Jennifer Ann Skriver, Helle Marie Skovbjerg
Sticky Vitalities: Developing Play Design Sensitivities Through Material-Affective Practices, Jennifer Ann Skriver, Helle Marie Skovbjerg
DRS Biennial Conference Series
While design for play has shown how materials invite and shape engagement, less attention has been given to how material encounters may hold participation over time. This article examines how participation is sustained through material–affective dynamics in early childhood play. Drawing on Spinoza’s (1985) concept of potentia, Ahmed’s (2004a, 2010a, 2010b) notion of stickiness, and Slaby et al.’s (2019) affective arrangements, the study explores how capacities and orientations unfold in situated encounters. Based on design-based research in Danish daycare, the analysis centers on a vignette in which a child remains in shared play through engagement with tape. The analysis shows …
Archives And Graphic Memory: 1980s Brazilian Rock Album Covers As Cultural Heritage, Paulo Eduardo Moretto, Priscila Lena Farias
Archives And Graphic Memory: 1980s Brazilian Rock Album Covers As Cultural Heritage, Paulo Eduardo Moretto, Priscila Lena Farias
DRS Biennial Conference Series
The centrality of modernist and institution-centred narratives has narrowed the scope of Brazilian graphic design throughout history, limiting its cultural and epistemological diversity. This article explores the value of researching graphic artefacts normally understood as not pertinent to design research, focusing on album covers from the Brazilian rock scene of the 1980s. Based on the formation of an archive of 155 covers, this study emphasizes the need for appropriate methods to analyse mass-culture artefacts whose wide circulation shapes collective design practices and visual imaginaries. By reflecting on the criteria of selection, interpretation, and preservation that determine what is collected, analysed, …
Extending Futures Literacy To Speech Scientists And Technologists, Sjuul Bos, Simone Ashby, Julian Hanna
Extending Futures Literacy To Speech Scientists And Technologists, Sjuul Bos, Simone Ashby, Julian Hanna
DRS Biennial Conference Series
As speech technologies make rapid strides, facilitating multi-tasking, workflow automation, and cross-cultural collaboration, attention to the adverse effects of such technologies (e.g., legacy bias and inequities) continues to lag, exposing the need for non-designers, such as speech scientists and technologists, to critically assess the ethical implications of their work. In this paper, we present the art-based futuring methods used in a speech technology summer school we co-organized for guiding students in exploring the unintended consequences of speech technology outputs. By sharing our methods and pedagogical insights, we aim to help educators promote discussions on themes like fairness and inclusivity and …
Transitional Materials And Collaborative Craft: European–Indonesian Design Practices From The Design Matters Lab Programme Toward A Resilient Future, Xingyu Tao, Samantha Vettese
Transitional Materials And Collaborative Craft: European–Indonesian Design Practices From The Design Matters Lab Programme Toward A Resilient Future, Xingyu Tao, Samantha Vettese
DRS Biennial Conference Series
Design Matters Lab (DML) was a collaborative design programme that brought together ten emerging designers from Europe and Indonesia for an online and in-person design residency in Bandung, Indonesia. This paper explores the concepts, methods, and outcomes of DML, offering a potential blueprint for small-sized international businesses seeking to integrate crafting techniques and local, sustainable materials into their manufacturing processes. The project also proposes a methodology for teaching sustainability in design through meaningful environmental engagement rooted in local collaboration and applied practice. It emphasises the importance of working with local communities and using locally available waste and bio- materials. The …
We Found Planet B. What Does This Mean For Design?, Candela Guyot, Victoria Rodriguez Schon
We Found Planet B. What Does This Mean For Design?, Candela Guyot, Victoria Rodriguez Schon
DRS Biennial Conference Series
Planet B emerges as a practice-based-fiction responding ironically to the slogan “There is no Planet B.” The project speculates on the discovery of an alternate planet and the task of replicating Planet A under the principle “if it looks the same, it is the same.” Through absurd protocols for selecting the perfect rock, flower, and stick, the experience enacted a satire of technoscientific control. Developed within the School of Materialist Research’s exploration of Nature and Artifice, it asks: what sensory, political, and aesthetic implications would the discovery of a Planet B bring to the design practice? Children spontaneously took over …
From Commodity To Commons: Creating Local Eco-Systems For The Design Of Sustainable Nhs Garments In Scotland, Lewis Urquhart, Paul Rodgers, Niki Taylor, Euan Winton, Lucy Welsh, Sophia Murden
From Commodity To Commons: Creating Local Eco-Systems For The Design Of Sustainable Nhs Garments In Scotland, Lewis Urquhart, Paul Rodgers, Niki Taylor, Euan Winton, Lucy Welsh, Sophia Murden
DRS Biennial Conference Series
This paper investigates the transformation of NHS Scotland garment systems through a design-led, commons-based localist framework that challenges prevailing globalised procurement models. Drawing on co-design methodologies and sustainable material innovation, this project repositions garments - specifically surgical caps and scrubs - as relational artefacts embedded within systems of care, identity, and ecological responsibility. Collaborations with healthcare professionals, designers, and regional manufacturers have yielded prototypes utilising regenerative fibres such as lyocell and linen, made locally within Scotland. These interventions demonstrate the potential of commons-design to foster civic engagement, decentralised production, and circular economies. By embedding garment systems within local ecologies and …
