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Sociology

Virginia Commonwealth University

1998

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[Review Of] Toyotomi Morimoto. Japanese Americans And Cultural Continuity: Maintaining Language And Heritage, Kumiko Takahara Jan 1998

[Review Of] Toyotomi Morimoto. Japanese Americans And Cultural Continuity: Maintaining Language And Heritage, Kumiko Takahara

Ethnic Studies Review

Japanese language schools in California are chronicled from the early twentieth century until the eve of World War II based mainly on the UCLA Japanese American Research Project Collections, Japanese language newspapers, and literatures by Issei (first generation Japanese immigrant) educators. Chapters two through five which follow a brief overview of the ethnic language schools of various immigrant groups illustrate Japanese immigrants' effort in transmitting their linguistic and cultural heritage to Nisei (American-born) children by supplementing their public school education with a Japanese language school curriculum in a hostile socio-political climate. The thematic coherence of the book is disrupted unfortunately …


[Review Of] Lean'tin L. Bracks. Writings On Black Women Of The Diaspora: History, Language, And Identity. Crosscurrents In African American History, Vol I, Helen Lock Jan 1998

[Review Of] Lean'tin L. Bracks. Writings On Black Women Of The Diaspora: History, Language, And Identity. Crosscurrents In African American History, Vol I, Helen Lock

Ethnic Studies Review

In her "Preface" to this study, Lean'tin Bracks describes her purpose as being "to describe a model which may provide for today's black woman a means to take control of her destiny by retrieving her Afrocentric legacy from the obscured past" (xi). This model, which she applies through discussions of The History of Mary Prince, a West Indian Slave, Related by Herself (1831), Toni Morrison's Beloved (1988), Alice Walker's The Color Purple (1982, and Paule Marshall's Praisesong for the Widow (1984), is tripartite: "historical awareness, attention to linguistic pattern, and sensitivity to stereotypes in the dominant culture" (xi).