Digital Commons Network^™

Decolonizing Interfaith Interaction: Common Humanity And Colonial Legacies, Teresa A. Crist

Electronic Theses and Dissertations

Among various formations of interfaith interaction in the United States, practitioners strive to build relationships across religious difference through appeals to commonality. Problematically, relying on commonality to unite religiously diverse groups can ignore the colonial history behind what is considered common across humanity, and may serve to make interfaith interaction ineffective. The interfaith project is itself connected to the colonial legacy of Western epistemology, which tacitly normalizes Protestant Christian norms and conceptions of “Religion” and human subjectivity. This dissertation explores whether interfaith interaction, while trying to relieve the religious oppression caused by the normalization of Christianity, may in fact support …

“Dialogical Offense:” A Postcolonial Womanist Deconstruction Of The Colonial Experience Of African American Women Through U.S. Institutional Apparatus Known As Criminal Justice Policy, April Michelle Woodson

Electronic Theses and Dissertations

The Black female experience in the United States is a colonized existence. This project’s analysis is specific to the North American U.S. geographic space and is not a diasporic project. Black women suffered from the greatest increase in the percentage of inmates incarcerated for drug offenses in the 1980’s and 1990’s which is the period of criminal justice policy formation and implementation on which this project is focused.

This project is uniquely situated in the overlap between womanist ethics and postcolonial feminist imagination and extends scholarship in both discourses by showing that there is an interwoven line between the colonial-to-contemporary …

"Ocular Proof": Race, Religion, And Gender In The Merchant Of Venice And Othello, Edward A. Cooper

Electronic Theses and Dissertations

This project is a study of the development of early modern racial categories in England - focusing on religion and skin color as primary modes of demarcation interwoven with other prevalent categories of language, ancestry/blood, nationality, and gender - as illuminated in William Shakespeare's The Merchant of Venice and Othello. Religion and skin color, then, are the primary modes of racializing individuals in early modern England and characters in Shakespeare's works. This essay studies the context of racial difference as present in English and European rhetoric, art, theater, and exploration. Given this context, the paper explores the poetic geography …