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An Exploration Of Irish-American Identity Through Music And Oral History, Rylee Kay Houser

University of Montana Conference on Undergraduate Research (UMCUR)

An Exploration of Irish-American Identity through Music and Oral History

The “Irish Jaunting Car” was described by Kevin Shannon of Butte, Montana as a traditional Irish tune played in the Ceili saloons. For Shannon a Ceili simply meant to play music. For musical historians it is more commonly described as a dance or music session of the home or pubs. Common of many Irish traditional tunes, there is an emphasis on placenames:

From Roscommon to Kildare

From Dublin down to Castle Bar

From there to County Clare

From Cork to Limerick and Athlone

Then home by Mullingar

You can view …

Making American Opera After Einstein, Ryan Ebright Dr.

ICS Fellow Lectures

In the wake of the avant-garde opera Einstein on the Beach in 1976, opera in the United States experienced a renaissance, one which has continued to the present. My book project, Making American Opera after Einstein, centers on contemporary attempts to remake opera in an American image. In it, I detail how American opera—as a genre, a sphere of cultural institutions, an expression of national identity—has transformed significantly over the past four decades. Whereas many composers embrace operatic convention, tailoring their operas to audiences through adaptations of cherished American stories, others attempt to test the genre’s aesthetic boundaries. By exploring …

Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse

Liberty University Research Week

Graduate

Three Minute Thesis

Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse

Liberty University Research Week

Graduate

Applied

Albanian Traditional Music: A General Overview, Spiro J. Shetuni

Provost’s Spotlight on Scholarship Series

Shetuni, a native of Albania, says that the music, still an obscure subject, reflects a musical environment of both the Balkans and the Mediterranean world and is “not simply a heritage of the past, but above all, a vibrant contemporary art.” His presentation will examine the distinct musical culture of Albania, both monophonic and polyphonic, by delineating its four main musical dialects—Gheg, Tosk, Lab and Urban—along with its origins, styles and features.