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Using Narratives In Creativity Research: Handling The Subjective Nature Of Creative Process, Saikat Chakraborty
Using Narratives In Creativity Research: Handling The Subjective Nature Of Creative Process, Saikat Chakraborty
The Qualitative Report
For most of us, creative processes are those which can produce outcomes that are capable of being judged as creative. The outcome-centric recognition of creativity has heavily downplayed the process-perspective of creativity in organizations. Influenced significantly by individual and social subjectivities, creative processes are difficult to enquire on the basis of positivist approaches presently dominating creativity research. Use of narrative methodology in creativity research is proposed as a strategy for not just handling the subjectivities but also for making meaning from them as well as from participants' emotions. Antenarratives can help to enrich the narrated storyline, and personal narratives of …
Digital Storytelling In Research: A Systematic Review, Adele De Jager, Andrea Fogarty, Anna Tewson, Caroline Lenette, Katherine M. Boydell
Digital Storytelling In Research: A Systematic Review, Adele De Jager, Andrea Fogarty, Anna Tewson, Caroline Lenette, Katherine M. Boydell
The Qualitative Report
Digital storytelling refers to a 2 to 5 minute audio-visual clip combining photographs, voice-over narration, and other audio (Lambert, 2009) originally applied for community development, artistic and therapeutic purposes, and more recently adapted as an arts-based research method. To date, no systematic review of the use of digital storytelling in a research capacity, to generate information about a phenomenon has been conducted. Accordingly, our aim was to provide a systematic review of digital storytelling in research. The review identified 25 articles representing 23 discrete studies that met inclusion criteria. A thematic analysis of results indicated that digital storytelling in research …