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Traditional Music Kongkil : The Meaning Of Philosophy And The Challenges Of Contemporary Life, Harpang Yudha Karyawanto, Moh Sarjoko, Heri Murbiyantoro

Journal of Urban Culture Research

Traditional Kongkil music from Bungkal Village, Ponorogo, East Java, Indonesia, constitutes a form of local cultural heritage imbued with philosophical and social meaning. As a bamboo-based musical tradition employing slendro and pelog scales, Kongkil reflects the relationship between humans and nature while articulating values of social harmony within the community. This study aims to examine the philosophical meanings embedded in Kongkil music and to analyze its transformation in response to contemporary social and cultural change. The research employs a descriptive qualitative method, with data collected through observation, in-depth interviews, and literature review. The data were analyzed comparatively to identify patterns …

The Promotion And Preservation Of The Klong Luang Lanna Drum Competition As An Intangible Cultural Heritage, Ong-Art Inthaniwet, Suppharat Inthaniwet

Journal of Urban Culture Research

The Klong Luang Lanna drum holds profound cultural significance in Northern Thailand, yet the tradition currently faces systemic threats that jeopardize its long-term sustainability. This research employs an ethnomusicological approach combined with Participatory Action Research (PAR) to investigate the cultural roots and support its recognition as national intangible cultural heritage (ICH). Key findings reveal critical historical evidence through archival photography and identify a significant inflationary trend in drum scale, indicating a transition from ritualistic use to competitive display. The study further analyzes internal and external threats, including declining youth participation. To ensure cultural sustainability, this research proposes a multidimensional framework …

Critical Participatory Action Research For Revitalizing Local Music And Performing Arts In The Post-Pandemic Transition Of Salaya, Nantida Chandransu, Chanokchakul Surasi

Journal of Urban Culture Research

This study employs Critical Participatory Action Research (CPAR) to examine the adaptive revitalization of local music and performing arts in Salaya's post-pandemic transition. Through the Collaborative Cultural Action Network (CCAN – comprising artists, academics, administrators, and citizens – the research facilitates a collaborative ecosystem for cultural asset co-creation. Implementation operates across two levels: strategic management of intersubjective agreements, and artistic creativity via a dual-track strategy. This strategy combines active conservation of phleng lae, phleng ruea, lakhon chatri, likay, and trae wong with creative deconstruction, specifically the luk thung song “Yu Yen Pen Suk Na Salaya” and the Kanlapaphruek project. Findings …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Introduction, Jirayudh Sinthuphan

Asian Review

No abstract provided.

Entangled Drum Histories Friction, Embodiment, And The Making Of Religious Sound In North India, Haruo Inoue

Asian Review

This paper examines the historical and performative entanglements between tablā, the dominant percussion instrument of North India, and jorī, a paired drum preserved within the Nāmdhārī Sikh community of Punjab. While previous studies have treated these instruments in terms of their historical origins or musical functions, this study argues that their relationship is best understood through forms of frictional entanglement, in which bodily technique, material conditions, aesthetic orientations, and religious practice do not align but actively interfere with one another.

Drawing on long-term engagement as a performer, ethnographic fieldwork among Nāmdhārī musicians, and historical analysis, the paper demonstrates …

The Local Recording Industry And Chinese Songs In Singapore, 1950s And 1960s, Song Wei Goh

Manusya, Journal of Humanities

This paper argues that the local Chinese recording industry in post-Second World War Singapore functioned as a discursive sphere, which reflected the different understandings between the state and the people about what constituted “local Chinese culture”, during the formative years of the newly independent Singapore. In the 1950s and 1960s, technological advancement and state policies motivated the establishment of numerous local record companies with many singers discovered and recordings produced. Following Singapore’s independence, the local Chinese song recordings were employed by different agencies into narratives of nation-building and portrayed as the formation of “local Chinese culture”. This was notwithstanding the …

Commodification Of Kecak Ramayana As Tourism Art In Melasti Beach, Ungasan Village, District Of Kuta Selatan, Badung, Bali, Robby Hidajat, Ew. Suprihatin Dp., Surasak Jamnongsarn, Muhammad Afaf Hasyimy

Manusya, Journal of Humanities

This research examines the integration of Kecak Ramayana into Balinese traditional tourism art, focusing on the tourism art industry in the Beach of Melasti, Ungasan, Bali. The central theme explores the commodification of art’s role in attracting tourists and enhancing their imaginative experiences, delving into its impact on the ritual values and spiritual aspects of Kecak Ramayana. Utilizing a qualitative approach with interviews, observation and content analysis, the study addresses how this integration unfolds. Findings reveal that commodification causes a dissociation from ritual contexts, leading to the erosion of spiritual values due to a strong consumer-centric emphasis. This phenomenon also …