Historicising Speculative Design With Mcluhan’S Tetrad, Soyoun Jang, Jay David David Bolter
Historicising Speculative Design With Mcluhan’S Tetrad, Soyoun Jang, Jay David David Bolter
DRS Biennial Conference Series
This paper introduces and applies Marshall McLuhan’s Tetrad model, grounded in critical media studies, as an interpretative framework for analysing corporate concept videos as design fictions. Through a close reading of seven videos, we identify three recurring themes: present as future, the rhetoric of the new and socio-economic utopia. In parallel, the two diagonals of the Tetrad reveal contrasting orientations: the enhances-obsolesces diagonal reflects a corporate anticipatory (non-radical) future, whereas the retrieves-reverses diagonal is more critical and disruptive. We discuss figure-ground reversal as a key strategy for historicising corporate concept videos and suggest how the Tetrad can foster historical reflexivity …
Becoming A Coffee Shop Regular: Factors Shaping Regularity In Contemporary Coffee Shops, Mia B. Münster, Rebekah Matheny, Kirsten Marie Raahauge
Becoming A Coffee Shop Regular: Factors Shaping Regularity In Contemporary Coffee Shops, Mia B. Münster, Rebekah Matheny, Kirsten Marie Raahauge
DRS Biennial Conference Series
This study explores customers’ motivations to become regulars at contemporary specialty coffee shops and identifies the features that make these places meaningful enough for repeated visits. Drawing on observations and in situ interviews with staff and regular customers in Hong Kong, Copenhagen, and Columbus, the study examines how regular destinations emerge in contemporary café culture. The analysis identifies recurring characteristics of places that individuals consider their regular spots: (1) high-quality offerings, including quality products and professional service; (2) convenient and attractive locations; (3) the resources to accommodate different types of visits; (4) connectedness, or a sense of community and shared …
Affective Materialities And Textile Agency: The Apron As A Device Of Gender And Class, Camila Andrea Rios Erazo
Affective Materialities And Textile Agency: The Apron As A Device Of Gender And Class, Camila Andrea Rios Erazo
DRS Biennial Conference Series
This article analyses textiles as living materials endowed with their own agency. In addition to the emotions and memories they evoke, textiles are imbued with vitality. When they occupy an intimate and private space, such as a home, they act as a kind of soft architecture, absorbing the words, gestures, smells, memories and relationships that emerge within that environment. Steeped in everyday aesthetics and imbued with feminine care, these materials face a society with clear and visible power structures as they cross the threshold into the public sphere. This is accentuated when these textiles cover a body, revealing social hierarchies …
Decoding The Visual Language Of Embroidery: Making, Knowing, And Recontextualising, Minshu Chen
Decoding The Visual Language Of Embroidery: Making, Knowing, And Recontextualising, Minshu Chen
DRS Biennial Conference Series
This paper positions textile-making as a way of understanding the world through embodied engagement with materials, processes and relationships. Drawing on Xiang embroidery traditions and the Chinese philosophical concept of Qi-Yun (vital force and resonant rhythm). Through participatory workshops with local communities in Hunan, China, it explores how tacit knowledge emerges in a specific context through inner perception, observation, collaboration and dialogue surrounding material interaction and the accumulation of experience. A triangular methodology is developed to analyse multiple standpoints (traditional practitioners, technical collaborators and spectators) and articulate how different standpoints participate in meaning-making within textile practice. This approach theorises embroidery …
The Transformative Nature Of Food And The Transition Of Traditional Desserts Into Industrial Products: A Case Study Through A Transformational Design Lens, Burcu Torum
DRS Biennial Conference Series
This paper examines the transformation of traditional Turkish desserts into contemporary industrial food products through the framework of transformational design. Grounded in the premise that food functions not only as a biological necessity but also as a carrier of cultural memory, identity, and social meaning, the study explores how traditional foods can be reinterpreted within modern production systems, consumption patterns, and sustainability expectations. Drawing on student projects from a food design course in an industrial design department during the 2024–2025 academic year, the research analyzes how desserts are redesigned according to industrial constraints and contemporary lifestyles. Using thematic analysis, findings …
Queering Empathy In/For/With/By Design, Jessica Meharry
Queering Empathy In/For/With/By Design, Jessica Meharry
DRS Biennial Conference Series
Empathy is widely used as the initial stage of the design process to understand users and meet their needs and desires. Recently these methods have been critiqued for commodifying empathy in commercial practice, centering the designer instead of the user, and failing to account for power dynamics. Empathy is also under attack in political spheres, increasing the dehumanization of others. To address these criticisms, we explore the value of empathy in design processes and examine how queer theory and queering methodologies can help designers move past “walking in someone else’s shoes” towards intersectional design processes rooted in political responsibility. Synthesizing …
