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The Eternal Newcomer: Chinese Indonesian Identity From Indonesia To The United States, Gregory S. Urban
The Eternal Newcomer: Chinese Indonesian Identity From Indonesia To The United States, Gregory S. Urban
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
The construction of identity among the ethnic Chinese populations in Indonesia has been a complicated and incomplete process. The temporal and spatial formulation of identity has allowed for continual change in which marginalization and discrimination have resulted. This paper utilizes Stuart Hall’s theory in which identity always multiplies and changes throughout history, determined by a “splitting between groups. From the colonization of Indonesia to modern times, the identity of ethnic Chinese has constantly been changing, while being kept apart from what Benedict Anderson calls the national imagined community. Indonesia’s national dictum, “Unity in Diversity,” has dismissed the small Chinese ethnicity …
Chicana Aesthetics: A View Of Unconcealed Alterities And Affirmations Of Chicana Identity Through Laura Aguilar’S Photographic Images, Daniel Perez
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
In this paper I will argue that Chicana feminist artist Laura Aguilar, Alma Lopez, Laura Molina, and Yreina D. Cervantez established a continuing counter-narrative of cultural hegemony and Western essentialized hegemonic identification. Through artistic expression they have developed an oppositional discourse that challenges racial stereotypes, discrimination, socio-economic inequalities, political representation, sexuality, femininity, and hegemonic discourse. I will present a complex critique of both art and culture through an inquiry of the production and evaluation of the Chicana feminist artist, their role as the artist, and their contributions to unfixing the traditional and marginalized feminine. I argue that third wave Chicana …
Cultural Identity, Deafness And Sign Language: A Postcolonial Approach, Steven Loughran
Cultural Identity, Deafness And Sign Language: A Postcolonial Approach, Steven Loughran
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
Franz Fanon’s Black Skin, White Masks describes the experience of the recently de-colonized members of the Negro (as he refers to those of African descent) population living in Europe, particularly France, in the 1960s. A little over a decade later, Edward Said published Orientalism, thus adding to a growing discipline of scholarship in the fields of art, literature, and cultural studies called “Postcolonialism.” My essay attempts to show that Deaf persons who communicate with each other using sign language can be viewed as a colonized group, and that applying postcolonial theory to the study of their culture is appropriate.
Desde Una Identidad Transnacional A La Hibridez: La Formación De La Nueva Identidad Nikkei En La Población Japonesa En El Perú, Nina Pincus
Scripps Senior Theses
Over the past century, the Japanese community in Peru has grown to be the second largest in South America. Their arrival and subsequent success in small businesses posed a threat to the Peruvian attempt to “whiten” their population. Because of this, racial conflicts arose between the Japanese and Peruvians, leading to the widespread “Yellow Peril” epidemic. Anti-Japanese sentiments caused immigration reduction laws and in the years leading up to WWII, tensions grew. During this time, the Japanese community remained ethnically close, maintaining transnational ties with Japan. This changed after the war, when their sojourner mentality changed to the permanence of …