Musical Analysis Of Chanting Melodies In The Teochew Chinese Yoga Tantra Ritual In Thailand, Rachan Sornchai, Narongchai Pidokrajt, Poonpit Amatyakul

Journal of Urban Culture Research

This study explores the musical elements of the Dharma Sankhita chants in the Mahayana Teochew Chinese Yoga Tantra ritual at Kak Hang Niam Huk Lim Monastery, Bangkok, Thailand. It examines the ritual’s background and musical analysis. Practiced by both Teochew and Cantonese Chinese, the ritual known in Teochew as “Bang Iem Kao” is a profound act of filial piety and ancestor veneration, rooted in the Eight Cardinal Virtues of Chinese ethics. The ceremony is held to dedicate merit to deceased ancestors and preserve cultural traditions. It can be performed at both family and community levels, encouraging intergenerational participation and solidarity. …

An Initial Report On The Search For The Missing Gamelan Heritage Of The Sumenep Palace, Madura, East Java-Indonesia, Aris Setiawan, Zulkarnain Mistortoify

Journal of Urban Culture Research

This research endeavors to locate the long-lost heirloom gamelan from the Sumenep Palace. Since the abolition of aristocratic status in 1883, the Sumenep Palace has lost political and economic legitimacy. To maintain the luxurious lifestyle of the aristocratic court, valuable items, including gamelans, were sold. The heirloom gamelans in the Sumenep Palace are believed to have been gifts from the Mataram Palace, often exchanged during various events, such as marriages. Employing an investigative ethnographic approach, this study gathered data through in-depth interviews with cultural practitioners, palace descendants, and private collectors; direct observation of remaining artifacts; and analysis of historical documents …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Musicking And Identities In And From Religious Places Of Thai Diasporas In Chicagoland, Matthew Werstler

Journal of Urban Culture Research

Thai Americans are constantly imagining, sustaining, and performing their Thai identity to varying degrees, and this can be seen in the Chicagoland area. Regardless of the differences in musical genre or form, Thai diaspora communities perform and negotiate identity within sacred spaces through musicking. The act of musicking is important for Thai Americans to share their life with one another. With the onset of the Covid-19 Pandemic, Thai musicking communities of religious spaces in the Chicagoland area turned to virtual and outdoor mediums to perform and create. While changes were needed so that musicking opportunities could continue during the pandemic, …

Lakhon Rong Songs Of The Nakhon Bantoeng Troupe (Mae Bunnak Kanlayanamit) & The Phenomenon Of Music In Siam, Tharanat Hin-On, Poonpit Amatayakul, Narongchai Pidokrajt, Anak Charanyananda, Nachaya Natchanawaku

Journal of Urban Culture Research

This study examines the evolution of lakhon rong, a form of Thai musical theater, within the context of Siam’s socio-political and cultural changes during the early 20th century, particularly under the influence of Western modernization. The research focuses on the Nakhon Bantoeng Troupe, exploring how adaptations in lakhon rong performances reflected and contributed to the broader societal efforts towards crafting a modern Thai identity. The integration of Western musical elements with traditional Thai forms exemplifies strategic cultural negotiation, aligning with theories of adaptation and appropriation. Through an analysis of play scripts and historic recordings, this study highlights how cultural practices …

Music, Terror, Disaster, Healing, Zuzana Jurková, Oldrich Podebradský, Zuzana Gulová

Journal of Urban Culture Research

On December 21, 2023, a student of Charles University in Prague, one of the safest places in the world, shot dead 14 academics and students. Amidst omnipresent grief and mourning, the process of coping and “healing” started immediately, manifested in particular through a series of events called the “Month for the Faculty.” This text is based on participation in and research of these activities. The theoretical part uses the Durkheim's concept of piacular rites, the aim of which is to “reconfirm [a] community's solidarity.” Following the recommendations of Bin Xu (2016), we investigated who the main agents were in the …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

The Semiotic Construction Of A K-Pop Fanscape In Thai Public Space: A Case Of K-Pop Artist Café In Bangkok, Athit Wu

Chulalongkorn University Theses and Dissertations (Chula ETD)