Making Worlds Thinkable: Design As Diffractive Sensemaking., Joan Vellvé Rafecas
Making Worlds Thinkable: Design As Diffractive Sensemaking., Joan Vellvé Rafecas
DRS Biennial Conference Series
Across contemporary design practice, an attitude has been consolidating design as diffractive sensemaking. It is not method- or outcome-oriented, nor even necessarily a discipline, but a habit of attention in which fragments, measures and memories, timings and routines, infrastructures and more-than-human traces are placed so they read through one another to develop conscious, situated practices. Often grounded in research practice, these approaches lead to diverse outcomes. In all of them, an ecosophic orientation keeps environmental, social and mental ecologies mutually in play without collapsing them into a single index or metric. In such practices, care appears as activism: framing, positioning, …
The ‘Cuteness Matrix’: Mapping Cuteness As An Affective Strategy For Purpose-Led Communication Design, Guo Yi Xian Yix, Mimi Nguyen, David Preston
The ‘Cuteness Matrix’: Mapping Cuteness As An Affective Strategy For Purpose-Led Communication Design, Guo Yi Xian Yix, Mimi Nguyen, David Preston
DRS Biennial Conference Series
Cuteness is often dismissed as trivial or decorative. Yet research across neuroscience, psychology, and cultural theory reveals it as a powerful affective force that captures attention, evokes empathy, and encourages prosocial behaviour and well-being. Cute’s affective potency also renders it ethically ambivalent, capable of manipulation as much as comfort. Despite its ubiquity, cuteness remains under-theorised in design research, a notable gap for a discipline concerned with communication, emotion, and human connection. Addressing this gap, this study conducts an interpretive systematic literature review of publications from 1943 to 2025, identifying 65 key scholarly sources. Interdisciplinary insights are synthesized into the ‘Cuteness …
Designing Narrative Reconstruction From Bamboo Slips: A Rag-Agent Approach For Cultural Scene Generation, Qijun Tian, Yuqian Yao, Zhengyu Chen, Hanling Zhang
Designing Narrative Reconstruction From Bamboo Slips: A Rag-Agent Approach For Cultural Scene Generation, Qijun Tian, Yuqian Yao, Zhengyu Chen, Hanling Zhang
DRS Biennial Conference Series
As large language models (LLMs) become increasingly integrated into cultural heritage research, practices such as artifact reconstruction, content generation, and virtual restoration are rapidly advancing. Generative artificial intelligence is unlocking new narrative potential for jiandu (bamboo and wooden slips), offering innovative approaches to cultural expression and historical reconstruction. However, general-purpose language models often face limitations in domain knowledge and semantic reliability, making it difficult to ensure accuracy and traceability in jiandu-based generation. To address these challenges, this study proposes a virtual restoration framework for jiandu narratives based on Retrieval-Augmented Generation (RAG) and agent mechanisms. Using the Liye Qin slips as …
Exploring Value Perceptions And Identifying Integrated Value Propositions Of Ai-Enabled Smart Homes For Solo-Living Older Adults’ Wellbeing, Sanqi Yang, Lei Tang, Jaehyun Park
Exploring Value Perceptions And Identifying Integrated Value Propositions Of Ai-Enabled Smart Homes For Solo-Living Older Adults’ Wellbeing, Sanqi Yang, Lei Tang, Jaehyun Park
DRS Biennial Conference Series
As the population of solo-living older adults grows, hundreds of AI-enabled smart home solutions have entered the gerontechnology market, yet adoption remains below 15%. Technology- or market-driven solutions often overlook integrated, multi-stakeholder value perceptions. Guided by Service‑Dominant Logic, we explored how misaligned stakeholder value perceptions hinder the development of compelling value propositions. We conducted 20 in-depth interviews across three stakeholder groups: users (solo-living older adults, their family members, and their caregivers), design experts, and technology experts. Through thematic analysis, we elucidated three value perceptions: (1) orchestration needs, (2) relational maintenance, and (3) transparency and explainability. Based on these findings, we …
How Does Costume Illustration Sketching Mediate Between Visual Development Concept Art And The Practical Construction Of Film Costumes?, Sophie Fretwell, Jon Burgess
How Does Costume Illustration Sketching Mediate Between Visual Development Concept Art And The Practical Construction Of Film Costumes?, Sophie Fretwell, Jon Burgess
DRS Biennial Conference Series
Sketching is a vital form of communication across creative industries. As an essential part of the filmmaking process, costume illustration functions as a mediating design practice where sketching translates concept art into wearable garments. Historically rooted in hand-drawn fashion illustration, contemporary costume sketching has evolved into a globalised digital practice that bridges artistic vision and physical construction. Through this lens of design mediation and embodied expertise, the study draws on industry interviews and reflective practice to examine the costume illustrator’s changing role as translator between the digital concept and physical costume. Costume sketching solves practical challenges based on knowledge of …