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Manifesting Anti-Expansionist Anxiety At New York’S American Art-Union: A Sociopolitical Interpretation Of George Caleb Bingham’S 1845 Paintings, The Concealed Enemy And Fur Traders Descending The Missouri, Joan Stack
The Confluence (2009-2020)
George Caleb Bingham was one of the few artists with a political career as well, serving in the Missouri legislature. In this article, Joan Stack interrogates a body of Bingham’s work in the context of the social and political atmosphere of antebellum Missouri.