This study investigates the fanscape of K-Pop cafés in Bangkok as socially constructed spaces shaped by fans’ cultural, semiotic, and spatial practices, where fan identity is articulated (Kim, 2017). Drawing on geosemiotics (Scollon & Scollon, 2003), it examines the visual semiotics, both linguistic and non-linguistic elements, and analyzes the interaction order and place semiotics found in Thai K-Pop cafés. The data were drawn from the ethnographic fieldwork of four fan-organized cafés (Neverland, STAY, ARMY, MY) in Bangkok.The analysis of visual semiotics shows that fans use multimodal elements, such as color, gaze, typography, and intertextuality, to visually construct the identity of …

The Dramaturgy Of Nostalgia And New Media In Sandiwara, West Sumatran Folk Theater, Dede Pramayoza, Fresti Yuliza

Journal of Urban Culture Research

This study describes the changes in the dramaturgy of sandiwara, a folk theater in West Sumatra. The research was carried out using a combined research method: literary studies and artistic methods, through a project of making play scripts and dramaturgical worksheets. Research data was collected through Focus Group Discussion (FGD) and individual interviews. The results of the qualitative analysis show that writing a play script can build a play’s creative ethos in sandiwara, bring up the quality, and originality of the ideas and themes. One of the drivers of creativity in sandiwara is nostalgia, the longing for the events of …

The Creation Of Solo Piano Compositions From Khaen Melodies “Thamnong Khaen”, Amornmas Mookdamuang, Narongchai Pidokrajt

Journal of Urban Culture Research

This paper aims to present Khaen melodies (an Isan musical instrument) by analyzing the original notes and arranging them for piano, using Western music composition theory to adapt the notes to suit beginner-level piano players. Based on qualitative research and creative music research, the creative process emphasizes preserving the original accents and primary melodies of the Khaen. Additionally, it develops the musical structure and harmonies to align with contemporary Western classical music. The analysis of the original Khaen melodies reveals rapid note values and rhythms, as well as harmonies with more than one voice, accompanied by irregular interval jumps throughout …

Sedulur Sikep Fights For The Environment & Livelihood Through The Javanese Pop Song "Ibu Bumi", Enkin Asrawijaya, Sri Ningsih, Dedi Supriadi Adhuri, Tity Kusrina

Journal of Urban Culture Research

The issue of environmental preservation is an important topic in global issues. The role of all parties is needed to support environmental preservation because it has an impact on welfare. One of them is conducting a struggle through songs, which this effort is carried out by the indigenous community of Sedulur Sikep (Javanese sub-tribe) in Indonesia. An ethnographic method was utilized through a qualitative approach. We use the theory of symbolic resistance to discuss. The results showed that they made a song entitled "Ibu Bumi" as symbolic resistance by applying the cultural perspective of Sedulur Sikep to invite listeners to …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Sorginak, Bruxas, Meigas, Bruixes… Performing Feminisms In Spanish Folk Revival, Marina Gonzalez-Varga, Inmaculada Vera-Carbonell

Journal of Urban Culture Research

The imaginaries constructed around witches and witchcraft throughout history have reflected non-accepted social conduct and behaviors. Assuming women’s bodies, knowledge, and social agency as a depiction of the savage, strange, and taboo figure. In this way, the witch linked to the feminine and negative aspects has been recently reappropriated and reshaped by feminism in the last decades. In this study case, I examine how Spanish revival folk has reflected female gender models through musical practices. The main goal of folk revival is revitalizing a countercultural movement, which shows a context of a clash of ideologies and identities. Identities and ideologies …

“Hin Le Le” Folk Songs In Phitsanulok Province : Identity And Existence In Times Of The Covid-19 Pandemic, Sasinut Phongnil

Journal of Urban Culture Research

The objectives of this qualitative research were to investigate (1) the identity of folk songs in Phitsanulok province, Thailand (2) the forms, methods and existence of folk songs during the COVID-19 pandemic, using musicological methodology. The examination of the background, musical characteristics, components and forms at present revealed that the identity of Hin Le Le folk songs is “the songs that reflect the way of life of the locals in Phitsanulok province, keep up with ongoing events for all age groups and are created by the elderly in the community.” The examination of the forms and existence methods of folk …

Don Mula (Original Dance) And The “Sacred Sound”Of Buddhism: Performing Collective Identity Among The Pwo Karen In Thung Yai, Thailand, Jarun Kanchanapradit, Sooi Beng Tan

Journal of Urban Culture Research

The Don Mula (Original Dance) represents an important part of the collective consciousness and identity of the Pwo Karen people in the Laiwo sub-district, Thung Yai Naresuan Wildlife Sanctuary in Western Thailand. Due to modernization and changes that have occurred in Karen society at the turn of the millennium, many functions of the dance have been transformed. While the dance continues to be performed to pay respect to the Rice Goddess, it is employed to educate the younger generation about Buddhist knowledge and Karen beliefs as expressions of "Karen-ness." Through in-depth interviews and a study of the musical lyrics and …

