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Auc Community Only Lecture: Gender-Based Violence (Gbv), Women & The Law In Egypt, The Prince Alwaleed Center For American Studies And Research Casar
Auc Community Only Lecture: Gender-Based Violence (Gbv), Women & The Law In Egypt, The Prince Alwaleed Center For American Studies And Research Casar
Performances, Events, and Presentations
This special guest lecture was part of the course “Exploring Feminist Perspectives in Egypt and the US” taught by CASAR Adjunct Faculty Yasmeen El-Ghazaly. The lecture was given in Arabic by Counselor Mohamed Samir, who is a senior member of the judicial authority in Egypt, responsible for the accountability of civil servants’ crimes and misconduct. He is also a lecturer in Political Science and Gender Based Violence Crimes. Samir has over 25 years of experience in his career, and was invited to discuss “challenges and legal obstacles women face when discussing gender based violence in Egypt.” In his insightful lecture, …
Exhibit Description For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Exhibit Description For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Project Description, Exposition Posters and Interview Questions
The photography exhibit, The Invisible Truth: An Exposition of Gender Violence and Our Demands for Change, was the final project for the upper-level LALIS/WGSS seminar “Embodied Politics in Latin America: Race, Gender, Sex, and Performance,” taught by Dr. Mariela Méndez in the Spring of 2018.
Flyer For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Flyer For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Exposition Flyer
The photography exhibit, The Invisible Truth: An Exposition of Gender Violence and Our Demands for Change, was the final project for the upper-level LALIS/WGSS seminar “Embodied Politics in Latin America: Race, Gender, Sex, and Performance,” taught by Dr. Mariela Méndez in the Spring of 2018.
Manifesto: Our Demands For Change, Mariela Méndez
Manifesto: Our Demands For Change, Mariela Méndez
Manifesto: Our Demands for Change
The photography exhibit, The Invisible Truth: An Exposition of Gender Violence and Our Demands for Change, was the final project for the upper-level LALIS/WGSS seminar “Embodied Politics in Latin America: Race, Gender, Sex, and Performance,” taught by Dr. Mariela Méndez in the Spring of 2018.
One part of the project was the creation of Manifesto: Our Demands for Change. Please read the attached download for details.
Posters For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Posters For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Project Description, Exposition Posters and Interview Questions
The photography exhibit, The Invisible Truth: An Exposition of Gender Violence and Our Demands for Change, was the final project for the upper-level LALIS/WGSS seminar “Embodied Politics in Latin America: Race, Gender, Sex, and Performance,” taught by Dr. Mariela Méndez in the Spring of 2018.
Interview Questions For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Interview Questions For The Invisible Truth: An Exposition Of Gender Violence And Our Demands For Change, Mariela Méndez
Project Description, Exposition Posters and Interview Questions
The photography exhibit, The Invisible Truth: An Exposition of Gender Violence and Our Demands for Change, was the final project for the upper-level LALIS/WGSS seminar “Embodied Politics in Latin America: Race, Gender, Sex, and Performance,” taught by Dr. Mariela Méndez in the Spring of 2018.
“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross
“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross
Graduate Research Posters
This qualitative study uses juxtapositional, intersectional and critical discourse analyses as one composite framework to assess Black female victimness and matriarchy in three Tyler Perry films. Findings exposed a transitional archetype model consisting of 5 domains (Victim, Bitterfruit, Matriarch, Forgiver and Princess) whereby victimized characters are portrayed using racist and sexist stereotypes. Additionally, rich juxtapositions in the films with regard to Black female victimness and matriarchy were also revealed. These juxtapositions play out in the transitional archetype model and reiterate a harmful racist gendered stereotype: strong, Black women (matriarchs) are not and cannot, by way of their strength, aggressiveness and …