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A Mixtape For Your Minivan: Writing The Line Between Fiction And Non, Emily Lohr May 2017

A Mixtape For Your Minivan: Writing The Line Between Fiction And Non, Emily Lohr

Honors Program Projects

The following paper is an overview of the creation of the novella, A Mixtape for your Minivan, a coming-of-age story set in Cleveland during the Great Recession. This paper features an overview on novellas as a genre, an in-depth look at the drafting and editing process the author undertook while writing this novella, and a summary of all historical research done in relation to the novella. The paper also features excerpts from the first draft of the work, and author reflections on the various drafts. The following paper was written to partially fulfill the requirements of Olivet Nazarene’s Honors …


I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski Jan 2017

I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski

ETD Archive

In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …


(Re)Mediating The Spirit: Evangelical Christian Young Adult Media, Tamara Watkins Jan 2017

(Re)Mediating The Spirit: Evangelical Christian Young Adult Media, Tamara Watkins

Theses and Dissertations

"We are in the world, but not of the world," a maxim frequently spoken in evangelical Christian culture, provides insight into how these individuals view their relationship with secular culture. They presume to share the same temporal plane with secular culture, but do not participate in it. In this dissertation, I explore whether the division between evangelical Christian culture and secular culture is as clear as this aphorism implies. To facilitate this investigation, I examine media Christian content creators created for an American evangelical Christian young adult audience in the early twenty-first century, specifically focusing on novel-length fiction, comics and …