Thai Government's Promotion Of National Culture That Affected Thai Traditional Music Research During 1982-2012, Patarawdee Puchadapirom

Journal of Urban Culture Research

This article reports on a study of the state of knowledge and other factors affecting Thai music research from 1982 to 2012. Since 1982, problems of stability and deterioration of national culture led the government to promote national culture through a “conservation approach” to Thai traditional music in accordance with the customs of the Royal Court. This received governmental support for promotion as national cultural heritage to be passed down to posterity. This involved, for example, securing the involvement of various relevant government agencies, opening Thai music education curricula in higher education institutions, creating criteria for what constitutes “Thai traditional …

ดุษฎีนิพนธ์ดนตรีสร้างสรรค์ : วรรณกรรมเพลงร้องร่วมสมัยแห่งกรุงสยามสำหรับเปียโนและขับร้อง, พูนสันต์ เตียรถ์ชัยวานิช

Chulalongkorn University Theses and Dissertations (Chula ETD)

“ดุษฎีนิพนธ์ดนตรีสร้างสรรค์ : วรรณกรรมเพลงร้องร่วมสมัยแห่งกรุงสยามสำหรับเปียโนและขับร้อง” มีวัตถุประสงค์เพื่อสร้างสรรค์เพลงไทยสำหรับเปียโนและการขับร้องและเพื่อสร้างผลงานทางด้านดนตรีร่วมกันระหว่างศาสตร์ 2 แขนงคือ ศาสตร์ด้านดนตรีตะวันตกและศาสตร์ด้านดนตรีไทย ในกระบวนการสร้างสรรค์ได้ศึกษาข้อมูลจากวรรณกรรมเพลงร้องตะวันตกสำหรับเปียโนและการขับร้องในยุคโรแมนติก บทบาทของเปียโนในการบรรเลงร่วมการขับร้อง วรรณกรรมเปียโนเพลงไทยของบรมครูคนสำคัญ และวรรณกรรมเปียโนเพลงไทยในยุคศตวรรษที่ 21 เพื่อนำมาเป็นต้นแบบในการสร้างสรรค์ผลงาน จากนั้นจึงลงมือประพันธ์ด้วยแนวคิด ทฤษฎีดนตรี และเทคนิคการประพันธ์เพลงตะวันตก ทดลองฝึกซ้อมและบรรเลงร่วมกับนักร้องด้วยแนวคิดและการตีความแบบการบรรเลงเปียโนตะวันตกร่วมกับการขับร้องตามแบบแผนไทย นำข้อบกพร่องมาขัดเกลาและปรับปรุงผลงาน จนได้เป็นผลงานเพลงสำหรับเปียโนและการขับร้องจำนวน 6 เพลง

Influences Of Béla Bartók’S Piano Compositions On Alberto Ginastera’S Piano Music, Karn Gularnupong, Ampai Buranaprapuk

Manusya, Journal of Humanities

This study seeks to reveal the musical relationship between Bartók’s and Ginastera’s piano compositions, showing stylistic conceptualizations of twentieth-century Western art music which held many interesting musical aspects, specifically in the classical piano repertoire. This musicological research employs stylistic analysis and theoretical analysis to shed some light on Bartók’s and Ginastera’s piano music vocabulary. Following this methodology, it is revealed that Ginastera’s compositional language was very much influenced by the highly unique characteristics of Bartók’s. Such characteristics include the axial system, Bulgarian peasant rhythmic dance, bi-modality, intervallic cell (Z-cell, 0167), hexachordal sets of octatonic collections, the symmetrical old Hungarian pentatonic …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

The Musical Status Of The Roma In Primorje-Gorski Kotar County (Republic Of Croatia), Ines Cvitkovic Kalanjoš

Journal of Urban Culture Research

The Roma are the most populous minority group in Europe and have lived in the territory of the modern-day's Republic of Croatia for 700 years. This study is based on cultural and musical research in the area of Primorje-Gorski Kotar County, with an emphasis on the conurbations of Rijeka, Delnice, Crikvenica and Novi Vinodolski. This paper asks what the musical position of the Roma in Primorje-Gorski Kotar County is and how this is reflected in their music and in musical interaction with other Roma and non-Roma. The work gives an overview of the musical life of the Roma and takes …